It depends what you mean by 'getting it'.
On Getting Austen
Quote:
Originally Posted by
cactus
Yes, even Bridget Jones Diary is based on Pride and Prejudice as well. Same type of characters, same plot, different setting and details.
Shortysweetp (01-16-2006) - “I must say that I have only met one guy who truly enjoyed works by Austen or even the Bronte sisters. That was dear Mono oh how I miss him.... and for those that dont like the book maybe you just dont have the ability to understand the wit of Austen, a true female genius. Most men dont.”
Perhaps the example, “Mr. Darcy. *sigh* There honestly is no man I would rather meet.... he is perfect for Elizabeth in every way possible. Why can't that happen in real life? *sigh*”, is what you had in mind by 'getting it'?
Now I'll readily concede that most men do not gush over Austen. But to imply by 'Most men dont.', that they 'dont have the ability to understand the wit of Austen', is a bit far fetched, if not sexist. Gushing does not equate with understanding and judging by such a criteria, most girls don't. Note – girls, not women, as I think that they have neither the experience nor the comparative knowledge in literature to 'understand' Austen.
To suppose that because the stories end in marriage, Austen is a romance novelist, is to short-change- her. Pun intended. I have read as many incisive, interesting, analyses by men as by women. To name but a few: Harold Bloom in Canonical Memory on Persuasion, Frank Bradbrook on Jane Austen and her Predecessors, lastly but not the least, John Halperin on Jane Austen Bicentenary Essays. This is what I have in mind by 'getting it'.
Perhaps you would like to discuss what Austen meant by asking the 'sisters' to come to the defense of the novel in Northanger Abbey, or whether Emma's marriage is more patriarchal than heterosexual, or whether Elizabeth's values are more to the 'improvement of the estate' than just marrying for love not money, whether Austen identifies more with Marrianne's sensibility than with Elenor's sense, whether the novels have an early and late thematic difference and what such might be?
That is what I would define as a start to 'getting' Austen.
But then you probably were just gushing.
Reply to Getting Austen 2
To correct the impression that my references were only of male critics, since Shortysweetp said that “Most men dont”, I'll include a very short list of women critics that I found interesting
1) Austen, Eliot, Charlotte Brontė, and the Mentor-lover By Patricia Menon - This lucid and tightly-argued study uses the motif of the mentor-lover--embodying diverse permutations of sexual love, power and judgment--to explore, evaluate and compare the works of Jane Austen, Charlotte Brontė and George Eliot as they contend with issues of sexuality, family, selfhood, freedom, conduct and gender. The figure also provides a means to probe their relationship to the reader as they become mentor-lovers through authorship, each eliciting a different form of love and electing a different style of instruction.
2) “Without Hate, Without Bitterness, Without Fear, Without Protest, Without Preaching”:Virginia Woolf Reads Jane Austen, by JUDITH LEE
http://www.jasna.org/persuasions/pri...mber12/lee.htm,
a view by a great woman writer on another.
3)And an astonishing overview placing Austen in a historic context,
Bardic Nationalism: The Romantic Novel and the British Empire By Katie Trumpener -This magisterial work links the literary and intellectual history of England, Scotland, Ireland, and Britain's overseas colonies during the late eighteenth and early nineteenth centuries to redraw our picture of the origins of cultural nationalism, the lineages of the novel, and the literary history of the English-speaking world. Katie Trumpener recovers and recontextualizes a vast body of fiction to describe the history of the novel during a period of formal experimentation and political engagement, between its eighteenth-century "rise" and its Victorian "heyday."
Thinking about that nursery rhyme with the blind men and the elephant...
I have always loved Pride and prejudice. I picked it up while reshelving book in my school library six years ago and I have been a devout fan ever since. While I admittedly prefer Persuaion, P&P has always just held that happy-making quality that makes me smile inside. I never quite grasped the fact that there was much to dislike about it until my kid sister had to read it for a school project and she absolutely detested it.