Originally Posted by
Janine
Virgil, the idea of the fire, fireplace, firey sunsets, etc, that we have been discussing in the short story interested me greatly. I started to notice many passages in the second chapter of S&L, using the fire images, also. They are numerous. I do agree with your passages in the short story posts about the fire and the idea now of the mining community not being entirely dismal or horrid. I should amend my saying so earlier. The mining community is in direct contrast at this point with the natural environment and therefore, you are correct in saying, that this begins some of the duality that inhabits much of Lawrence's work to follow. Later on Lawrence pursues, more negatively, the effects of industrialisation in the world, more so than he did in these earlier books. I do find that he writes more menacing about the pits and the destruction of the land even back then at times, but it does become a source of the family's existence and support, so we can't see it as a negative thing, entirely. Once again the whole subject is presented in a complex manor and with no real solution to the environmental issues is ever truly offered. For instance, if we don't have the jobs for the minors in the ugly pits then how would they support their family. Again, this supports the fact that the wife of Morel often 'puts him down' saying he is dirty. Yet she accepts the money he has earned willingly(his job is the reason he is dirty with coal soot), to support herself and her children.