According to him, they were. Also knuckledusters, chains and all the other stuff of hand-to-hand gang warfare.
But so what? He says so; you say otherwise. The two are contradictory and useless as evidence for or against cultural decline.
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They're earlies, give it a few weeks and you can go and get your Elsantas.:thumbs_upQuote:
No, but it is a great example of why relying on anecdotal 'evidence' is intrinsically unreliable, as a quick trip into the Manchester City Centre Tesco (to pick up milk for the office tea bellies) evidenced Sabrosa and Festival variety strawberries on offer and not an Elsanta in sight!
Poor little Billy sounds awfully cute with his penknife but not everyone thinks so:
http://news.bbc.co.uk/1/hi/uk_politics/7484103.stm
This debate has seemingly devolved into your social pathology is better than mine, and it is not really an indicator of cultural apex, cultural golden age, or cultural decline.
Look, I complain on my blog about social pathology all the time. The attendants who have victimized me have kept my post traumatic stress symptoms alive and well, and turned my biases into a nearly entrenched certainty of experience, so my heart bleeds, truly, for instructors on the front line-- but luke and Neely and Brian and Fifth and me can sit down over coffee and revel in Wilde's attributes, yes?
Isn't that a retention, even a strength, of Western cultural resilience? I don't like muddy waters when it seems no one has a decent definition of what they mean.
As for the Araxes, it is, according to some accounts, larger, according to others smaller than the Ister (Danube). It has islands in it, many of which are said to be equal in size to Lesbos. The men who inhabit them feed during the summer on roots of all kinds, which they dig out of the ground, while they store up the fruits, which they gather from the trees at the fitting season, to serve them as food in the winter-time. Besides the trees whose fruit they gather for this purpose, they have also a tree which bears the strangest produce. When they are met together in companies they throw some of it upon the fire round which they are sitting, and presently, by the mere smell of the fumes which it gives out in burning, they grow drunk, as the Greeks do with wine. More of the fruit is then thrown on the fire, and, their drunkenness increasing, they often jump up and begin to dance and sing. Such is the account which I have heard of this people. -Herodotus Histories
:s,ilielol5:
How do you rate them on the goodness and badness scale?
How do they compare against life say, 400 years ago, under the fuedal system. Was virtual slavery an advantage in cultural excellence.
I think you're getting closer to Aunty S's problem though, which is actually: "Cultures Change".
SLG has been berating the point, but I'd like to add that cultures do change, and the evidence for that is pretty obvious. Change does not equate to improvement or regression, it just means change.
Amen.
But those people are not aristocratic, neither schoolboys. They didn't live in England, so they do not account for Western Civilization. Plus, statistic is bad, unless they are used as something vague, numberless.
After a time travel, I finally found a society without social revolt. There was no decline, saddly no improvement either. They are called dinossaurs and they have two suns. One that moves straight to the earth, according to Mr.Flintstone. By the way, I am nitpicking because the irony of irony cann't be well understood unless a prostitute (this recent invention of human society) threw the naked truth on me.
Rest assured that it doesn't break down until it reaches the point of Godwin's Law. (Although the earlier references to Goering come close!)
Back to the point of whether we've only recently begun to slip down the proverbial slippery slope or if it goes back 40 years or more, here's some more "anecdotal evidence"(a contradiction in "terms.")
Back when Dwight MacDonald was writing his seminal essay, there was no Internet, no cable. The predominant mass medium was broadcast television. We were the famous "last family in the neighborhood" to get a TV, and I think I was about 8 years old when we finally had one, which only brought in one VHF channel well, another family member having broken the dial.
But this was the time of "The Golden Age of Television,"which offered important plays on the Philco Playhouse,Kraft Theatre, Playhouse 90, and the like, with the works of Odets, Serling, Chayevsky, etc. Those drama series were somewhat like the equivalent of Masterpiece Theatre on PBS today, or since they were contemporary teleplays, like HBO without the swearin'. Keep in mind though, they were on network tv, which today offers soul-killing "reality" shows, and the dumbest fare you can think of.
But even then, Newton Minnow of the FCC complained about the "vast wasteland," as many viewers watched the "l.o.p."--"least objectionable program." There were just as many lame-o sitcoms in the early 60s as there are now,
but they were tempered with real talents, such as Sid Caesar,Carl Reiner, Dick van Dyke, even Woody Allen and Neil Simon.
These days it's rare for even PBS to broadcast an opera, a ballet, or a concert of classical music. (Their more-and-more frequent "pledge breaks" have been going the "pop" music route. Last week they even had "The Beatles" --in the personae of a "tribute" band!)
But can you imagine one of the 3 American networks actually putting classical music on during prime time. But they did at one time. Now, this is going way, way back, but when I was little I used to watch Leonard Bernstein explain the various instruments of the orchestra and how they related to the symphony that they were about to perform. Even then, when I was so young and uncouth and never introduced to the finer things in life, I thought it was wonderful. This is what the rich kids have," I remember thinking, "this is what they've got in Westchester County and Connecticut." Just last fall when
I learned about Earl Shorris's humanities program, I realized that decades ago I must have had the same feelin as
his students
So --in the very limited domain of the idiot box, yes the culture has definitely deteriorated.
The two most popular free-to-air TV shows in the UK in the last year I paid attention (2009, I think) were Big Brother and the BBC's dramatisation of Bleak House - all ten hours of it. The figures suggest that the audiences overlapped by a high percentage. The Proms at the Albert Hall are screened every year, and get huge ratings.
Ordinary people like loads of stuff. The audience's tastes are less stereotypically predictable than marketing strategists would have us believe.
.....
Interesting. Could you provide the overlap figures that suggest a high percentage of Big Brother's audience also watched the ten episodes of Bleak House ? I am also one of those who occasionally watch the Promenade concerts, but I would be interested to see the figures for those particular audiences, throughout the whole of the season and not just the razzmatazz of the last night, compared to those of, say, X Factor or any of the mass audience programmes that habitually occupy television screens today.
I really hoped that you would say "I will ask my father."
Anyways, could you provice the anedoctal evidence anyways? Give Emil some credit (or rope), plus it is interesting data. (Even if irrelevant, Dickens was accused as one of the motors behind the decline of higher literature, in his books there is not much aristocracy and many boys out of school, so Bleak House is obviously ready for trashcan).