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Before the Romantics, Shakespeare was simply the most admired of all dramatic poets, especially for his insight into human nature and his realism, but Romantic critics such as S. T. Coleridge refactored him into an object of almost religious adoration or "bardolatry" (from bard + idolatry, a word coined by George Bernard Shaw) who towered above mere mortal writers, and whose plays were to be worshipped as not "merely great works of art" but as "phenomena of nature, like the sun and the sea, the stars and the flowers" and "with entire submission of our own faculties" (Thomas de Quincey, 1823).
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