What is the last movie you saw? and rate it.

For some reason I haven't seen Being John Malkovitch although I used to love him back in the day when he made movies fairly frequently and he was so-o-o-o good at being the bad guy.

Crazy Heart 9/10 This movie doesn't really cover any new ground, but then as they say, there is only one story.

And this one is magnificent. Jeff Bridges earned his Oscar with every creaky joint and shot. He says he's 57, moves like he's 67. But when he gets onstage and holds his guitar you can hear every long night on the road, every bad decision, every phone call that isn't answered, every bottle that he's drunk in his voice.

Somehow, as greasy and unwashed and bleary as he is, women still want him. It was surprisingly believable when he lay back on the bed with Maggie Gyllenhal in his arms and he cupped her breast in his hand.

It was just as believable when he sat before her weeks later, his eyes little slits, looking small, deflated, cowed by life and a mother's fury.

If you are looking for a movie with an actual story to tell, one with sound and fury and even love, this is it. And it comes with songs that flow like the dark river. Here is one used in the movie, sung by the original rake-hell and wanderer, Townes Van Zandt.

http://www.youtube.com/watch?v=bl41lqUFKS4

Reality Bites - eh 4/10

Before I even get started on this movie, I want to know what it is about Winona Ryder that makes her so unlikeable sometimes? She has been in several movies that I liked, but something about Winona Ryder has always been off to me. I've tried to like her - she's pretty enough, she's not a horrible actress and she always seemed to get good roles up until this movie, I think...so what is it about her? It must be the way she talks. I have never liked the sound of her voice.And, if someone other than Winona Ryder had played the lead in this movie, I still wouldn't have liked it I don't think.

Reality Bites is an old movie - it's from 1994 and I would have been a junior in high school at that time and I couldn't sit through this movie back then, even though I suspect that I might have been the target audience. So, why after all these years did I watch this film? Well, it was on cable and I was too exhausted to do anything but watch crappy TV apparently.

The story is about some young people living their post-college lives in the 1990's. Winona Ryder's character was the valedictorian of her graduating class and she has a bad haircut, wears schleppy dresses, smokes a lot of cigarettes and doesn't find her dream job. She has this executive type, quasi-boyfriend played by Ben Stiller and a friendship that begs to be more with the sterotypical 90's grunge band member played by Ethen Hawke who lives in and out of her apartment that she shares with two other roomates (I'll get to those characters in a minute). The grungy band character is too intellectual to hold a job and he slips his dirty laundry in with theirs in between band rehearsals . Her other roommates consist of a gay blonde male in gold- rimmed glasses played by Steve Zahn I think (Strange Wilderness was a much better movie than this) and an unhappy chain-smoking 90's female with pale skin, black hair and hideously short, unattractive bangs who works at the Gap and also wears ugly, schleppy dresses.

Now, I am sure there is more going on in this film then what these characters are wearing. I think this film attempts to make a statement about that generation, Generation X I think it was...but all I saw were ugly clothes and bad haircuts. I think maybe the filmmakers could have done away with the plot and the dialogue all together. They could just condense this film into a series of still shots of these characters wearing those clothes in that apartment and they would have communicated the same idea in a shorter amount of time. If anyone wants to know about the 90's all they have to do is look at the clothes. And best of all, no one would have had to hear Winona Ryder's strange little voice.

Precious 9/10 Precious is the story of a girl who is physically and sexually abused. When the movie opens she has been called into the office at her school where the principal confronts her. Is she pregnant? Is she pregnant for the second time?

As the story progresses I think the most amazing thing was that there was anything left of Precious to save. She is sent to a new school where the power of education and a teacher who convinces her that she really cares are the saving of her.

I've seen a number of movies about teachers who turn students around. They are, for the most part good movies. And I admit I'm a sucker for the underdog. I liked this one because it tells the story from the students' viewpoint. For most of the movie Precious had precious little reason to wake up and be glad she was alive. Lee Daniels directs with a kind, sure hand. He shows the ugly stuff, but he never strips his main character of dignity or hope.

The Passion of Joan of Arc - Again, this is one of the most powerful films I have ever seen. Renée Jeanne Falconetti's performance is unquestionably the greatest in all of cinema. It doesn't matter if you are a person of faith or not, this is a film of impeccable quality. I hardly ever cry at films, and this film made me weep. Never will there be a moment ever again in cinema as when Joan remembers who taught her the Lord's prayer. 10/10

Tokyo Story - Ozu's films must always be watched twice. His films are so masterfully understated and subtle that a second viewing surely blows off the surface of contained emotions. Ozu is a master not only of composition but of storytelling. His films are like beautiful hakius, with a quiet lingering beauty. This film is as near-perfect as movies get. 10/10

Andrei Rublev - Very few films have ever stood amongst the epic heights of Tarkovsky's masterpiece. This film is in every respect a great film. No this is not a film of epic proportions, don't let the scope and length fool you. This is a film about moments, long and short, of the human experience. I couldn't agree with Bergman more when he said this after seeing this film, "Tarkovsky for me is the greatest [director], the one who invented a new language, true to the nature of film, as it captures life as a reflection, life as a dream." 10/10

Avatar -- Wow, was that movie slow, cheesy, and dumb. The dialogue must have been written by a 13 year old who once saw Dancing with Wolves only he was too stoned to really recall it, but, hey what if Indians were blue? And remember that one part in LOTR with those walkin' trees what were all magical and crap? Dude!

Seriously, how could this possibly have been nominated for an Oscar?

Why is it every time I watch a movie, I feel my time could have been better spent sitting on the potty and reading a magazine?

2/10

Dreamwork's How to Train Your Dragon. I loved it 5 stars!

Nine - For a musical about the Italian film industry (which I've never really given much thought to before), this was right up my alley. There were a couple of parts that I could watch over and over (I loved the redheaded prostitute, she was an earth goddess type). The protagonist was a self-indulgent cliché for most of the film, but that was the whole point. I could sift through this one for a while, I got a lot out of it and I will get more next time I see it. 8/10

The Imaginarium of Doctor Parnassus - A film by Terry Gilliam, a director that I aaaalmost like, I start watching and it has potential, but then it gets all muddled and ruined about half way through. He just needs to slow down and understand the significance of subtlety. Remember that scene in Birth where they showed the widow's face in the theatre, trying not to have a complete mental breakdown? That's the genius of subtlety, something that Terry Gilliam's films are sorely lacking. It's all just way too over the top, it's too desperate and frantic. I did like some things though, I liked the young gypsy girl's style. She had a very interesting look. I also liked some of the visuals throughout the film, very pretty. So, in conclusion, this one looked good but wasn’t. 5/10

Ice Age: Dawn Of The Dinosours

10/10 I can't help it I love diago, and his voice is by Denis Leary one of my favorite actors, the only well known stand up ( other then henry rollins ) who talks about punk rock, plus I loved Rescue me and his music.

I also love that little squirl, and aww he fell in love, for a bit anyway lol.

And dinosours, ugh I love them, the mom t-rex was bad ***, and the kids were cute.

and the fact they through in that one giant dinasour as the big bad guy was awsome too, he's fairly new to our knowledge it wasnt long before jurassic park 3 that it was discovered. that made me happy.

and the little eggs that Sid had, that cracked me up.

BBC's Little Dorrit (Dickens' novel) 2008 version, a bit on the dark side, but some humor, really well acted from major roles to walk-ons. Real film folks will find this hard not to want to see another episode to find out what will transpire next.

Slap Shot: Junior League get a 2/5 from me. I just couldn't get that damn story!

Tank Girl- 10/10 just for entertainment and visuals. Obviously, the comics were much better.

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Originally Posted by JuniperWoolf

Nine - For a musical about the Italian film industry (which I've never really given much thought to before), this was right up my alley. There were a couple of parts that I could watch over and over (I loved the redheaded prostitute, she was an earth goddess type). The protagonist was a self-indulgent cliché for most of the film, but that was the whole point. I could sift through this one for a while, I got a lot out of it and I will get more next time I see it. 8/10

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Have you seen Fellini's film 8 1/2? Nine is a film version based on the stage musical of the same name, which was based on the film 8 1/2. Nine is shameful by comparison!! Fellini made it to be semi-autobiographical, but that charm is lost in Nine, in my opinion. I though the musical numbers themselves were weak as well. I found Nine really disappointing, actually.

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Originally Posted by *Classic*Charm*

Have you seen Fellini's film 8 1/2? Nine is a film version based on the stage musical of the same name, which was based on the film 8 1/2. Nine is shameful by comparison!! Fellini made it to be semi-autobiographical, but that charm is lost in Nine, in my opinion. I though the musical numbers themselves were weak as well. I found Nine really disappointing, actually.

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Ahh what excellent taste you have! You have read my thoughts completely :D

Fellini's classic will forever be an unmatchable masterpiece in my mind. How can any musical ever match Nino Riota's beautifully quirky score?