Exempli Gratia: Classic Poetry

Love's Secrets

LOVE'S eye should but answer the beam that invites it,
The glance that tells secrets true heart never won,
The delicate mind veils the hope that requites it,
Lest it die, like the fire when exposed to the sun.

Dear woman's the exquisite magnet of nature,
And love is the heart-thrilling homage we pay;
But beauty has not a more delicate feature,
Than the caution that Love should, if grateful display.

That name to the heart which sweet transport discloses
Too sacred should be for a toast or a tale;
And the breathings of Love, like the perfumes of roses,
Are exquisite death when surcharging the gale.

THE GENESIS OF THE BUTTERFLY
The dawn is smiling on the dew that covers
The tearful roses; lo, the little lovers
That kiss the buds, and all the flutterings
In jasmine bloom, and privet, of white wings,
That go and come, and fly, and peep and hide,
With muffled music, murmured far and wide.
Ah, the Spring time, when we think of all the lays
That dreamy lovers send to dreamy mays,
Of the fond hearts within a billet bound,
Of all the soft silk paper that pens wound,
The messages of love that mortals write
Filled with intoxication of delight,
Written in April and before the May time
Shredded and flown, playthings for the wind's playtime,
We dream that all white butterflies above,
Who seek through clouds or waters souls to love,
And leave their lady mistress in despair,
To flit to flowers, as kinder and more fair,
Are but torn love-letters, that through the skies
Flutter, and float, and change to butterflies

An Art Critic

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Ira P. Rankin, you've a nasal name--
I'll sound it through "the speaking-trump of fame,"
And wondering nations, hearing from afar
The brazen twang of its resounding jar,
Shall say: "These bards are an uncommon class--
They blow their noses with a tube of brass!"
Rankin! ye gods! if Influenza pick
Our names at christening, and such names stick,
Let's all be born when summer suns withstand
Her prevalence and chase her from the land,
And healing breezes generously help
To shield from death each ailing human whelp!
"What's in a name?" There's much at least in yours
That the pained ear unwillingly endures,
And much to make the suffering soul, I fear,
Envy the lesser anguish of the ear.

So you object to Cytherea! Do,
The picture was not painted, sir, for you!
Your mind to gratify and taste address,
The masking dove had been a dove the less.
Provincial censor! all untaught in art,
With mind indecent and indecent heart,
Do you not know--nay, why should I explain?
Instruction, argument alike were vain--
I'll show you reasons when you show me brain.

No, no, no, no! Come, let's away to prison.
We two alone will sing like birds i'the cage.
When thou dost ask me blessing, I'll kneel down,
And ask of thee forgiveness. So we'll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news; and we'll talk with them too,
Who loses and who wins; who's in, and who's out;
And take upon 's the mystery of things,
As if we were Gods' spies; and we'll wear out,
In a walled prison, packs and sects of great ones,
That ebb and flow by the moon. (5.3.8-19)

MORE STRONG THAN TIME

by: Victor Hugo (1802-1885)

SINCE I have set my lips to your full cup, my sweet,
Since I my pallid face between your hands have laid,
Since I have known your soul, and all the bloom of it,
And all the perfume rare, now buried in the shade;

Since it was given to me to hear on happy while,
The words wherein your heart spoke all its mysteries,
Since I have seen you weep, and since I have seen you smile,
Your lips upon my lips, and your eyes upon my eyes;

Since I have known above my forehead glance and gleam,
A ray, a single ray, of your star, veiled always,
Since I have felt the fall, upon my lifetime's stream,
Of one rose petal plucked from the roses of your days;

I now am bold to say to the swift changing hours,
Pass, pass upon your way, for I grow never old,
Fleet to the dark abysm with all your fading flowers,
One rose that none may pluck, within my heart I hold.

Your flying wings may smite, but they can never spill
The cup fulfilled of love, from which my lips are wet;
My heart has far more fire than you can frost to chill,
My soul more love than you can make my soul forget.

This English translation of "More Strong than Time" was composed by Andrew Lang (1844-1912).

THE OCEAN'S SONG

by: Victor Hugo (1802-1885)

E walked amongst the ruins famed in story
Of Rozel-Tower,
And saw the boundless waters stretch in glory
And heave in power.

O Ocean vast! We heard thy song with wonder,
Whilst waves marked time.
"Appear, O Truth!" thou sang'st with tone of thunder,
"And shine sublime!

"The world's enslaved and hunted down by beagles,
To despots sold.
Souls of deep thinkers, soar like mighty eagles!
The Right uphold.

"Be born! arise! o'er the earth and wild waves bounding,
Peoples and suns!
Let darkness vanish; tocsins be resounding,
And flash, ye guns!

"And you who love no pomps of fog or glamour,
Who fear no shocks,
Brave foam and lightning, hurricane and clamour,--
Exiles: the rocks!"

This English translation of "The Ocean's Song" was composed by Toru Dutt (1856-1877).

"How came it that this prudent, economical man was also generous? That this chaste adolescent, this model father,

grew to be, in his last years, an ageing faun? That this legitimist changed, first into a Bonapartist, only, later

still, to be hailed as the grandfather of the Republic? That this pacifist could sing, better than anybody, of the

glories of the flags of Wagram? That this bourgeois in the eyes of other bourgeois came to assume the stature of a

rebel? These are the questions that every biographer of Victor Hugo must answer." (from Olympio: The Life of Victor

Hugo by André Maurois, 1954)

Fires

THE little fires that Nature lights --
The scilla's lamp, the daffodil --
She quenches, when of stormy nights
Her anger whips the hill.

The fires she lifts against the cloud --
The irised bow, the burning tree --
She batters down with curses loud,
Nor cares that death should be.

The fire she kindles in the soul --
The poet's mood, the rebel's thought --
She cannot master, for their coal
In other mines is wrought.

Joseph Campbell (1923)

To My Sister

IT is the first mild day of March:
Each minute sweeter than before
The redbreast sings from the tall larch
That stands beside our door.

There is a blessing in the air,
Which seems a sense of joy to yield
To the bare trees, and mountains bare,
And grass in the green field.

My sister! ('tis a wish of mine)
Now that our morning meal is done,
Make haste, your morning task resign;
Come forth and feel the sun.

Edward will come with you—and, pray,
Put on with speed your woodland dress;
And bring no book: for this one day
We'll give to idleness.

No joyless forms shall regulate
Our living calendar:
We from to-day, my Friend, will date
The opening of the year.

Love, now a universal birth,
From heart to heart is stealing,
From earth to man, from man to earth:
—It is the hour of feeling.

One moment now may give us more
Than years of toiling reason:
Our minds shall drink at every pore
The spirit of the season.

Some silent laws our hearts will make,
Which they shall long obey:
We for the year to come may take
Our temper from to-day.

And from the blessed power that rolls
About, below, above,
We'll frame the measure of our souls:
They shall be tuned to love.

Then come, my Sister! come, I pray,
With speed put on your woodland dress;
And bring no book: for this one day
We'll give to idleness.


— William Wordsworth, 1798

THE GARDEN OF PROSPERPINE

Here, where the world is quiet;
Here, where all trouble seems
Dead winds' and spent waves' riot
In doubtful dreams of dreams;
I watch the green field growing
For reaping folk and sowing,
For harvest-time and mowing,
A sleepy world of streams.


I am tired of tears and laughter,
And men that laugh and weep;
Of what may come hereafter
For men that sow to reap:
I am weary of days and hours,
Blown buds of barren flowers,
Desires and dreams and powers
And everything but sleep.


Here life has death for neighbour,
And far from eye or ear
Wan waves and wet winds labour,
Weak ships and spirits steer;
They drive adrift, and whither
They wot not who make thither;
But no such winds blow hither,
And no such things grow here.


No growth of moor or coppice,
No heather-flower or vine,
But bloomless buds of poppies,
Green grapes of Proserpine,
Pale beds of blowing rushes
Where no leaf blooms or blushes
Save this whereout she crushes
For dead men deadly wine.


Pale, without name or number,
In fruitless fields of corn,
They bow themselves and slumber
All night till light is born;
And like a soul belated,
In hell and heaven unmated,
By cloud and mist abated
Comes out of darkness morn.


Though one were strong as seven,
He too with death shall dwell,
Nor wake with wings in heaven,
Nor weep for pains in hell;
Though one were fair as roses,
His beauty clouds and closes;
And well though love reposes,
In the end it is not well.


Pale, beyond porch and portal,
Crowned with calm leaves, she stands
Who gathers all things mortal
With cold immortal hands;
Her languid lips are sweeter
Than love's who fears to greet her
To men that mix and meet her
From many times and lands.


She waits for each and other,
She waits for all men born;
Forgets the earth her mother,
The life of fruits and corn;
And spring and seed and swallow
Take wing for her and follow
Where summer song rings hollow
And flowers are put to scorn.


There go the loves that wither,
The old loves with wearier wings;
And all dead years draw thither,
And all disastrous things;
Dead dreams of days forsaken,
Blind buds that snows have shaken,
Wild leaves that winds have taken,
Red strays of ruined springs.


We are not sure of sorrow,
And joy was never sure;
To-day will die to-morrow;
Time stoops to no man's lure;
And love, grown faint and fretful,
With lips but half regretful
Sighs, and with eyes forgetful
Weeps that no loves endure.


From too much love of living,
From hope and fear set free,
We thank with brief thanksgiving
Whatever gods may be
That no life lives for ever;
That dead men rise up never;
That even the weariest river
Winds somewhere safe to sea.


Then star nor sun shall waken,
Nor any change of light:
Nor sound of waters shaken,
Nor any sound or sight:
Nor wintry leaves nor vernal,
Nor days nor things diurnal;
Only the sleep eternal
In an eternal night.

Song from Cymbeline by William Shakespeare

Fear no more the heat o' th' sun
Nor the furious winter's rages;
Though thy worldly task hast done,
Home art gone and ta'en thy wages.
Golden lads and girls all must,
As chimney-sweepers, come to dust.

Fear no more the frown o' th' great;
Thou art past the tyrant's stroke.
Care no more to clothe and eat;
To thee the reed is as the oak.
The sceptre, learning, physic, must
All follow this and come to dust.

Fear no more the lightning flash,
Nor th' all-dreaded thunder-stone;
Fear no slander, censure rash;
Thou hast finished joy and moan.
All lovers young, all lovers must
Consign to thee and come to dust.

No exorciser harm thee,
Nor no witchcraft charm thee.
Ghost unlaid forbear thee;
Nothing ill come near thee.
Quiet consummation have,
And renowned be thy grave.

ABRACADABRA.

By Abracadabra we signify
An infinite number of things.
'Tis the answer to What? and How? and Why?
And Whence? and Whither? -- a word whereby
The Truth (with the comfort it brings)
Is open to all who grope in night,
Crying for Wisdom's holy light.

Whether the word is a verb or a noun
Is knowledge beyond my reach.
I only know that 'tis handed down.
From sage to sage,
From age to age --
An immortal part of speech!

Of an ancient man the tale is told
That he lived to be ten centuries old,
In a cave on a mountain side.
(True, he finally died.)
The fame of his wisdom filled the land,
For his head was bald, and you'll understand
His beard was long and white
And his eyes uncommonly bright.

Philosophers gathered from far and near
To sit at his feat and hear and hear,
Though he never was heard
To utter a word
But "Abracadabra, abracadab,
Abracada, abracad,
Abraca, abrac, abra, ab!"
'Twas all he had,
'Twas all they wanted to hear, and each
Made copious notes of the mystical speech,
Which they published next --
A trickle of text
In the meadow of commentary.
Mighty big books were these,
In a number, as leaves of trees;
In learning, remarkably -- very!

He's dead,
As I said,
And the books of the sages have perished,
But his wisdom is sacredly cherished.
In Abracadabra it solemnly rings,
Like an ancient bell that forever swings.
O, I love to hear
That word make clear
Humanity's General Sense of Things.
{allegedly written by Jamrach Holobom}

THE MALDIVE SHARK

by: Herman Melville (1819-1891)

BOUT the Shark, phlegmatical one,
Pale sot of the Maldive sea,
The sleek little pilot-fish, azure and slim,
How alert in attendance be.
From his saw-pit of mouth, from his charnel of maw,
They have nothing of harm to dread,
But liquidly glide on his ghastly flank
Or before his Gorgonian head;
Or lurk in the port of serrated teeth
In white triple tiers of glittering gates,
And there find a haven when peril's abroad,
An asylum in jaws of the Fates!
They are friends; and friendly they guide him to prey,
Yet never partake of the treat--
Eyes and brains to the dotard lethargic and dull,
Pale ravener of horrible meat.

"The Maldive Shark" was originally published in John Marr and Other Sailors. Herman Melville. Privately printed, 1888.

The Harlot's House

We caught the tread of dancing feet,
We loitered down the moonlit street,
And stopped beneath the harlot's house.

Inside, above the din and fray,
We heard the loud musicians play
The 'Treues Liebes Herz' of Strauss.

Like strange mechanical grotesques,
Making fantastic arabesques,
The shadows raced across the blind.

We watched the ghostly dancers spin
To sound of horn and violin,
Like black leaves wheeling in the wind.

Like wire-pulled automatons,
Slim silhouetted skeletons
Went sliding through the slow quadrille,

Then took each other by the hand,
And danced a stately saraband;
Their laughter echoed thin and shrill.

Sometimes a clockwork puppet pressed
A phantom lover to her breast,
Sometimes they seemed to try to sing.

Sometimes a horrible marionette
Came out, and smoked its cigarette
Upon the steps like a live thing.

Then, turning to my love, I said,
'The dead are dancing with the dead,
The dust is whirling with the dust.'

But she--she heard the violin,
And left my side, and entered in:
Love passed into the house of lust.

Then suddenly the tune went false,
The dancers wearied of the waltz,
The shadows ceased to wheel and whirl.

And down the long and silent street,
The dawn, with silver-sandalled feet,
Crept like a frightened girl.

Ode To Himself, An

Where dost thou careless lie
Buried in ease and sloth?
Knowledge that sleeps, doth die
And this security,
It is the common moth
That eats on wits and arts, and that destroys them both.

Are all the Aonian springs
Dried up? lies Thespia waste?
Doth Clarius` harp want strings,
That not a nymph now sings;
Or droop they as disgraced,
To see their seats and bowers by chattering pies defaced?

If hence thy silence be,
As `tis too just a cause,
Let this thought quicken thee:
Minds that are great and free
Should not on fortune pause;
`Tis crown enough to virtue still, her own applause.

What though the greedy fry
Be taken with false baits
Of worded balladry,
And think it poesy?
They die with their conceits,
And only piteous scorn upon their folly waits.

Then take in hand thy lyre;
Strike in thy proper strain;
With Japhet`s line aspire
Sol`s chariot, for new fire
To give the world again:
Who aided him, will thee, the issue of Jove`s brain.

And, since our dainty age
Cannot endure reproof,
Make not thyself a page
To that strumpet the stage;
But sing high and aloof,
Safe from the wolf`s black jaw, and the dull ***` hoof.