What is the last movie you saw? and rate it.

Empire of Passion (1978; Nagisa Oshima) - 8/10

Frequently cited as a companion film to Oshima's controversial, revolutionary In The Realm of the Senses, Empire is a much more conventional film that blends elements of noir, romance, horror, and Japanese folktales. The basic story will be familiar to anyone who's seen any of the Postman Always Rings Twice adaptations (a woman and her lover plot to kill her husband), but Oshima takes this basic premise farther by depicting the downward spiral of guilt and obsession that manifest in ghostly visions and other nightmares. The film lacks the explicit sex of Senses, but is just as sensual, especially thanks to the ravishingly gorgeous natural cinematography. Perhaps it's not as provocative as Senses, but it certainly makes up for it in a palpable, atmospheric aesthetic.

I saw The Dark Night Rises. It wasn’t as good as I expected it to be. 6/10

Lincoln 10/10, my wife thought it was the best work Daniel Day Lewis has done to date. However, I thought the movie to be fantastic but I liked Daniel Day Lewis better in There Will BE Blood.

The Lady and the Beard (1931; Yasujiro Ozu) - 5/10 & Where Now Are the Dreams of Youth? (1933; Yasujiro Ozu) - 7/10

Two early films from the master. TLATB is a a conventional student comedy, little different than Ozu's other early films in this genre. Dreams of Youth, however, shows the beginnings of his mature style. While it's not a masterpiece on the level of I Was Born But... made the same year, it still has Ozu's trademark blend of levity and wistful poignancy.

Hobson's Choice (1954; David Lean) - 9/10

Superb comedy by David Lean with Charles Laughton chewing the scenery as a blustering, alcoholic owner of a shoe store in Victorian England that he runs with his three daughters, and a meek, soft-spoken master craftsman played by John Mills. Brenda De Banzie is the eldest daughter that finally has the nerve to stand up to him by getting married to Mills and opening her own store. Everything is top-notch here, including the proto-feminist themes and Lean's superior direction. Highlights include a drunk Laughton trying to step on the moon reflected in the city street puddles, and the protracted wedding night of the confident Banzie and petrified Mills.

Sleep Tight (2011; Juame Belaguero) - 7.5/10

Excellent modern thriller about a miserable hotel concierge who makes it his life's mission to make others unhappy, including a bubbly female tenant whose room he starts sneaking into every night and drugging her with chloroform. Much like Psycho, it's a thriller that intelligently manipulates our sympathies until we're actually rooting for the creepy protagonist to get away with it. The scene that finds him trapped in the room after the woman's boyfriend stays the night is a highlight.

Boy Meets Girl (1984; Leos Carax) - 6.5/10

As in Carax's Lovers on the Bridge, an abundance of cinematic stylization takes precedence over story and characters, but here it too often borders on being labored and dull.

Or (My Treasure) (2005; Karen Yedaya) - 7/10

A simultaneously sweet and brutally sad film about a teenager girl that does everything possible to earn money to prevent her mother from keeping on as a prostitute. The film is shot in static frames that reminds one of Ozu, and like his films there is a kind of voyeuristic level of observation here. The two actors, mother and daughter, are excellent, and their jovial interactions are a highlight, though the film drags a bit when things start taking the inevitable turn for the worse.

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Originally Posted by MorpheusSandman

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I almost never go to the theaters to watch films. Their prices are outrageous when I can rent movies for about $1 on Netflix. Saving up for a good home theater is a much better investment.

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http://www.1channel.ch/watch-2736970-Django-Unchained

Use the putlocker link, it is dvd quality. No need to thank me.

No blu-ray, no extras, no thanks. I can wait.

The Servant - Joseph Losey 8.5

Gone With the Wind

Score 10/10

Yesterday's Enemy (1959). This black and white British film, directed by Val Guest, concerns a unit of British troops, cut off from their regiment in the Burmese jungle, who take over a Japanese occupied village after a firefight. One of the dead enemy officers has a coded map that seems of importance, so the English captain sends it with some of his men into the jungle in the hope that they will make it back to the regiment while he and the others remain behind to cover the rear in case the enemy come looking for the map. They do and, after a battle, the British are taken prisoner and subjected to psychological interrogation by the senior Japanese commander.
Good location scenes and some excellent photography save this story about the moral imperatives of war between the English captain and the Japanese intelligence officer, from becoming routine. 7/10

'To Rome with love' by Woody Allen, it was good, not great. Better than his worst but not as good as it's best

Ichi The Killer (2001; Takashi Miike) - 8/10

Typical over-the-top blood-bath from the master of Japanese schlock shock, the uber-prolific Takashi Miiki. Ichi is a particularly bizarre and creative effort, though. Here, we have an icy-calm Yakuza (Japanese mafia) leader, killer, and sadomasochist with a slit in his cheeks held together by piercings (so when he takes them out he can open his mouth as wide as a snake) going up against a crybaby super killer, Ichi, that slices people apart with blades that come out of his shoes. Seriously, who else can come up with this stuff? One thing you can count on with Miike are scenes that are so violent they border on hilarious parody, and there are many of them here, including the Yakuza killer catching a punch in his snake-like mouth and chewing a guy's arm off, and Ichi slicing a guy completely in half from his head to his crotch. Bloody fun.

The City of Your Final Destination: http://en.wikipedia.org/wiki/The_Cit...al_Destination

Score: 10/10

The Insect Woman (1963; Shohei Imamura) - 8.5/10

On the surface, it's a Japanese New Wave rendition of the well-worn prostitute/geisha genre of Japanese cinema. Under the surface, though, it seems less like a New Wave rendering, and more like a complete summation of the various approaches to the genre. Imamura has Mizoguchi's sympathy for the plight of women during hard times, Ozu's static, unflinching camera, and Kurosawa's dynamic compositions, lighting, and in-camera movement. Perhaps the most pervasive influence, though, is Mikio Naruse, who took a much more hard-edged, realist approach to the genre, by not depicting his female characters as tragic, saintly figures ala Mizoguchi. Imamura's Tome is a complex, resourceful, ambitious, sympathetic, opportunistic, occasionally ruthless character whom is both a product of her socio-cultural context (pre-war and post-war Japan), but also a reactionary to it.

Sachiko Hidari plays Tome wonderfully over the course of the film's 3 decades, which takes us from just before the war, on through the economic boom after it, and into the early 60s. She breaks out every nuanced facet of the character, and in doing so consistently manipulates our perspective and sympathies towards her. Imamura takes a very impressionistic, fragmented perspective, which slowly reveals the whole through pieces and glimpses of scenes, with a healthful dose of Ozu-like elisions that tend to focus on the small, individualistic moments as opposed to the big, life-defining events (and even those are so subtly played they don't come off as being as monumental as they are). All in all one of the best films ever made in the "geisha/prostitute" genre that seems to get everything right by refusing to omit any perspective of the situation.

Gangster Squad 9/10

I thought it was a great movie; a good amount of humor and action/drama. Plus, Ryan Gosling and Emma Stone are great actors.

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Originally Posted by faithosaurus

Plus, Ryan Gosling and Emma Stone are great actors.

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Don't know about great actors, but Emma Stone is adorable. I loved her in Easy A.