Originally Posted by
stlukesguild
A culture that values education and would not dare to shame their parents. In spite of the success of the Asians as prodigals, few have survived to make it within the world of classical virtuoso performers. Within my entire collection of classical CDs (some 2000+) I have some 6 or 7 discs featuring Yo-Yo Ma, 3 or 4 with Myung-Whun Chung, 2 with Sumi Jo, and one conducted by Seiji Ozawa. At the same time, the only classical composers from Asia to have really broken into the West seem to have been Toru Takemitsu and Tan Dun. The biggest virtuosos (Anne Sophie Mutter, Murray Perahia, Rudolph Serkin, Marc-André Hamelin, Itzhak Perlman, Joshua Bell, David Barenboim, Julia Fischer, Hilary Hahn, Rachel Podger, Andrew Manze, Angela Hewitt, Andreas Schiff, Emmanuel Ax, Alfred Brendel, Jean-Efflam Bavouzet) solo vocalists (Rene Fleming, Philippe Jaroussky, Veronique Gens, Anne Sofie von Otter, Cecilia Bartoli, Anna Netrebko, Magdalena Kozena, Lorraine Hunt Lieberson, Rolando Villazon, Danielle de Niese, Bejun Mehta, Andreas Scholl, Michael Chance, Natalie Dessay, Sandrine Piau, Robin Blaze etc...) and conductors (John Eliot Gardiner, Emmanuelle Haïm, William Christie, Rinaldo Alessandrini, Rene Jacobs, Sir Charles Mackerras, Marc Minknowski, Ton Koopman, Esa-Pekka Salonen, Simon Rattle, Valery Gergiev, etc... although there is the brilliant Maasako Suzuki) all remain dominantly European and American.