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Originally Posted by
Brasil
Sigmund Freud made a critic about Shakespeare: The greatest english author was not so original because a lot of things he wrote were already known in some greek myths.
I accept Freud's critic uppon Shakespeare. However, Shakespeare translated the ancient myths to his own time and historical context. So, in some way, Shakespeare was original too. Furthermore Shakespeare was popular on his own time.
Shakespeare was very original, but originality is not the creation of plots. Originality is how the story is told and Shakespeare, alone, created stories that basically replaceded in the western mind the archetypes that are supplied by the greek mythology. One man that is worth the entire culture developed by centuries and being this culture the most amazing culture of western world? That is because the quality of his text, the complexity. That is what give Shakespeare importance and keep him in our mind. Popularity (relative, Shakespeare was a popular theatre writer, not a popular writer since a dramaturgist was considered a second, if not third rate writer).
Today, there are a excess of idealism of the past when somebody says "Shakespeare was awesome and Coelho is awful". I am not saying Coelho is great, but he's as popular today as Shakespeare was and still is.
I don't apreciate Coelho, but I must respect the million of people who does. He is the most famous brazilian writer today. [/quote]
I do not understand you. You ask to leave Coelho out but you keep bringing him up. Anyways, Hitler was popular also. During the story of mankind several artists are popular during their lifetime while great genius lived under their shadow. Jorge Luis Borges only got famous in the 60's, Kafka decades after his dead, Emily Dickinson barely published while she was alive. Popularity is meanignless, a time lapse, an accident of fashion. Being popular does not say anything about quality. Democracy is an awful method to measure merit.
Coelho is the most famous brazilian writer today when our writing culture have been dragged down and it is nowhere as stunning as during the Modernists period. And even if you think, Shakespeare wrote 500 years ago and I doubt people can reckon plots of Coelho as they can reckon characters of Shakespeare even without reading him. Not to mention the fact he is the writer that originated more movies, more songs, more paintings, etc. Influence is the only kind of "popularity" worth and two decades after Coelho his influence have been nill.
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Machado de Assis is great, the best, but most of people in the world don't know him. Yes, that's the truth, we must accept: Machado's texts is not for the majority of the world population.
I do not know if I praise god because the idea that a writer wrote something that is equallly valuable for all the world's population is so outrageous that I think I would kill such man.
But What make Machado no for the world population?? I understood and read him when I was 11. Are you telling me that the world is that uneducated and imbecile??
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If we depends of Machado, the Brazilian literature would be forgotten. That's why I respect Coelho, he is Brazilian and he sells a lot of books. I don't like him, but it is irrelevant, million of people does.
That is outrageous. Ridiculous! Bollocks.
Machado de Assis , founder the academy that Paulo Coelho fought to be accepted, wrote 100 years ago and still remembered. Wait until Paulo Coelho manages to be remembered being dead for so long to claim such non sense. And I doubt he will, because what make a text be remembered is the quality and this is something Machado will always have and Coelho will always lack.
Do you think Coelho is the first best-seller success in the world? Where is Losang Rampa? Where is even Sidney Sheldon? Where was all the nobodies that sold much more books than Joyce or Faulkner?? They are forgotten.
And, if Coelho didn't sold as much, they would find someone else to do so. It is a marketing principle. Explore the public. But finding someone as good as Machado. You must be joking.
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If a was english, I would be proud of J.K.Roling. I don't care if somebody says it is a poor literature. Million of children are reading Harry Potter, that's important. The same I say about Coelho controversy. I am proud, cause he sell a lot of books and he is brazilian.
After she trying to sue someone for authoral rights when she didn't had a single original idea while Writing Harry Potter I would be ashamed about her. Just a ganancious twit. As being proud of Coelho, I would be proud of something worthless such as Machado de Assis. Or Rui Barbosa. Or Santos Dummont. Or Vital Brasil. Or all the great brazilians who actually showed a genius beyond everyone else and not just to be market success. Xuxa is more popular than him. Be proud about her.
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Some brazilians says "Pelé is a awful person, racist, and etc..." But I'm proud of Pelé cause he is the best football player in history and he is brazilian. People always seach defects.
Such is life. Pele is not a racist. I dunno if he is an awful person. But he is actually the best footballer ever. He wasnt just popular.
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In Brazil, the traditional professors (the old ones) always say good things about Vinicius de Moraes, Chico Buarque, etc... But Raul Seixas, Renato Russo, Cazuza... are poor poets. What a shame say that!
I am not an old professor and I will say: The reason they say that is because Vinicius, who is one of the best poets ever and Chico Buarque are head, shoulders, chest, crotch, feet and shadow about those 3 walking cliches. A shame is to compare the prentencious and hipocrites Cazuza and Renato Russo to them. Raul Seixas was at least honest in his hippie life.
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I am portuguese teacher and literature student and I'm also musician. I usually listen to italian opera (and I understand the italian words), Chopin, Mozart, Beethoven... and I love it. I love Bossa Nova and Brazilian popular music too. And also I love rock and roll, jazz, blues, salsa, tango, bolero, tarantella, arabic music... I don't have any prejudice about art.
Renato Russo, for example, had a potent voice. His composition are full of simplicity, but beaufiful. The words of his songs made him a poet and a hero for a entire generation.
He was not a poet. Writing lyrics for music may demand poetic language, but a poet is the one who writes poetry. I prefer the humble and most acceptable opinion of a real Poet that also wrote music, Leonard Cohen that the difference between the two works are enough.
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So, when someone says "Chico Buarque is great and Renato Russo is nothing" I must be angry. Vinicius de Moraes, Chico, Caetano were importants to a past generation, but Cazuza, Renato Russo and Raul Seixas were importants to the new generation. The historical context is totally different and some people don't take this in consideration.
The one not taking it the context in consideration is you. Chico Buarque wrote during the militar dictadorship. Cazuza and Russo wrote protest musics during the democracy that they didn't helped to created. They are pop artists, playing for future MTV (which is one of the most banal things ever created by humankind) and while attacking the system, they are more than help to bend over for Globo and be the main theme of globo's sop operas. They had no spirit and their lyrics - which are basically portuguese versions of the english's punk in the 70's - are all false.
It have nothing to do with who was in the past one or the recent one, but who was good enough or not. I am not a fan of Chico music, but the guy had a domain of language, symbolism and rythim that Renato Russo could only dream about.
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Shakespeare translated the ancient myth to his own time and context.
Renato Russo translated the angry, the sadness, the fears, and the love of the youth to his own context. Renato Russo made a song composition uppon Camõe's sonnet. It is wonderful!
He just wrote music for pop music. He wrote for Globo's characters. He didn't even realized what was happening in brazil while repeating the 70's jargons of Punk movement. Plus, I prefer the expression of surprise of Mallarme when a song offered as homage to sing one version of Mallarme poem. Mallarme just answered "But it was already musical". Transforming Camoes, above all, in music! Camoes already did it.
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Russo's song words have paradox, antithesis, synizesis, etc. He's a person who does art. Every human art has something to present, something important.
People always idealize the past as perfect: "The past language was beautiful, the way they spoke at the past was better, the past books was awesome, the past singers were wonderfull..." Yes, I agree but not only the past, our present too. We have good things today. Some people just apreciate the conteporanean literature when it seems like the past literature. This is excess of tradicionalism and past idealism.
No, this is just good sense. There is 7000 years of literature. It is only natural that in 7000 years we are going to find more examples of good literature than the short space of today. Plus, chronology have nothing to do with quality. Right now there may be a great writer. But I doubt there is any as good as Dante. But when Dante was alive, he could say the best writer ever was alive and not in the past (and he almost didn't, amazing).
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Also, I'd like to say: I don't belive in literary critics.
Too bad. Stop studing literature as you claim because study of literature is the pratice of literary critic (Or you are just reading ,not studying). Stop writing those long analyses, because they are the pratice of literary critic. Also stop lacking respect for guys who spent their entire life studing with depth and passion one objetc they loved. Also, do not ever read Borges, which transformed literary criticism a new form of art. Also, avoid a list of great writers, all of them dedicated to literary criticism.
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Literature is art, right? So, how can someone define what is beautiful, what is creative, what is ugly, what is original...? This is subjective, so, it depend, it comes from the personal taste.
Literature is not only art. But creative is not subjective, if it is not created new, it is not creative. What is original it is not subjective either.
What is beautiful or ugly is subjetive, but this is art appreciation. Qualification is something else, it is telling if something really achived the capacity to be beautifull while using the standards and techniques the work proposed. It is not as subjective.
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A totally different thing is: a philosophical critics.
Philosophy is not art, so when a philosopher analasys a phylosophical work that kind of critic is objective.
That is new. Some philosophies are not even objective to be able to propose a model of objetive analyse.
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The same thing we can say about the science. The scientifical critic about a scientific work is "objective" (actually it trys to be). But the literature (art) can not be as objective as phylosophy or science.
Considerable more than Philosophy because all artist use techniques. You can make technical analyses about every art work (not to mention the history of art) and those are objetive.
I am sorry, but it is not a matter of taste what is good art or not. Just what you like or not.
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So, based also in Marx and Freud I say: everything we say about literature is our personal taste, influenciated by the ideology and the personal formation.
Marx was an awful literary critic and so are Freud because they did exactly that. There is advice, listen to many critics, not just two, because if 100 critics agree about something and for similar reasons, something must be true there. And 100 critics in different contexts, so you will know they do not share the same ideology and they do not have the same personal formation.
That is why Shakespeare is Shakespeare, there 300 years that he is acclaimed by a variety of individuals that anyone claiming it is a matter of personal taste, is not using their brain cells.