Significance in the beating of Velutha and Ammu's departure
• “Enough? Enough. They stepped away from him. Craftsmen assessing their work. Seeking aesthetic distance." (294)
The beating of Velutha takes place in a very systematic fashion. The policemen do it as if it is a routine thing, without a thought that they are hurting a person. Velutha is portrayed as something completely worthless in this scene. The policemen do not even punch him because of Velutha's untouchable status, and instead kick him continuously as if he is not even human.
• “It isn’t him,” Rahel whispered to Estha. “I can tell. It’s his twin brother. Urumban. From Kochi.”
Unwilling to seek refuge in fiction, Estha said nothing. (295)
At this point in the novel the difference between Rahel's and Estha's perceptions of the world become evidently different. Rahel can not face the truth in things and instead convinces herself that the bad things in her life aren't really happening. We see this in the passage refereced above in that Rahel refuses to acknowledge that it is her beloved Velutha that was beaten.
Estha on the other hand perceives the unfortunate events in his life realistically. He remains silent rather than trying to convince himself of a better scenario.
• “Little Elivis the Pelvis with a spoiled, special outing puff. And beige and pointy shoes. He left his voice behind.” (309)
When Ammu Leaves the twins, we see that the hope that Estha had of being with his mother vanishes, and he faces the reality that she will most likely never come back. With this realization he “left his voice behind”.
• “On the station platform Rahel doubled over and screamed and screamed.” (309)
The strong bond between Ammu and the twins has been emphasized throughout the novel. Here when Ammu leaves the twin and leaves them heartbroken, we see that Rahel doubles over and screams as if their bond is being physically broken as the train takes Ammu away.