Sell everything, buy a sailboat, go where you want, eat lots of seafood, write travel articles, and spend money only when in port (two days a month). But you won't need to learn other languages, because there won't be people around to speak to.
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I have four children, (all under 11 years old) have a full time stressful job, mortgage, bills, Amazon.com (one of the major expenses) still I have managed to travel a good deal, learned six different languages, learned a good deal about other cultures and come to the conclusion that it was all well worth it. I am waiting for the kids to grow up and be independent. Then I'll pursue knowledge systematically. I haven't even started yet and there is a long way to go. I am not rich, my face never appeared on the front page (on any page, for that matter). Where there is a will there is a way. Nothing should stop us from aiming high.
I have serious problems with psychoanalytical interpretations of any literature therefore would stay away from Freud's readings of Shakespeare (read them back in early 90s and developed an instant abhorrence for them). Have you been watching Mel Gibson's Hamlet recently, Brasil?
The only thing that actually requires a substantial amount of money is travelling. Whether you want to learn new languages or about other cultures is a personal choice; those who set aside time for personal endeavors will find the time to do those things. By no means are these people confined to the "idle rich". It simply depends on whether or not the person in question wants to learn.
I think I can claim that I've tired to learn new languages and about new cultures and I am poor.
The Sanskrit language is one that is both very flexible and very precise.
Take a look at the following site: http://acharya.iitm.ac.in/sanskrit/tutor.html, it is for self-study.
Make learning (languages, about other cultures, etc.) a family thing? :D
Yes, you are correct, I am not married with children. Probably won't be for years either (if at all).
Audiobooks are great for long car drives (well, anything > 30 minutes), something that seems common among many Americans.
Anyways, the advice is good advice for young'uns like me. :)
But who is the Shakespeare of Iran? There are so many very great poets who wrote in Persian Language. Is it Sa'adi, the Nightingale of Shiraz, or is it Hafiz (weren't the random pages of his works used to forecast future events?) Is it the majestic Firdausi, or the beautifully lyrical Rudki. Even Ghalib and Mir and other masters from Delhi left behind a huge amount of poems in Persian. How could a language attract poets from so far and distant lands? StLukesGuild should be able to elaborate this point but Persian sensibility can be traced in the beautiful miniature paintings if you don't know the language.
Persia is indeed a fascinating culture... perhaps THE most fascinating culture of the middle-east. I have long been fascinated with Persian/Islamic art, but it has only been recently... as part of a course on Non-Western art... that I have delved into it a bit deeper. The Persian Empire was one of the greatest empires of the ancient world. It outlasted both the Greek Empire and the Roman. Some major miscalculations, poor leadership, and a direct confrontation with the Byzantine Empire resulted in the collapse of an empire that had lasted more than a millennium. Much of the art and architecture of Persia was destroyed over the ensuing years... first under the Arab/Islamic invasions, and then under the Mongols. Nevertheless, what remains of ancient Persia is quite evocative and exquisite:
http://i90.photobucket.com/albums/k2...rGatesmall.jpg
The famous "Ishtar Gate"
http://i90.photobucket.com/albums/k2...fSculpture.jpg
Temple relief sculpture
http://i90.photobucket.com/albums/k2...ia_capital.jpg
Support column and ornate capital
http://i90.photobucket.com/albums/k2..._2-238x317.jpg
Ishtar
http://i90.photobucket.com/albums/k2...guild/0154.jpg
Sculptural fragment of a horse
http://i90.photobucket.com/albums/k2.../p059pic01.jpg
Bronze portrait bust
Among the most exquisite Persian artistic achievements were their ornate metal works. There is more than ample evidence to prove that the Persians had mastered working in metal on an epic scale:
http://i90.photobucket.com/albums/k2...hicago_mus.gif
continued...
But the most influential works were their smaller metal objects: plates...
http://i90.photobucket.com/albums/k2...F193423450.jpg
... serving challises-
http://i90.photobucket.com/albums/k2...0-2900_BCE.gif
http://i90.photobucket.com/albums/k2...p049_large.jpg
The ornate patterns and abstracted animal forms were especially influential...
http://i90.photobucket.com/albums/k2...ndle_Lovre.jpg
... and this influence spread east to the Scythians (themselves of Persian/Iranian stock) and via the the Scythians, Persian innovations in metals spread along the Silk Road to China as well as northward to the Celts... who would take their own interpretation of the Persian love of ornate patterned metalry all the way to Western Europe and as far as Ireland:
http://i90.photobucket.com/albums/k2...anNecklace.jpg
Scythian Necklace
http://i90.photobucket.com/albums/k2.../SuttonHoo.jpg
Celtic/Saxon latch
Following the fall of the Persian Empire to the Byzantines, the Islamic Arabs swept into Persia. The Arabs conquest of Persia might be best compared with the Mongol conquest of China. In both instances the greater nation with a grand cultural history was overcome by smaller, nomadic, horse-bound armies of a people who were far less sophisticated... even "crude" in comparison. From the Byzantine Empire, the Persians absorbed the Byzantine use of ceramic tiles and mosaics. From the Arabs, the Persians absorbed Islam. The Arabs, in turn, would absorb most of their art and culture from Persia. Persia housed the great libraries and provided the great poets whose words would spread throughout the Islamic world. Persia would house the great schools of calligraphy, painting, ceramic design, etc... (especially at Tabriz, Herat, and Shiraz). The ornate interweavings of Persia design would be absorbed by Arab/Islamic calligraphers:
http://i90.photobucket.com/albums/k2...ld/isbook6.gif
http://i90.photobucket.com/albums/k2...guild/1412.jpg
http://i90.photobucket.com/albums/k2...uild/koran.jpg
continued...
Contrary to strictures laid down by many Arab/Islamic clerics, Persia never abandoned the concept of figurative art. The painters of Persian miniatures rank among the greatest painters in history, while the finest Persian illuminated manuscripts equal the greatest examples of books arts (the Book of Kells, the Lindesfarne Gospels, the Tres Riches Heures of the Limbourg Brothers, etc...) to be found anywhere:
http://i90.photobucket.com/albums/k2...hb_6321011.jpg
http://i90.photobucket.com/albums/k2...ld/1576s-1.jpg
http://i90.photobucket.com/albums/k2...ad-Yusef-1.jpg
Persian art has been a direct influence upon artists ranging from Ingres and Delacroix through Renoir, Matisse, Chagall, and Paul Klee and on to contemporaries such as Howard Hodgkin, Francesco Clemente (among others). Looking at the spread of artistic forms rooted in Persian culture throughout the realm of Islam (from Eastern Europe, throughout the Middle-East, India, North-Africa, and into Spain, Portugal and Southern France) one cannot help but recognize the fact that Western Culture has been just as profoundly impacted by Persian/Arabic culture as it has been by the Greco/Roman heritage, and Hebrew/Judeo-Christian. It is too bad that the current war in the Middle-East, as well as radical Islam... and the exaggerated responses to radical Islam, results in many never recognizing just how rich a culture there is there to be found.
Great information on Persian art and culture. Thank you, stlukesguild.
And I add some other parts. Besides what stlukesguild mentioned, persian carpet "is an essential part of Persian art and culture. Carpet-weaving is undoubtedly one of the most distinguished manifestations of Persian culture and art, and dates back to ancient Persia. The art of carpet weaving in Iran has its roots in the culture and customs of its people and their instinctive feelings. Weavers mix elegant patterns with a myriad of colors. The Iranian carpet is similar to the Persian garden: full of florae, birds, and beasts."
http://www.therugs.com/
http://www.persiancarpethouse.com/
http://www.orgtx.com
Tabriz Floral Medallion
http://www.therugs.com/images/CPEL/M...edalion100.jpg
http://www.spongobongo.com/em/Bij9750a.jpg
Persian Miniature
Farshchian, Morning star. I love this miniature.
http://sofia82.persiangig.ir/image/morningstarPU.jpg
http://www.blindowl.org/min.gif
http://negareha.net/arts/farahnaz/Mi.../images/6b.jpg
http://www.persianpaintings.com/imag.../aliaqami1.jpg
http://sofia82.persiangig.ir/image/p..._miniature.jpg
I really dream of traveling around the world. It must be a great experience seeing people, countries, sceneries. But no experience :bawling:
To strive, to seek, to find, and not to yield!
Funny how all conversations of travel always lead me to Tennyson's Ulysses.
For those who have not yet read it,
http://en.wikisource.org/wiki/Ulysses_%28Tennyson%29
This is perhaps the most perfect poem for memorization, as it has some of the greatest moments of English literature in its scope.
As for me, I plan to travel when I can, but I am on a student budget, and, unless I can secure work in a foreign country before I leave my home, will not venture out there without a full wallet.
I was quite blessed in my youth to visit many countries (I even got as far as Bali Indonesia, and Laos on one of my trips) and have seen many things. The one strange thing is though, no matter how versed in a language one is, in the majority of places I have gone, locals will always resort to English rather than listen to a foreign accent. I am fluent perfectly in Hebrew, yet in Israel
as soon as I utter one syllable, English enters the conversation.
That being said, language learning is essential for really enjoying the arts. Unfortunately, for the most part the arts are limited to the rich, though thanks to photography and film one can see more by standing still, and for nothing. It is a real shame however, that unlike Europe, the U.S. and Canadian mindset seems to be off of language learning, and geared more towards social sciences and sciences. Perhaps the cost of language learning though is the real problem, being that unless the school is quite large, most languages will not be taught, and outside of school lessons are always expensive. Universities provide excellent options for diverse learnings, multiple languages included, however time and money seem a problem there too.
I guess than one must really know where they wish to end up when they choose which languages to study, and which not to. That being said, map out the next 20 years of your language learning life before embarking on learning a language.
You could put into German, French, Yiddish, Italian, and English speaking ports. French and English would cover most of Africa and Asia. Far out at sea there aren't many storms, but there are plenty of fish but no places to spend money. Just the amount you saved in a year would pay for the boat. The canoe would come in handy for landing on uninhabited islands.
All you youngsters (I will be reaching the end of my 30s soon, so I don't count anymore), try to do some volunteer work abroad. This is a unique and most effective way of learning a new culture and language. Try teaching English Literature abroad, come to England and teach literature here. It will open your eyes. The thing is unimaginably different from anywhere else. Resistance to learning other languages is a disease of all English-speaking nations, not just the US or Canada. We think we don't need another language. My English-speaking wife laughed when I first brought the primers of French language for my kids. Now she is the only one in the household who can't speak that language!
It is a manifestation of the spirit of adventure, learning new language requires, hard and sustained effort, self-discipline and perseverance. It is like an odyssey with its own perils and pitfalls, despair being the biggest one among them.
Thanks stlukesguild and Sofia for your comprehensive and highly informative replies. Only if there was some way of explaining the Persian poetry. Khayyam's Rubaiyat are just not what we see in English translation, they are more, much more. Khayyam is considered a major astronomer and mathematician and not a major poet in is home-country. This should give an idea of the people with whom he is competing for that title.
Edit:
Teaching/ Learning English Literature in England might not teach a new language but the concept of the 'canon' is so different here that it might give some a cultural shock.