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They were newly and remotely happy. He did not even regert the loss of his side in these times of dark, palpable joy. A certain exulatance swelled his soul.
But as time wore on, sometimes the rich glamour would leave them. Sometimes after months of intensity, a sense of burden overcame Isable, a weariness, a terrible ennui, in that silent house apporached betwee a colonnade of teall-shafted pines.
I found these lines interesting, becasue they seemed to equate Maurice's blindness and his relationship with Isabel after its occurance almost to that of a newly married couple, where at first they find a great bliss within it together, and the initmacy and isolation they have with each other, but as the reaility sets in more, and time wears on, they begin to have struggles with it. Such as often with a married couply as the years grow on, they begin to have difficulities within the marriage and the sort of paradise of it begins to fade.
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'Oh, I don't know. I might think differnetly now,' the blind man repiled. It was rather abstruse to Isabel
I wonder, is it becasue of the new persepctive on life that blindness gave Maurice that made him think his feelings for Bertie may be different than they once were?
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Her nerves were hurting her. She looked automaticaly at the hight, uncurtained windows. In the dusk she could just perceive outside a huge fir-tree swaying its boughs: it was as if she thought it rather than saw it. The rain came flying on the window panes. Ah, why had she no peace? These two men, why did they tear at her? Why did they not come-why was there this suspense?
I found this passage rather interesting, particualy the way in which it talked about how she "thought" the tree rather than "seeing it" in someways this seems to be a refelctiuon back to her husbands own blindness. As well, the great anxity she seems to feel over the idea in being left alone, and she wishes only that at least one of them should come to her.
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Thinking this of herself, she arched her grey eyebrows and her rather heavy eyelids, with a little flicker of a smile, and for a moment her grey eyes looked amused and wicked, a little sardonic, out of her transfigured Madonna face.
This passage seemed interesting to me, becasue in someways Isabel seems to take on the role of almost a mock Madona, though she genuinely cares for her husband, and they do love each other, in someways she seems almost to take on the role of martyr in having to look after both her husband, and soon child, as both will be equally dependent upon her, as well as the way in which she seems to choose to put herself in isolation with her husband. Originally she gives up her friend Bertie becasue she did not feel right continuing to be friends with him, becaue of her husband.
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She pulled on her overshoes, wrapped a large tartan shawl around her, put on a man's felt hat, and ventured out along the causeways of the first yard. It was very dark. The wind was roaring in the great elms behind the outhouses. When she came to the second yard the darkness seemed deeper. She was unsure of her footing. She wished she had brought a lantern. Rain blew agianst her. Half she liked it, half she felt unwilling to battle.
I put the most imporant part in bold. It seems there are several instnaces within this story in which Isabel feels torn or caught between two different emtions, feelings or thoughts. As here she talks about her feelings of the rain. And later she talks about how she is both frightend and excited when she is in the darkness of the stables. Many cases she seemes to feel contradicting feelings.