quasimodo1.... do you have any other poems by this poet that you could share...or even just a link to some ?Quote:
Originally Posted by quasimodo1
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quasimodo1.... do you have any other poems by this poet that you could share...or even just a link to some ?Quote:
Originally Posted by quasimodo1
To Ifiaskaquestion: let me see what is available, poem and link. Thanks for asking. quasimodo1
"LACE PASSES INTO NOTHINGNESS ..." by Stephen Mallarme
Lace passes into nothingness,
With the ultimate Gamble in doubt,
In blasphemy revealing just
Eternal absence of any bed.
This concordant enmity
Of a white garland and the same,
In flight against the pallid glass,
Hovers and does not enshroud.
But where, limned gold, the dreamer dwells,
There sleeps a mournful mandola,
Its deep lacuna source of song,
Of a kind that toward some window,
Formed by that belly or none at all,
Filial, one might have been born.
Translation by Patricia Terry and Maurice Z. Shroder Mallarme influenced poetry and music of his era and later, including Rilke and Ravel and even Poe.
A short poem of Mark Strand's, found here:
The Coming of Light
Even this late it happens:
the coming of love, the coming of light.
You wake and the candles are lit as if by themselves,
stars gather, dreams pour into your pillows,
sending up warm bouquets of air.
Even this late the bones of the body shine
and tomorrow's dust flares into breath.
*****
I haven't read a lot of his, but I intend to. His poems are quiet, empty of pretention or ornamentation. There are few verbal pyrotechnics here, even less abstraction, and in my opinion the work shines more clearly because of it.
"Even this late the bones of the body shine"
"stars gather, dreams pour into your pillow,"
Great lines, disarming in their directness and simplicity, they tread that difficult line between the genuinely beautiful and the sentimental, and to me, never lose their way.
Quote:
Originally Posted by quasimodo1
Ice cream is cold and thick, but it is also sweet all the while a frozen rock waiting to melt in your mouth.
This is the beginning and end of life, living life itself. Everything learned may come at something forgotten and everything gained may have come from something lost.Quote:
Originally Posted by quasimodo1
From Moment to Moment
As everybody knows, Keats said:
"Beauty is truth, truth beauty" - That is allYe know on earth, and all ye need to know.
Oh yeah?
Lao Tzu said:
True words are not beautiful.Beautiful words are not true.
Now what?
And
The Three Goals
The first goal is to see the thing itself
in and for itself, to see it simply and clearly
for what it is.
No symbolism, please.
The second goal is to see each individual thing
as unified, as one, with all the other
ten thousand things.
In this regard, a little wine helps a lot.
The third goal is to grasp the first and the second goals,
to see the universal and the particular,
simultaneously.
Regarding this one, call me when you get it.
As one of the neglected poets quoted here, many thanks!
I refer to the poem: Futurelessness by Ivan Donn Carswell
A Letter to a Live Poet
Sir, since the last Elizabethan died,
Or, rather, that more Paradisal muse,
Blind with much light, passed to the light more glorious
Or deeper blindness, no man's hand, as thine,
Has, on the world's most noblest chord of song,
Struck certain magic strains. Ears satiate
With the clamorous, timorous whisperings of to-day,
Thrilled to perceive once more the spacious voice
And serene unterrance of old. We heard
-- With rapturous breath half-held, as a dreamer dreams
Who dares not know it dreaming, lest he wake --
The odorous, amorous style of poetry,
The melancholy knocking of those lines,
The long, low soughing of pentameters,
-- Or the sharp of rhyme as a bird's cry --
And the innumerable truant polysyllables
Multitudinously twittering like a bee.
Fulfilled our hearts were with the music then,
And all the evenings sighed it to the dawn,
And all the lovers heard it from all the trees.
All of the accents upon the all the norms!
-- And ah! the stress of the penultimate!
We never knew blank verse could have such feet.
Where is it now? Oh, more than ever, now
I sometimes think no poetry is read
Save where some sepultured Cѕsura bled,
Royally incarnadining all the line.
Is the imperial iamb laid to rest,
And the young trochee, having done enough?
Ah! turn again! Sing so to us, who are sick
Of seeming-simple rhymes, bizarre emotions,
Decked in the simple verses of the day,
Infinite meaning in a little gloom,
Irregular thoughts in stanzas regular,
Modern despair in antique metres, myths
Incomprehensible at evening,
And symbols that mean nothing in the dawn.
The slow lines swell. The new style sighs. The Celt
Moans round with many voices.
God! to see
Gaunt anapѕsts stand up out of the verse,
Combative accents, stress where no stress should be,
Spondee on spondee, iamb on choriamb,
The thrill of all the tribrachs in the world,
And all the vowels rising to the E!
To hear the blessed mutter of those verbs,
Conjunctions passionate toward each other's arms,
And epithets like amaranthine lovers
Stretching luxuriously to the stars,
All prouder pronouns than the dawn, and all
The thunder of the trumpets of the noun!
...Rupert Brooke (1887-1915)
You Gote-heard Gods by Sir Philip Sidney
Strephon.
You Gote-heard Gods, that loue the grassie mountaines,
You Nimphes that haunt the springs in pleasant vallies,
You Satyrs ioyde with free and quiet forests,
Vouchsafe your silent eares to playning musique,
Which to my woes giues still an early morning;
And drawes the dolor on till wery euening.
Klaius.
O Mercurie, foregoer to the euening,
O heauenlie huntresse of the sauage mountaines,
O louelie starre, entitled of the morning,
While that my voice doth fill these wofull vallies,
Vouchsafe your silent eares to plaining musique,
Which oft hath Echo tir'd in secrete forrests.
Strephon.
I that was once free-burges of the forrests,
Where shade from Sunne, and sports I sought at euening,
I that was once esteem'd for pleasant musique,
Am banisht now among the monstrous mountaines
Of huge despaire, and foule afflictions vallies,
Am growne a shrich-owle to my selfe each morning.
Klaius.
I that was once delighted euery morning,
Hunting the wilde inhabiters of forrests,
I that was once the musique of these vallies,
So darkened am, that all my day is euening,
Hart-broken so, that molehilles seeme high mountaines,
And fill the vales with cries in steed of musique.
Strephon.
Long since alas, my deadly Swannish musique
Hath made it selfe a crier of the morning,
And hath with wailing strength clim'd highest mountaines:
Long since my thoughts more desert be then forrests:
Long since I see my ioyes come to their euening,
And state throwen downe to ouer-troden vallies.
Klaius.
Long since the happie dwellers of these vallies,
Haue praide me leaue my strange exclaiming musique,
Which troubles their dayes worke, and ioyes of euening:
Long since I hate the night, more hate the morning:
Long since my thoughts chase me like beasts in forrests,
And make me wish my selfe layd vnder mountaines.
Strephon.
Me seemes I see the high and stately mountaines,
Transforme themselues to lowe deiected vallies:
Me seemes I heare in these ill changed forrests,
The Nightingales doo learne of Owles their musique:
Me seemes I feele the comfort of the morning
Turnde to the mortall serene of an euening.
Klaius.
Me seemes I see a filthie clowdie euening,
As soon as Sunne begins to clime the mountaines:
Me seemes I feele a noysome sent, the morning
When I doo smell the flowers of these vallies:
Me seemes I heare, when I doo heare sweete musique,
The dreadfull cries of murdred men in forrests.
Strephon.
I wish to fire the trees of all these forrests;
I giue the Sunne a last farewell each euening;
I curse the fidling finders out of Musicke:
With enuie I doo hate the loftie mountaines;
And with despite despise the humble vallies:
I doo detest night, euening, day, and morning.
Klaius.
Curse to my selfe my prayer is, the morning:
My fire is more, then can be made with forrests;
My state more base, then are the basest vallies:
I wish no euenings more to see, each euening;
Shamed I hate my selfe in sight of mountaines,
And stoppe mine eares, lest I growe mad with Musicke.
Strephon.
For she, whose parts maintainde a perfect musique,
Whose beautie shin'de more then the blushing morning,
Who much did passe in state the stately mountaines,
In straightnes past the Cedars of the forrests,
Hath cast me wretch into eternall euening,
By taking her two Sunnes from these darke vallies.
Klaius.
For she, to whom compar'd, the Alpes are vallies,
She, whose lest word brings from the spheares their musique,
At whose approach the Sunne rose in the euening,
Who, where she went, bare in her forhead morning,
Is gone, is gone from these our spoyled forrests,
Turning to desarts our best pastur'de mountaines.
Strephon. Klaius.
These mountaines witnesse shall, so shall these vallies,
These forrests eke, made wretched by our musique,
Our morning hymne is this, and song at euening.
by Sir Phillip Sidney (1554-1586)
AT THE OTHER END OF THE TELESCOPE (by George Bradley)
the people are very small and shrink,
dwarves on the way to netsuke hell
bound for a flea circus in full
retreat toward sub-atomic particles--
difficult to keep in focus, the figures
at that end are nearly indistinguishable,
generals at the heads of minute armies
differing little from fishwives,
emperors the same as eskimos
huddled under improvisations of snow--
eskimos, though, now have the advantage,
for it seems to be freezing there, a climate
which might explain the population's
outrй dress, their period costumes
of felt and silk and eiderdown,
their fur concoctions stuffed with straw
held in place with flexible strips of bark,
and all to no avail, the midgets forever
stamping their match-stick feet,
blowing on the numb flagella of their fingers--
but wait, bring a light, clean the lens....
can it be those shivering arms are waving,
are trying to attract attention, hailing you?
seen from the other end of the telescope,
your eye must appear enormous,
must fill the sky like a sun,
and as you occupy their tiny heads
naturally they wish to communicate,
to tell you of their diminishing perspective--
yes, look again, their hands are cupped
around the pinholes of their mouths,
their faces are swollen, red with effort;
why, they're screaming fit to burst,
though what they say is anybody's guess,
it is next to impossible to hear them,
and most of them speak languages
for which no Rosetta stone can be found--
but listen harder, use your imagination....
the people at the other end of the telescope,
are they trying to tell you their names?
yes, surely that must be it, their names
and those of those they love, and possibly
something else, some of them.... listen....
the largest are struggling to explain
what befell them, how it happened
that they woke one morning as if adrift,
their moorings cut in the night,
and were swept out over the horizon,
borne on an ebbing tide and soon
to be discernible only as distance,
collapsed into mirage, made to become
legendary creatures now off every map.
by George Bradley (1821-1903)
Born in poverty in the Adirondacks in 1879, Foster in her poetry chronicled the people and customs, the farms and lumber shanties, of the North Country of her youth. Her talent, character, and beauty gained her the friendship, trust, and admiration of writers and artists as various as Ezra Pound, Ford Maddox Ford, George Russell, and John and William Butler Yeats.
She became a famous model (the "Fisher Girl" of 1903), an editor (the Review of Reviews ) and an astute collector of Irish art and literary manuscripts. Her final years were spent in Schenectady, where she worked to improve the welfare of the elderly. She received an honorary doctorate from Union College shortly before her death in 1970.
http://www.nysl.nysed.gov/friends/jrf_event.htm
[From a "temporary" website dedicated to celebrating her poetry] A sample of her work in following post. quasimodo1
The Bitter Herb
( by Jeanne Robert Foster )
O bitter herb, Forgetfulness,
I search for you in vain;
You are the only growing thing
Can take away my pain.
When I was young, this bitter herb
Grew wild on every hill;
I should have plucked a store of it,
And kept it by me still.
I hunt through all the meadows
Where once I wandered free,
But the rare herb, Forgetfulness,
It hides away from me.
O bitter herb, Forgetfulness,
Where is your drowsy breath?
Oh, can it be your seed has blown
Far as the Vales of Death?
"But the others, the men of my mettle, the men who would 'stablish my fame
Unto its ultimate issue, winning me honor, not shame;
Searching my uttermost valleys, fighting each step as they go,
Shooting the wrath of my rapids, scaling my ramparts of snow;
Ripping the guts of my mountains, looting the beds of my creeks,
Them will I take to my bosom, and speak as a mother speaks.
I am the land that listens, I am the land that broods;
Steeped in eternal beauty, crystalline waters and woods.
Long have I waited lonely, shunned as a thing accurst,
Monstrous, moody, pathetic, the last of the lands and the first;
Visioning camp-fires at twilight, sad with a longing forlorn,
Feeling my womb o'er-pregnant with the seed of cities unborn.
Wild and wide are my borders, stern as death is my sway,
And I wait for the men who will win me -- and I will not be won in a day;
And I will not be won by weaklings, subtle, suave and mild,
But by men with the hearts of vikings, and the simple faith of a child;
Desperate, strong and resistless, unthrottled by fear or defeat,
Them will I gild with my treasure, them will I glut with my meat.
from the Law of the Yukon, by Robert W Service
Cleis
by Sappho
Sleep, darling
I have a small
daughter called
Cleis, who is
like a golden
flower
I wouldn't
take all Croesus'
kingdom with love
thrown in, for her
---
Don't ask me what to wear
I have no embroidered
headband from Sardis to
give you, Cleis, such as
I wore
and my mother
always said that in her
day a purple ribbon
looped in the hair was thought
to be high style indeed
but we were dark:
a girl
whose hair is yellower than
torchlight should wear no
headdress but fresh flowers
Love Outlasteth All
Could I borrow the laverock's lifting note,
Or the silvery song from the blackbird's throat,
Then would I warble the whole day long,
Telling, in floods of passionate song,
How worlds might tremble, or skies might fall.
But Love, true Love, outlasteth all.
Or, with picturesque words, in phrases neat,
With ringing rhymes, and in sonnets sweet,
Had I the skill of the schoolman's craft
My song the murmurous breeze should waft,
And tell to her whom my heart loves best,
How Love outlasteth all the rest.
Harry Breaker Morant
DREAM-PEDLARY
IF there were dreams to sell,
What would you buy?
Some cost a passing bell;
Some a light sigh,
That shakes from Life's fresh crown
Only a rose-leaf down.
If there were dreams to sell,
Merry and sad to tell,
And the crier rang the bell,
What would you buy?
A cottage lone and still,
With bowers nigh,
Shadowy, my woes to still,
Until I die.
Such pearls from Life's fresh crown
Fain would I shake me down.
Were dreams to have at will,
This would best heal my ill,
This would I buy.
But there were dreams to sell
Ill didst thou buy;
Life is a dream, they tell,
Waking, to die.
Dreaming a dream to prize,
Is wishing ghosts to rise;
And if I had the spell
To call the buried well,
Which one should I?
If there are ghosts to raise,
What shall I call,
Out of hell's murky haze,
Heaven's blue pall?
Raise my loved long-lost boy,
To lead me to his joy.--
There are no ghosts to raise;
Out of death lead no ways;
Vain is the call.
Know'st thou not ghosts to sue,
No love thou hast.
Else lie, as I will do,
And breathe thy last.
So out of Life's fresh crown
Fall like a rose-leaf down.
Thus are the ghosts to woo;
Thus are all dreams made true,
Ever to last!
Thomas Lovell Beddoes
Novel (by Arthur Rimbaud)
I.
No one's serious at seventeen.
--On beautiful nights when beer and lemonade
And loud, blinding cafés are the last thing you need
--You stroll beneath green lindens on the promenade.
Lindens smell fine on fine June nights!
Sometimes the air is so sweet that you close your eyes;
The wind brings sounds--the town is near--
And carries scents of vineyards and beer. . .
II.
--Over there, framed by a branch
You can see a little patch of dark blue
Stung by a sinister star that fades
With faint quiverings, so small and white. . .
....
That night. . .you return to the blinding cafés;
You order beer or lemonade. . .
--No one's serious at seventeen
When lindens line the promenade. .......by Arthur Rimbaud
De Profundis ( by Georg Trakl )
There is a stubble field on which a black rain falls.
There is a tree which, brown, stands lonely here.
There is a hissing wind which haunts deserted huts---
How sad this evening.
Past the village pond
The gentle orphan still gathers scanty ears of corn.
Golden and round her eyes are gazing in the dusk
And her lap awaits the heavenly bridegroom.
Returning home
Shepherds found the sweet body
Decayed in the bramble bush.
A shade I am remote from sombre hamlets.
The silence of God
I drank from the woodland well.
On my forehead cold metal forms.
Spiders look for my heart.
There is a light that fails in my mouth.
At night I found myself upon a heath,
Thick with garbage and the dust of stars.
In the hazel copse
Crystal angels have sounded once more.
A SONG OF LIFE ( by Ella Wheeler Wilcox)
In the rapture of life and of living,
I lift up my head and rejoice,
And I thank the great Giver for giving
The soul of my gladness a voice.
In the glow of the glorious weather,
In the sweet-scented, sensuous air,
My burdens seem light as a feather –
They are nothing to bear.
In the strength and the glory of power,
In the pride and the pleasure of wealth
(For who dares dispute me my dower
Of talents and youth-time and health?) ,
I can laugh at the world and its sages –
I am greater than seers who are sad,
For he is most wise in all ages
Who knows how to be glad.
I lift up my eyes to Apollo,
The god of the beautiful days,
And my spirit soars off like a swallow,
And is lost in the light of its rays.
Are tou troubled and sad? I beseech you
Come out of the shadows of strife –
Come out in the sun while I teach you
The secret of life.
Come out of the world – come above it –
Up over its crosses and graves,
Though the green earth is fair and I love it,
We must love it as masters, not slaves.
Come up where the dust never rises –
But only the perfume of flowers –
And your life shall be glad with surprises
Of beautiful hours.
Come up where the rare golden wine is
Apollo distills in my sight,
And your life shall be happy as mine is,
And as full of delight.
MOUNTAIN LIFE
IN summer dusk the valley lies
With far-flung shadow veil;
A cloud-sea laps the precipice
Before the evening gale:
The welter of the cloud-waves grey
Cuts off from keenest sight
The glacier, looking out by day
O'er all the district, far away,
And crowned with golden light.
But o'er the smouldering cloud-wrack's flow,
Where gold and amber kiss,
Stands up the archipelago,
A home of shining peace.
The mountain eagle seems to sail
A ship far seen at even;
And over all a serried pale
Of peaks, like giants ranked in mail,
Fronts westward threatening heaven.
But look, a steading nestles, close
Beneath the ice-fields bound,
Where purple cliffs and glittering snows
The quiet home surround.
Here place and people seem to be
A world apart, alone; --
Cut off from men by spate and scree
It has a heaven more broad, more free,
A sunshine all its own.
Look: mute the saeter-maiden stays,
Half shadow, half aflame;
The deep, still vision of her gaze
Was never word to name.
She names it not herself, nor knows
What goal my be its will;
While cow-bells chime and alp-horn blows
It bears her where the sunset glows,
Or, maybe, further still.
Too brief, thy life on highland wolds
Where close the glaciers jut;
Too soon the snowstorm's cloak enfolds
Stone byre and pine-log hut.
Then wilt thou ply with hearth ablaze
The winter's well-worn tasks; --
But spin thy wool with cheerful face:
One sunset in the mountain pays
For all their winter asks. (by Henrik Ibsen, 1828-1906)
'O WHICH is the last rose?'
A blossom of no name.
At midnight the snow came;
At daybreak a vast rose,
In darkness unfurl'd,
O'er-petall'd the world.
Its odourless pallor
Blossom'd forlorn,
Till radiant valour
Establish'd the morn--
Till the night
Was undone
In her fight
With the sun.
The brave orb in state rose,
And crimson he shone first;
While from the high vine
Of heaven the dawn burst,
Staining the great rose
From sky-line to sky-line.
The red rose of morn
A white rose at noon turn'd;
But at sunset reborn
All red again soon burn'd.
Then the pale rose of noonday
Rebloom'd in the night,
And spectrally white
In the light
Of the moon lay.
But the vast rose
Was scentless,
And this is the reason:
When the blast rose
Relentless,
And brought in due season
The snow rose, the last rose
Congeal'd in its breath,
Then came with it treason;
The traitor was Death.
In lee-valleys crowded,
The sheep and the birds
Were frozen and shrouded
In flights and in herds.
In highways
And byways
The young and the old
Were tortured and madden'd
And kill'd by the cold.
But many were gladden'd
By the beautiful last rose,
The blossom of no name
That came when the snow came,
In darkness unfurl'd--
The wonderful vast rose
That fill'd all the world.
(by John Davidson, 1857-1909)
http://www.indians.org/welker/anasazi.htm ...indigenous people's literature link, specifically Anasazi culture but the core site allows other tribes. quasimodo1
THE LEAGUE OF NATIONS
Light on the towns and cities, and peace for evermore!
The Big Five met in the world's light as many had met before,
And the future of man is settled and there shall be no more war.
The lamb shall lie down with the lion, and trust with treachery;
The brave man go with the coward, and the chained mind shackle the free,
And the truthful sit with the liar ever by land and sea.
And there shall be no more passion and no more love nor hate;
No more contempt for the paltry, no more respect for the great;
And the people shall breed like rabbits and mate as animals mate.
For lo! the Big Five have said it, each with a fearsome frown;
Each for his chosen country, State, and city and town;
Each for his lawn and table and the bed where he lies him down.
Cobbler and crank and chandler, magpie and ape disguised;
Each bound to his grocery corner – these are the Five we prized;
Bleating the teaching of others whom they ever despised.
But three shall meet in a cellar, companions of mildew and rats;
And three shall meet in a garret, pungent with stench of the cats,
And three in a cave in the forest where the torchlight maddens the bats –
Bats as blind as the people, streaming into the glare –
And the Nine shall turn the nations back to the plain things there;
Tracing in chalk and charcoal treaties that none can tear:
Truth that goes higher than airships and deeper than submarines,
And a message swifter than wireless – and none shall know what it means –
Till an army is rushed together and ready behind the scenes.
The Big Five sit together in the light of the World and day,
Each tied to his grocery corner though he travel the world for aye,
Each bleating the dreams of dreamers whom he has despised alway.
And intellect shall be tortured, and art destroyed for a span –
The brute shall defile the pictures as he did when the age began;
He shall hawk and spit in the palace to prove that he is a man.
Cobbler and crank and chandler, magpie and ape disguised;
Each bound to his grocery corner – these are the Five we prized;
Bleating the teaching of others whom they ever despised.
Let the nations scatter their armies and level their arsenals well,
Let them blow their airships to Heaven and sink their warships to Hell,
Let them maim the feet of the runner and silence the drum and the bell;
But shapes shall glide from the cellar who never had dared to "strike",
And shapes shall drop from the garret (ghastly and so alike)
To drag from the cave in the forest powder and cannon and pike.
As of old, we are sending a message to Garcia still –
Smoke from the peak by sunlight, beacon by night from the hill;
And the drum shall throb in the distance – the drum that never was still.
(by Henry Lawson, 1867-1922) You have to wonder what he might think of the United Nations) quasimodo1
BLUE
Blue, but you are Rose, too,
and buttermilk, but with blood
dots showing through.
A little salty your white
nape boy-wide. Glinting hairs
shoot back of your ears' Rose
that tongues like to feel
the maze of, slip into the funnel,
tell a thunder-whisper to.
When I kiss, your eyes' straight
lashes down crisp go like doll's
blond straws. Glazed iris Roses,
your lids unclose to Blue-ringed
targets, their dark sheen-spokes
almost green. I sink in Blue-
black Rose-heart holes until you
blink. Pink lips, the serrate
folds taste smooth, and Rosehip-
round, the center bud I suck.
I milknip your two Blue-skeined
blown Rose beauties, too, to sniff
their berries' blood, up stiff
pink tips.
....
( ...by May Swenson, 1913-1989 ) Swenson graduated the prestigous Bryn Mahr University in PA, tought poetry there, and is considered the third best poet of her day )
HIDDEN FLAME
Feed a flame within, which so torments me
That it both pains my heart, and yet contains me:
'Tis such a pleasing smart, and I so love it,
That I had rather die than once remove it.
Yet he, for whom I grieve, shall never know it;
My tongue does not betray, nor my eyes show it.
Not a sigh, nor a tear, my pain discloses,
But they fall silently, like dew on roses.
Thus, to prevent my Love from being cruel,
My heart's the sacrifice, as 'tis the fuel;
And while I suffer this to give him quiet,
My faith rewards my love, though he deny it.
On his eyes will I gaze, and there delight me;
While I conceal my love no frown can fright me.
To be more happy I dare not aspire,
Nor can I fall more low, mounting no higher.
(1631-1700)
Revenge
by Letitia Elizabeth Landon (L.E.L.)
Ay, gaze upon her rose-wreath'd hair,
And gaze upon her smile;
Seem as you drank the very air
Her breath perfumed the while;
And wake for her the gifted line,
That wild and witching lay,
And swear your heart is as a shrine,
That only holds her sway.
'Tis well: I am revenged at last;--
Mark you that scornful cheek,--
The eye averted as you pass'd,
Spoke more than words could speak.
Ay, now by all the bitter tears
That I have shed for thee,--
The racking doubts, the burning fears,--
Avenged they well may be--
By the nights pass'd in sleepless care,
The days of endless woe;
All that you taught my heart to bear,
All that yourself will know.
I would not wish to see you laid
Within an early tomb;
I should forget how you betray'd,
And only weep your doom:
But this is fitting punishment,
To live and love in vain,--
O my wrung heart, be thou content,
And feed upon his pain.
Go thou and watch her lightest sigh,--
Thine own it will not be;
And bask beneath her sunny eye,--
It will not turn on thee.
'Tis well: the rack, the chain, the wheel,
Far better hadst thou proved;
Ev'n I could almost pity feel,
For thou art nor beloved.
You do not need many things
My house is buried in the deepest recess of the forest
Every year, ivy vines grow longer than the year before.
Undisturbed by the affairs of the world I live at ease,
Woodmen’s singing rarely reaching me through the trees.
While the sun stays in the sky, I mend my torn clothes
And facing the moon, I read holy texts aloud to myself.
Let me drop a word of advice for believers of my faith.
To enjoy life’s immensity, you do not need many things.
- Ryokan
ON IMAGINAGION
Thy various works, imperial queen, we see,
How bright their forms! how deck'd with pomp by thee!
Thy wond'rous acts in beauteous order stand,
And all attest how potent is thine hand.
From Helicon's refulgent heights attend,
Ye sacred choir, and my attempts befriend:
To tell her glories with a faithful tongue,
Ye blooming graces, triumph in my song.
Now here, now there, the roving Fancy flies,
Till some lov'd object strikes her wand'ring eyes,
Whose silken fetters all the senses bind,
And soft captivity involves the mind.
Imagination! who can sing thy force?
Or who describe the swiftness of thy course?
Soaring through air to find the bright abode,
Th' empyreal palace of the thund'ring God,
We on thy pinions can surpass the wind,
And leave the rolling universe behind:
>From star to star the mental optics rove,
Measure the skies, and range the realms above.
There in one view we grasp the mighty whole,
Or with new worlds amaze th' unbounded soul.
Though Winter frowns to Fancy's raptur'd eyes
The fields may flourish, and gay scenes arise;
The frozen deeps may break their iron bands,
And bid their waters murmur o'er the sands.
Fair Flora may resume her fragrant reign,
And with her flow'ry riches deck the plain;
Sylvanus may diffuse his honours round,
And all the forest may with leaves be crown'd:
Show'rs may descend, and dews their gems disclose,
And nectar sparkle on the blooming rose.
Such is thy pow'r, nor are thine orders vain,
O thou the leader of the mental train:
In full perfection all thy works are wrought,
And thine the sceptre o'er the realms of thought.
Before thy throne the subject-passions bow,
Of subject-passions sov'reign ruler thou;
At thy command joy rushes on the heart,
And through the glowing veins the spirits dart.
Fancy might now her silken pinions try
To rise from earth, and sweep th' expanse on high:
>From Tithon's bed now might Aurora rise,
Her cheeks all glowing with celestial dies,
While a pure stream of light o'erflows the skies.
The monarch of the day I might behold,
And all the mountains tipt with radiant gold,
But I reluctant leave the pleasing views,
Which Fancy dresses to delight the Muse;
Winter austere forbids me to aspire,
And northern tempests damp the rising fire;
They chill the tides of Fancy's flowing sea,
Cease then, my song, cease the unequal lay.
By Phillis Wheatley (1753-1784)
quasi, thank you for the American Indian Poetry link above -- very cool stuff.
I also loved the Zen Poetry, beautiful.
Psyche, loved that Revenge, thanks!
To Kiz paws: If you know any genre of poetry that hasn't been posted, maybe you could let me know. That zen stuff is the best; have to do more of that. quasi
{Exerpt from this poem by Vladislav (Vlanes) Nekliaeu, 1969 to the present} Whatever dies in this gigantic rut
overfilled with agony and water, it rockets to the stars
amassed like silver coins upon a plate of brass,
it soars far above the predator that cut it,
flies, flows, flaps its ravaged wings
made whole again on the other side -
it does not have to wince and hide,
but being whole, ends up beyond its vital accident,
to reappear rapidly, when the outer circle is complete,
like a stray tongue of light,
dazzling its former monsters overspent,
fatigued by their thirst and greed -
this light congeals on their fur like a green
thread of algae, a small emerald enframed by these machines,
it rolls down abruptly, jumps from hair to hair, gleans
their ponderous vapour, their clean
spirit that envelops them and leans
towards them, freeing them within their time,
so that they can palpitate, unbridled, tame,
until no greed is left, no thirst for throbbing flesh, no taste
of boiling salt, no memory of twitching fins, and haste
with which a creature shrinks towards its doom,
and freezes, and submits, once
the first resistance is broken, and the hands
of destiny grab it and rend apart, without the sense
of their soul, the precious music, the untasted meal of time – out
it is spat, disgorged, revived, restored to its own dying shout
which now begins to modulate and hastens
through each chord that resonates around
the tactile crystal spheres falling down so
fast that the unfurled drab wings appear slow
and awkward, and lag behind, beating about madly,
scattering the feathers of the sunrise, and then halt, and suddenly
release the loudest, the sharpest shriek, too
TO A LADY
SWEET rois of vertew and of gentilness,
Delytsum lily of everie lustynes,
Richest in bontie and in bewtie clear,
And everie vertew that is wenit dear,
Except onlie that ye are mercyless
Into your garth this day I did persew;
There saw I flowris that fresche were of hew;
Baith quhyte and reid most lusty were to seyne,
And halesome herbis upon stalkis greene;
Yet leaf nor flowr find could I nane of rew.
I doubt that Merche, with his cauld blastis keyne,
Has slain this gentil herb, that I of mene;
Quhois piteous death dois to my heart sic paine
That I would make to plant his root againe,--
So confortand his levis unto me bene.
by William Dunbar (1460-1520) ...This poem was composed during the reign of Henry VIII. Before he broke away from the Roman Catholic Church, the clerics tasked with censorship would not have given their two seals of approval, i.e. impramatur and nihil obstat....Latin expressions written on the reverse side of the cover page which meant "it is permitted" and "nothing objectionable" respectively. And today people complain about violations of First Ammendment rights. In Dunbar's day, bawdy writing could get you imprisoned or worse; all the while, Henry lived in style that eventually would cause his death...from tertiary syphillis. Those were the days. quasi
Yes indeed, quasi -- more ZEN! :thumbs_upQuote:
Originally Posted by quasimodo1
The past is already past.
Don’t try to regain it.
The present does not stay.
Don’t try to touch it.
From moment to moment.
The future has not come;
Don’t think about it
Beforehand.
Whatever comes to the eye,
Leave it be.
There are no commandments
To be kept;
There’s no filth to be cleansed.
With empty mind really
Penetrated, the dharmas
Have no life.
When you can be like this,
You’ve completed
The ultimate attainment.
Layman P’ang (740-808)
ARMS, and the man I sing, who, forc'd by fate,
And haughty Juno's unrelenting hate,
Expell'd and exil'd, left the Trojan shore.
Long labors, both by sea and land, he bore,
And in the doubtful war, before he won
The Latian realm, and built the destin'd town;
His banish'd gods restor'd to rites divine,
And settled sure succession in his line,
From whence the race of Alban fathers come,
And the long glories of majestic Rome.
Virgil
Oh, I loved this one, quasi. Thank you very much. :)Quote:
Originally Posted by quasimodo1
YVONNE OF BRITTANY
In your mother's apple-orchard,
Just a year ago, last spring:
Do you remember, Yvonne!
The dear trees lavishing
Rain of their starry blossoms
To make you a coronet?
Do you ever remember, Yvonne,
As I remember yet?
In your mother's apple-orchard,
When the world was left behind:
You were shy, so shy, Yvonne!
But your eyes were calm and kind.
We spoke of the apple harvest,
When the cider press is set,
And such-like trifles, Yvonne,
That doubtless you forget.
In the still, soft Breton twilight,
We were silent; words were few,
Till your mother came out chiding,
For the grass was bright with dew:
But I know your heart was beating,
Like a fluttered, frightened dove.
Do you ever remember, Yvonne,
That first faint flush of love?
In the fulness of midsummer,
When the apple-bloom was shed,
Oh, brave was your surrender,
Though shy the words you said.
I was glad, so glad, Yvonne!
To have led you home at last;
Do you ever remember, Yvonne,
How swiftly the days passed?
In your mother's apple-orchard
It is grown too dark to stray,
There is none to chide you, Yvonne!
You are over far away.
There is dew on your grave grass, Yvonne!
But your feet it shall not wet:
No, you never remember, Yvonne!
And I shall soon forget.
(by Ernest Dowson, 1867-1900)
IN PRAISE OF WRITING LETTERS
Blest be the Man! his Memory at least,
Who found the Art, thus to unfold his Breast,
And taught succeeding Times an easy way
Their secret Thoughts by Letters to convey;
To baffle Absence, and secure Delight,
Which, till that Time, was limited to Sight.
The parting Farewel spoke, the last Adieu,
The less'ning Distance past, then loss of View,
The Friend was gone, which some kind Moments gave,
And Absence separated, like the Grave.
The Wings of Love were tender too, till then
No Quill, thence pull'd, was shap'd into a Pen,
To send in Paper-sheets, from Town to Town,
Words smooth was they, and softer than his Down.
O'er such he reign'd, whom Neighborhood had join'd,
And hopt, from Bough to Bough, supported by the Wind.
When for a Wife the youthful Patriarch sent,
The Camels, Jewels, and the Steward went,
A wealthy Equipage, tho' grave and slow;
But not a Line, that might the Lover shew.
The Rings and Bracelets woo'd her Hands and Arms;
But had she known of melting Words, the Charms
That under secret Seals in Ambush lie,
To catch the Soul, when drawn into the Eye,
The Fair Assyrian had not took this Guide,
Nor her soft Heart in Chains of Pearl been ty'd.
Had these Conveyances been then in Date,
Joseph had known his wretched Father's State,
Before a Famine, which his Life pursues,
Had sent his other Sons, to tell the News.
Oh! might I live to see an Art arise,
As this to Thoughts, indulgent to the Eyes;
That the dark Pow'rs of distance cou'd subdue,
And make me See, as well as Talk to You;
That tedious Miles, nor Tracts of Air might prove
Bars to my Sight, and shadows to my Love!
Yet were it granted, such unbounded Things
Are wand'ring Wishes, born on Phancy's Wings,
They'd stretch themselves beyond this happy Case,
And ask an Art, to help us to Embrace.
By Anne Kingsmill (1661-1720)
In Memory of My Mother
I do not think of you lying in the wet clay
Of a Monaghan graveyard; I see
You walking down a lane among the poplars
On your way to the station, or happily Going to second Mass on a summer Sunday--
You meet me and you say:
'Don't forget to see about the cattle--'
Among your earthiest words the angels stray.
And I think of you walking along a headland
Of green oats in June,
So full of repose, so rich with life--
excerpt of "In Memory of My Mother" by Patrick Kavanagh