Film Comment: The Passion of the Christ
Although what I write below is a comment on a film and not the Bible, as this thread is concerned with, the points I make are relevant to this discussion and so I include them here:
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The dust of reviews has settled on this film and so: the time has come, perhaps, for a more dispassionate, a more considered, a more reflective, little review. Perhaps review is not quite the right word; perhaps what I have written here is just a comment, but it is no less provocative than the most provocative youve read thusfar and I hope you will find here some refreshing and intelligent insight into the way the film was made and perceived. My comments here also have some relevance to a range of Biblical/religious issues.
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This film is not intended to be a masterful historical documentary as, say, Ken Burns' work on the Civil War or one of many others done in the first century of the existence of the cinema. Gibson's work is far from possessing what some might call an intellectual poverty in its pretensions at historical documentary. Shawn Rosenheim says all TV documentaries possess an intellectual poverty. If Rosenheim is right the visual media are simply incapable of producing historical documentary.1 And if Rosenheim is wrong, as I tend to think he is, historical documentary of an event 2000 years ago is not impossible. It is, rather, a recreation. We simply do not know enough about the event Gibson is recreating to claim that what we are seeing is a documentary.
We all know that Gibson did not take his camera crew to downtown Jerusalem or into the little hamlet of Nazereth in some kind of time-warp to produce an anti-Jewish, anti Roman clip for the evening news. Even if he had and he then produced for us all an evening two hour special, spectacle, called "the crucifixion," there would still be questions about visual manipulation and the program's service in the name of directing popular thought toward a new religious movement. New religious movements have always had trouble getting popular exposure unless they can be associated with conflict and violence, eccentricity and the bizarre, indeed, anything visually stimulating and distracting.
No one would claim that Gibson's is a neutral recording of objective events. It is a construct operating from a certain point of view. It is a rhetorical argument achieved through the selection and combination of elements that both reflect and project a world, a world view, a cosmology if you like. It is achieved by certain cinematic conventions that try to erase any signs of cinematic artificiality. An ideology is promoted by linking the effect of reality to social values and institutions in such a way that these values seem natural and self-evident. In the case of Mel Gibson's work, a work that I found quite stimulating in its own way, the ideology is simply and strongly: fundamentalist Christianity.
I've never been attracted to Christianity in any of its fundamentalist forms. But I liked this film. Film can often get to people in ways that words, ideas and simple beliefs cannot. It was not because of its historical accuracy that I liked it. I liked All the Presidents Men and a number of other films based on and rooted in some historical theme. Rarely are historical films accurate; the main reason they seem so is that the people watching them know so little about the theme, the event, that it seems plausible to them. Sadly, but truly, we know so little about the events of the life of Jesus of Nazereth that a good script writer, a good cinematographer and a big band of men and women can bring something to life that may never have happened at all.
Bertrand Russell wrote in his Why I'm Not a Christian that, in a court of law, there is little evidence for even the existence of Jesus let alone his manner of death. Historicity simply does not exist when it comes to the events in the life of a man who has had a profound affect, I believe, on history. Of course, Russell says he does believe Jesus existed; he just wanted to make a point about the paucity of historical evidence. What we believe in life and what we know usually exist in two separate worlds, although hopefully their assumptions are not totally blind. What people who are believers and what they are as knowers, so to speak, about Jesus are radically separate. The distance between the pulpit and the academic chair of religion has been widening for at least two centuries. In fact for millions of men and women these days historicity is irrelevant to their beliefs. History has become, for those millions, what it was for Henry Ford: bunk or was it bunkum? My optimistic muse gives you 4/5, Mel and my pessimistic muse a 2/5.
As a sort of epilogue to this brief comment on the film: one of the main reasons many people are turning to Movements like the Baha'i Faith is that historicity is important to them. Religions that have grown up in the modern age face different problems of historicity, often too much rather than too little information and distortion by opponents and critics whose prime aim is to create dissention.
The Baha'i Faith, to stay with this example, confined as it is to only 6 million adherents, has grown slowly since the mid-nineteenth century. The originating impulse for each of the major religions of history, an impulse that led to the phenomenon of revelation or some defining religious experience has receded so far into history as to be accessible to us in only a very limited and unsatisfactory degree. Far otherwise with the work of the Founder of the Baha'i Faith. The details of His life are massively documented. And one could choose other claimants in modern history as well but that would lead to prolixity here.
History has a thousand faces, a thousand forms, and Mel Gibson has given us some very stimulating ones, perhaps a little too visually acute, in his film, The Passion of the Christ. They will serve for some of the millions who watched it to bring them closer to One whom Baha'u'llah, the Baha'i Faith's founder, said "when Christ was crucified the world wept with a great weaping." Bill Graham wept; many stayed home; millions viewed the film as it went into the top ten money spinners in cinema history two weeks ago. Some were appauled; some stimulated. To each his own.-Ron Price, Tasmania. :brow:
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Ron Price is a retired teacher, aged 60. He taught for 30 years in primary, secondary and post-secondary schools. He lives with his wife, Chris, in Tasmania. Their 3 children are now aged: 39, 34 and 27. Ron moved to Australia from Canada in 1971. He has written three books since 1999. They are all available on the internet for free. He has been a member of the Baha'i Faith for 45 years. :cool:
A Reflection of Two of the Books in the Bible
FRUSTRATINGLY INEXACT
The ancient apocalyptic writers of Daniel and The Book of Revelation gave much of their attention to the final times.....we suppose that our days are the worst of days and thus are the real prelude to the end....It is legitimate to draw what comfort we can from those works, but we should do so with the awareness that we are only the latest in a long line of readers who have felt that the works were composed with themselves in mind.-John Gabel and Charles Wheeler, The Bible As Literature: An Introduction, Oxford UP, NY, 1986, p.143.
The Book of Revelation is the Master Bridge revealed by Christ for the followers of all religions leading to the Kingdom of God on earth. -Ruth Moffett, New Keys to the Book of Revelation, Baha’i Publishing Trust, New Delhi, 1977, p.xvii.
Full of colour, action, concerned
with apocalyptic futurity,
a great succession of empires
going back to Babylon
in the sixth century BC
and ending in eschatology
with its visions of good and evil
meeting in a cosmic theatre
of moral and mortal combat,
with comfort to the suffering
then and now in these end times,
last days, in a frustratingly inexact
medium of symbolism and metaphor
like some gigantic crossword puzzle,
testing one’s spiritual acuity
and understanding of ancient numerology,
gematria, obscure literary devices
and allegorical methods.
And just who is it
that has the Master Key?
Ron Price
24 August 1996
The Mind is a Beastly Thing
Some find faith in art. Others find art in faith. An Ark may be an Odyssey or an Odyssey your Ark.
Is it salvation that we seek? We must be doomed in order to be saved. How doomed? Saved from what? Saved by what? Saved for what? So many questions? Did you ever notice that there are more questions than answers?
Perhaps it is from questions that we need saving!
Adams first problem was loneliness, according to the Book of Genesis. God showed him each creature, that he might choose a companion, but Adam found no delight in any of the creatures. It was only after this failure of Adam, to make a choice, that God created Eve and chose for Adam. Adam was offered free will. Could he have chosen differently? This myth in Genesis is a Pandora's box of questions.
http://www.themystica.com/mystica/ar...m_and_eve.html
Quote:
Originally Posted by Second Creation
Situated in Genesis 2:18-22 is what might be called a biblical flashback, or a second creation story. The God said that it was not good that man should be alone; He would man a help for him. And, out of the ground God formed every beast of the field and fowl of the air; and brought them unto Adam to see what he would call them. Whatever Adam called them was their name. Some believe God placed Adam in the garden, giving him domination over the animal kingdom so he could name them, to develop his intellectual capacity. Adam named them all but he found no help (or mate) for himself. So God caused a deep sleep to come over Adam; he then took out a rib, and closed the flesh; and from the rib he formed a woman, and brought her unto the man.
God caused a deep sleep to come over Adam; a divine anesthesia. Suppose Adam has not yet awakened from that sleep? Suppose you and I and everything are part of Adam's dream?
During each of the six days of creation, in the Genesis account, God beholds, and sees that it is "good". When all is completed, on the sixth day, God sees that all is "very good".
But now, God looks at Adam, and sees that something is "not good." It is not good for Adam to be alone.
God creates. Man defines and names.
An artist looks at this story and says, "What can I make out of this?"
Here I am, right now, trying to make something out of nothing.
When someone wants to pick a fight, they say, "Oh yeah? You want to make something of it?" "I have a bone to pick with you!"
Ribs. Jawbones. "Oh dem, bones, Oh dem bones, Oh dem jee-umpin bones!"
Somehow, a bone is at the heart of things.
Question marks are shaped like a club, are they not, or the jawbone of a donkey? Who was it that slew all his enemies with the jawbone of a donkey?
Perhaps that jawbone was a metaphor for rhetoric. Perhaps that hero was really a Socrates, slaying his enemies with question marks.
It was Samson who slew his enemies with the jawbone of a donkey.
(am I allowed to say the Biblical word "***"). Oh dear, I guess not. My @ss becomes as-terisks. Oh well, that is better than becoming grass (as in the expression "your @ss is grass", which is used to indicate some less than desirable state of affairs.)
http://www.hagshama.org.il/en/resources/view.asp?id=55
I am here, writing at this very moment, because I awoke from sleep, and it was 3:00 a.m. I awake whenever my dreams disturb me. I prefer sleep and pleasant dreams, but when I cannot have them, then I read and write.
Pi is frequently attempting to distract his tiger companion, in Yann Martel's novel, "Life of Pi". I frequently attempt to distract and engage my mind. The mind is a faithful servant but a cruel master.
The mind is a beastly thing!
There were sacred texts long before there were owner's manuals. And before sacred texts, there was talk around the campfire; and remembrance of talk.
If you want to "talk the talk", you have to "walk the walk." This is what some Christian's tell me.
Literature is frozen talk, I suppose. Oh, not quite as frozen as Moses tablets of stone, down from Mt. Sinai. It is hard to freeze talk around a campfire.
A lot of this started with Abraham's campfire, and his deep, trance-like sleep.
Flames and dreams. They make such a lovely couple, don't they?
http://www.jesuswalk.com/abraham/4_covenant.htm
Quote:
Originally Posted by Smoking pot
Genesis 15:12-17
As the sun was setting, Abram fell into a deep sleep, and a thick and dreadful darkness came over him. [13] Then the Lord said to him, "Know for certain that your descendants will be strangers in a country not their own, and they will be enslaved and mistreated four hundred years. [14] But I will punish the nation they serve as slaves, and afterward they will come out with great possessions. [15] You, however, will go to your fathers in peace and be buried at a good old age. [16] In the fourth generation your descendants will come back here, for the sin of the Amorites has not yet reached its full measure."
[17] When the sun had set and darkness had fallen, a smoking firepot with a blazing torch appeared and passed between the pieces.
Sleep is useful.
In Hinduism, God falls asleep, and there is creation.
In Genesis, Adam falls asleep, and there is Eve.
Then Abraham falls asleep, and there is God.
I think we are making progress.
"For in that sleep of death, what dreams may come, when once we've shuffled off this mortal coil?"
Aye, there's the rub!
Er... what was the original question? Oh yes, "Shaken Faith."
Shake your faith!
Shake your booty!
Abraham was dreaming of booty, well, in the sense of plunder. Notice how I play with words. Adam was dreaming of booty before plunder was invented. This is why the oldest profession is not that of mercenary.
People often misquote the Epistle of Timothy (Timothy, 6:10) and say that "Money is the root of all evil." What that verse really says is, "Love of money is the root of all evil."
Now, the Bible tells us that "God is love" but it doesn't get into details about "love of what."
For, as the songwriter tells us, "Love is a many-splendored thing" (from the movie, from the novel by Han Suyin, Chinese novelist, in 1952.)
http://en.wikipedia.org/wiki/Han_Suyin
Earlier, I mentioned something about "owner's manuals." Whenever you don't know what you are doing, you read the owner's manual.
Now, an owner's manual is supposed to explain how to do something yourself. An owner's manual is not supposed to go into long details about other people doing it, but then leave you in the dark as to the exact step by step instructions.