Originally Posted by
PabloQ
Nikhar,
The first thing I want you to understand is that I don't look at the voting before I read the stories in this competition. I don't let the vote count or who voted for each story prejudize my opinion.
Secondly, I read all of the stories and try to determine which one had the best story. Based on that, I eliminated your story upon first reading it because I didn't like the story, primarily because it seemed like a wordy rendition of a simple story and the short section at the end seemed obscure and disconnected from the rest of the text. To be honest, I just didn't care.
That may seem harsh, but writing a good story within the economy of 2000 words is extemely difficult. I've tried it a couple times myself and failed. This story struck me more as an effort to fill a story with 2000 words than to tell a story well within that constraint. Fifth Element's points are spot on. There are points where you got carried away with words instead of telling the story. (examples, that first paragraph, the description of that injection, the race for the elevator).
I got confused a couple of times in the story. When the narrator returned from the "tour", based on his mother's reaction, I would have thought Dada was already dead. When the narrator sees his Dada in the hospital bed, I once again thought he was already dead. And like I said, the bit at the end didn't fit for me.
I can't imagine how much more difficult it is to write a story in English when it isn't your native language. Of all the advice, considering that challenge, try to keep it simple and tell a good story. Fight the urge to overuse modifiers. You run the risk of choosing the wrong one. (Most folks don't find elevators to be cavernous, for example). Trampolines don't thump naturally unless someone is bouncing on them. Bad choices distract from the story. So, my advice is to concentrate on telling a good story and less on trying to impress folks with your writing.