Poem of the Day

'Look out! Wet paint.' My soul was blind,
I have to pay the price,
All marked with stains of calves and cheeks
And hands and lips and eyes.

I loved you more than luck or grief
Because with you in sight
The old and yellowed world became
As white as painters' white

I swear my fried, my gloom- it will
One day still whiter gleam,
Than lampshades, than a bandaged brow,
Than a delirious dream.


(Translated by Lydia Pasternak Slater)

This weekend will mark the 125th Anniversary of the completion of the Brooklyn Bridge. To honor the occasion, here is the opening passage to Hart Crane's "To Brooklyn
Bridge":

How many dawns, chill from his rippling rest
The seagull’s wings shall dip and pivot him,
Shedding white rings of tumult, building high
Over the chained bay waters Liberty—


Then, with inviolate curve, forsake our eyes
As apparitional as sails that cross
Some page of figures to be filed away;
—Till elevators drop us from our day ...


I think of cinemas, panoramic sleights
With multitudes bent toward some flashing scene
Never disclosed, but hastened to again,
Foretold to other eyes on the same screen;


And Thee, across the harbor, silver paced
As though the sun took step of thee yet left
Some motion ever unspent in thy stride,—
Implicitly thy freedom staying thee!

are we supposed to write a poem here or only you?

Beautiful,

In this section we do not post our own poems but those poems by renown poets.

When I have fears that I may cease to be

When I have fears that I may cease to be
Before my pen has glean'd my teeming brain,
Before high-piled books, in charactery,
Hold like rich garners the full ripen'd grain;
When I behold, upon the night's starr'd face,
Huge cloudy symbols of a high romance,
And think that I may never live to trace
Their shadows, with the magic hand of chance;
And when I feel, fair creature of an hour,
That I shall never look upon thee more,
Never have relish in the faery power
Of unreflecting love;--then on the shore
Of the wide world I stand alone, and think
Till love and fame to nothingness do sink.

- John Keats

Aldous Huxley, "The Alien", The Collected Poetry of Aldous Huxley.

A petal drifted loose
From a great magnolia bloom,
Your face hung in the gloom,
Floating, white and close.

We seemed alone: but another
Bent o'er you with lips of flame,
Unknown, without a name,
Hated, and yet my brother.

Your one short moan of pain
Was an exorcising spell:
The devil flew back to hell;
We were alone again.

Canto LXV

With usura hath no man a house of good stone
each block cut smooth and well fitting
that delight might cover their face,

with usura

hath no man a painted paradise on his church wall
harpes et luthes
or where virgin receiveth message
and halo projects from incision,

with usura

seeth no man Gonzaga his heirs and his concubines
no picture is made to endure nor to live with
but it is made to sell and sell quickly

with usura, sin against nature,
is thy bread ever more of stale rags
is thy bread dry as paper,
with no mountain wheat, no strong flour

with usura the line grows thick

with usura is no clear demarcation
and no man can find site for his dwelling
Stone cutter is kept from his stone
weaver is kept from his loom

WITH USURA

wool comes not to market
sheep bringeth no gain with usura
Usura is a murrain, usura
blunteth the needle in the the maid's hand
and stoppeth the spinner's cunning. Pietro Lombardo
came not by usura
Duccio came not by usura
nor Pier della Francesca; Zuan Bellin' not by usura
nor was "La Callunia" painted.
Came not by usura Angelico; came not Ambrogio Praedis,
No church of cut stone signed: Adamo me fecit.
Not by usura St. Trophime

Not by usura St. Hilaire,

Usura rusteth the chisel
It rusteth the craft and the craftsman
It gnaweth the thread in the loom
None learneth to weave gold in her pattern;
Azure hath a canker by usura; cramoisi is unbroidered
Emerald findeth no Memling

Usura slayeth the child in the womb
It stayeth the young man's courting
It hath brought palsey to bed, lyeth
between the young bride and her bridegroom

CONTRA NATURAM

They have brought whores for Eleusis
Corpses are set to banquet

at behest of usura.

Ezra Pound

Gerontion

Thou hast nor youth nor age
But as it were an after dinner sleep
Dreaming of both.


Here I am, an old man in a dry month,
Being read to by a boy, waiting for rain.
I was neither at the hot gates
Nor fought in the warm rain
Nor knee deep in the salt marsh, heaving a cutlass,
Bitten by flies, fought.
My house is a decayed house,
And the jew squats on the window sill, the owner,
Spawned in some estaminet of Antwerp,
Blistered in Brussels, patched and peeled in London.
The goat coughs at night in the field overhead;
Rocks, moss, stonecrop, iron, merds.
The woman keeps the kitchen, makes tea,
Sneezes at evening, poking the peevish gutter.

I an old man,
A dull head among windy spaces.

Signs are taken for wonders. "We would see a sign":
The word within a word, unable to speak a word,
Swaddled with darkness. In the juvescence of the year
Came Christ the tiger

In depraved May, dogwood and chestnut, flowering Judas,
To be eaten, to be divided, to be drunk
Among whispers; by Mr. Silvero
With caressing hands, at Limoges
Who walked all night in the next room;
By Hakagawa, bowing among the Titians;
By Madame de Tornquist, in the dark room
Shifting the candles; Fraulein von Kulp
Who turned in the hall, one hand on the door. Vacant shuttles
Weave the wind. I have no ghosts,
An old man in a draughty house
Under a windy knob.

After such knowledge, what forgiveness? Think now
History has many cunning passages, contrived corridors
And issues, deceives with whispering ambitions,
Guides us by vanities. Think now
She gives when our attention is distracted
And what she gives, gives with such supple confusions
That the giving famishes the craving. Gives too late
What's not believed in, or if still believed,
In memory only, reconsidered passion. Gives too soon
Into weak hands, what's thought can be dispensed with
Till the refusal propagates a fear. Think
Neither fear nor courage saves us. Unnatural vices
Are fathered by our heroism. Virtues
Are forced upon us by our impudent crimes.
These tears are shaken from the wrath-bearing tree.

The tiger springs in the new year. Us he devours. Think at last
We have not reached conclusion, when I
Stiffen in a rented house. Think at last
I have not made this show purposelessly
And it is not by any concitation
Of the backward devils.
I would meet you upon this honestly.
I that was near your heart was removed therefrom
To lose beauty in terror, terror in inquisition.
I have lost my passion: why should I need to keep it
Since what is kept must be adulterated?
I have lost my sight, smell, hearing, taste and touch:
How should I use it for your closer contact?

These with a thousand small deliberations
Protract the profit of their chilled delirium,
Excite the membrane, when the sense has cooled,
With pungent sauces, multiply variety
In a wilderness of mirrors. What will the spider do,
Suspend its operations, will the weevil
Delay? De Bailhache, Fresca, Mrs. Cammel, whirled
Beyond the circuit of the shuddering Bear
In fractured atoms. Gull against the wind, in the windy straits
Of Belle Isle, or running on the Horn,
White feathers in the snow, the Gulf claims,
And an old man driven by the Trades
To a sleepy corner.

Tenants of the house,
Thoughts of a dry brain in a dry season.

T.S. Eliot (1888-1965)

We Who Were Executed

(After reading the letters of Julius and Ether Rosenberg)

I longed for your lips, dreamed of their roses:
I was hanged from the dry branch of the scaffold.
I wanted to touch your hands, their silver light:
I was murdered in the half-light of dim lanes.

And there where you were crucified,
so far away from my words,
you still were beautiful:
color kept clinging to your lips–
rapture was still vivid in your hair–
light remained silvering in your hands.

When the night of cruelty merged with the roads you had taken,
I came as far as my feet could bring me,
on my lips the phrase of a song,
my heart lit up only by sorrow.
This sorrow was my testimony to your beauty–
Look! I remained a witness till the end,
I who was killed in the darkest lanes.

It’s true– that not to reach you was fate–
but who’ll deny that to love you
was entirely in my hands?
So why complain if these matters of desire
brought me inevitably to the execution grounds?

Why complain? Holding up our sorrows as banners,
new lovers will emerge
from the lanes where we were killed
and embark, in caravans, on those highways of desire.
It’s because of them that we shortened the distances of sorrow,
it’s because of them that we went out to make the world our own,
we who were murdered in the darkest lanes.

(English Translation By Agha Shahid Ali)

http://en.wikipedia.org/wiki/Julius_Rosenberg
http://en.wikipedia.org/wiki/Faiz_Ahmad_Faiz
http://www.poemhunter.com/faiz-ahmed-faiz/poems/

OOh Ohh! I got here to post one for today :

Piute Creek

One granite ridge
A tree, would be enough
Or even a rock, a small creek,
A bark shred in a pool.
Hill beyond hill, folded and twisted
Tough trees crammed
In thin stone fractures
A huge moon on it all, is too much.
The mind wanders. A million
Summers, night air still and the rocks
Warm. Sky over endless mountains.
All the junk that goes with being human
Drops away, hard rock wavers
Even the heavy present seems to fail
This bubble of a heart.
Words and books
Like a small creek off a high ledge
Gone in the dry air.
A clear, attentive mind
Has no meaning but that
Which sees is truly seen.
No one loves rock, yet we are here.
Night chills. A flick
In the moonlight
Slips into Juniper shadow:
Back there unseen
Cold proud eyes
Of Cougar or Coyote
Watch me rise and go.

~Gary Snyder

Perfect Woman
........................
SHE was a phantom of delight
When first she gleam'd upon my sight;
A lovely apparition, sent
To be a moment's ornament;
Her eyes as stars of twilight fair; 5
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay. 10

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet 15
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food;
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles. 20

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death;
The reason firm, the temperate will, 25
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd,
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light. 30


By William Wordworth.
.................................

I am posting this on 29Th May 2008 ...A.M.

My comments on the postings in the forum?Are we not supposed to discuss the poem.I see only postings.Of course the thread made me read so many poems.But I would like to have some comments too.:)

My comments on the above poem is as follows.

Wordworth paints the picture of the Perfect Woman.....So relevant in these days of superficiality.But I sigh,thinking of the impoossible aims of mankind.Can there be perfection in anyone leave alone in a woman?Or when perfection is attained will it not tire us?

Please comment.

In reference to "Perfect Woman" poster, I believe the idea is that someone posts a poem and then it is discussed until the next poem is posted, preferably no sooner than 5 days (see 1st post for this thread).

The Perfect Woman:
I think Wordsworth is describing the perfect woman as he sees her more. Notice she isn't called a woman until the second stanza and he doesn't use "perfect woman" until the last stanza, yet physical descriptions of this being are most prevalent in the first stanza and taper out.
I believe the point Wordsworth is trying to make is that while physical features can catch your eye, perfection is found in the soul and demeanor of a person.

In response to V.Jayalakshmi, I think perfection in this sense is a bias. To him (the speaker), the woman is perfect and he tells you why. However, another man may come along and see her as completely imperfect and not ideal. No, I do not believe man can achieve perfection. But a man can be of the opinion that one woman is perfect to him.

Proverbs of Hell



From "The Marriage of Heaven and Hell"


In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.

A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock, but of wisdom: no clock can measure.

All wholsom food is caught without a net or a trap.
Bring out number weight & measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body, revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloke of knavery.
Shame is Prides cloke.

~

Prisons are built with stones of Law, Brothels with bricks of Religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of eternity too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish smiling fool, & the sullen frowning fool, shall be both thought wise, that
they may be a rod.
What is now proved was once, only imagin'd.
The rat, the mouse, the fox, the rabbit: watch the roots; the lion, the tyger, the horse,
the elephant, watch the fruits.
The cistern contains; the fountain overflows.
One thought, fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time, as when he submitted to learn of the crow.

~

The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fools reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow, nor the lion, the horse,
how he shall take his prey.
The thankful reciever bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight, can never be defil'd.
When thou seest an Eagle, thou seest a portion of Genius, lift up thy head!
As the catterpiller chooses the fairest leaves to lay her eggs on, so the priest
lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn, braces: Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!

~

The head Sublime, the heart Pathos, the genitals Beauty, the hands &
feet Proportion.
As the air to a bird of the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl, that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads, but the crooked roads without Improvement,
are roads of Genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or Too much!

To _.

John Keats

Had I a man's fair form, then might my sighs
Be echoed swiftly through that ivory shell
Thine ear, and find thy gentle heart; so well
Would passion arm me for the enterprize:
But ah! I am no knight whose foeman dies;
No cuirass glistens on my bosom's swell;
I am no happy shepherd of the dell
Whose lips have trembled with a maiden's eyes.
Yet must I doat upon thee, — call thee sweet,
Sweeter by far than Hybla's honied roses
When steep'd in dew rich to intoxication.
Ah! I will taste that dew, for me 'tis meet,
And when the moon her pallid face discloses,
I'll gather some by spells, and incantation.

"Ozymandias" by Percy Bysshe Shelley:

I met a traveller from an antique land,
Who said--"Two vast and trunkless legs of stone
Stand in the desert....Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
"My name is Ozymandias, King of Kings,
Look on my Works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."



One of my favorites. Themes I notice: Arrogancy, and failure to keep a strong legacy.