Originally Posted by
Lightfoot Roads
Good Morning, Dorien!
Start with classical mythology and tragedy plays. Mythology was just old fashioned science fiction, so the audience was encouraged to look at a character's motivations and reasonings and faults. The actual dirty deed were off stage (ob scene) as much for the protection of the society as to focus the attention on the character. The Illiad has a lot of revenge, and so does Electra and OEdepus, so that you know that not all revenge involves murder. There's that Ring thing Wagner wrote up, lots of revenge there. Macbeth, Richard the Third, and Othello - several people nursing grudges and grinding axes. Frankenstein and Moby Dick illustrate both real and apparent revenge.
Opera is a great 'on the hoof' source of revenge observation. Turandot portrays a vengeful princess, Carmen worked at it, and there's some in The Pearl Fishers. Rigoletto (a must see) and Nabucco, and Il Trovatorre has several axe grinders :grin: Di Luna, Acuzena and perhaps, not in a minor way, Ruiz. Let's not forget Faust! or Don Carlo.
Well, that's my bit, you may also find some shortcuts, especially for the operas, on YouTube, but I wish you a good essay!
LR