Though I LOVE this one just as much, it doesn't seem to go along with the other Snapshots. I have no picture of Hazel unless it would be my own cliched version of a woman like that.
Now, that guy at the end of the terrace, now that's a picture. :D
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Jer, you have such a beautiful way of capturing the things you view into these lovely short 'n sweet poems.
I love the way you look at life, and I like how we can see a little of you in each snapshot -- a man with a twinkle in his eye who misses nothing.
Keep 'em coming!
K♥zzo
Love the way this works, or the way I think it works with sushi. Never could figure people like that.
I had to laugh trying to envision an animated woman who looks like a jolly stuffed cabbage. The sounds go so well against the comparison with her companion.
Just guessing, mind you, but I think one could do a whole lot worse than to have you as a friend. Yup, a whole lot worse!
Very little I dislike more than to pass up an appreciation of my astuteness but really I had no idea that the sushi was a relevant part of the observation, other than it happened to be there. And if you're ever in these parts, here's an offer to take you to that particular place
Further to my other response to you, if you were to imagine Hazel as a cliche you might not be far off the mark, because she's constructed herself as a character and don't most characters come from Central Casting and are therefore to some degree or other cliches?
Early Saturday evening
The streets have rarely offered up so few passersby
The air feels like something is being withheld
The buildings are like a stage set
about to be struck
before the show goes on the road
All of my poems are fu.ck ups, all of my attempts are attempts.
I talk like this often in real life,
I have someone following me around with a pen...
only they're shoving it up their as.s and getting OFF on the
instrument
rather than on the poetry - the message, big boy.
sing it for me.
...ladeeda, I need to be with my woman in America especially when she whimpers for peace.
A young woman with a long,
loose, lazy body
exits the café
wearing a grey, brushed-cotton
panty and halter-top combination
every sashay of her hips proclaiming
I don’t give a damn! I don’t give a damn!
I really, really don’t give a damn!
you should put these pictures - snapshots,
up on myspace.
everyone always says "you look way better on myspace than in real life."
lucky for me I look good all over the place, all over someone
Ahead of me at the frozen desserts
a man with a disfigured face,
the whole of the right side of it
seemingly caved in.
I struggle not to look
Striking! I like the ambiguity of it, the "not to look" and how it contrasts with the fact that the speaker must have looked in order to say this about that man's face. The reference to the frozen desserts perfectly fits too, thanks to the contrast between the ideas behind both words. There is so much in this poem, Shoutie!