What's the best point of view for fiction?
What is your favorite point of view when writing fiction? I ask this now because, in reviewing some of my work prior to sending something out for publication, I stumbled across an interesting observation.
When I write something which is actually semi-autobiographical, it seems, I tend to write in the first person. This kind of stuff comes out good. On the other hand, things I write in an omniscient, or third person viewpoint seem sophomoric and trite. I'll do well in character development, but then my plot seems to unravel and slowdown -- it gets boring.
Anyone have any ideas on this? Oh, one more thing: writers I'm influenced by seem to be writing in the first person. Stephen Crane, Robert Louis Stevenson for example.
The can of worms having been opened...
Well! I'm still digging out from the snowstorm dropped by the Countess. Have you written this, novel and screenplay Countess? I am reading the screenplay now but felt the need to post... couldn't continue to read, without knowing, I guess.
And this Bastat character, well, I suppose I'm out of touch. As if I've been living on an augmented planet. But how does his rap, and this Vercini dude impinge upon the discussion about point of view? Not finding fault, mind you, only, maybe I'm having a little digestive type problem. It's as if I'm eating strange food in a strange restaurant and I'm not sure how it's going to come out, so to speak.
Oh, and vin1391, what is the second person again? I forget.
I kind of hate this: I came in here to find something to read. And then I find out that this is a place for writers to argue, and so forth, so I come here for my writing, and wind up reading again. I suppose there are worse problems, right?
Rebuttal from the dark side...
This existentialist business brought up by the Countess is really bugging me. Allow me to quote:
... introducing ideas that originated outside of the character's experience. [...] Fusing souls together and trying to create both a sense of individuality and unity simultaneously is hard as well. How much do they become one another and how much do they remain themselves? How does the introduction of another person's soul on another person influence that person, how much do traditional societal roles...
okay, now I need to tell you, my writing doesn't often call for this. But it does raise a very interesting idea. Often, I do need to transpose a character's thinking with a completely external paradigm. Take, for example, a revelation: the protagonist suddenly has an awakening of sorts. So, here are some ways:
1he has a dream -- a Newton's Apple, round earth type revelational dream.
He picks up a hitchhiker, who straightens him around.
He has a spiritual upload.
He witnesses something horrific
this business of being bitten, by something that transforms us, that's a horse of another color where anything goes.