Why should literature be confined to the four squares of the page? Why not write literature on walls? Why not write literature on bathroom walls? Why not write literature on the sky?
My assumption is that writers have found that books have proven a greater medium for reaching their audience than bathroom walls.
Envision an earthquake as a poem, envision a hurricane as a poem, envision a black hole in outer space as a poem...
Not unlike Stockhausen's assertion that the attack on the World Trade Center of 9.11 was the greatest collective achievement of ART? Perhaps Auschwitz was just a big work of performance Art?
I wish I could be nicer in this essay, but I must speak my mind. Why do you (you meaning most writers) hide behind your conventional stories and your conventional grammar?
Perhaps others find no need to break from traditional spelling/grammar. Perhaps they find such to be but mere gimmicks.
Is your mind incapable of imagining anything else? Or are you just too lazy to push yourself into doing something different?
And can we not invert the question and ask why do you find you need to employ literary gimmicks, profanity, and vulgarities? Is your mind incapable of imagining anything else?
Anyway, why should letters be confined to their present form? ... look at Arabic calligraphy, Chinese characters, and graffiti murals to see how beautiful/creative letters & words & phrases can be.
You are speaking of letters/words/text as visual art. Yes, these are all visually spectacular...
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-Adolf Wolfli
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What you are speaking of is a hybrid Art Form... like opera and other musical theater, the theater itself, film, etc...
There is an entire genre referred to as the "book arts"... a genre in which I worked for a period of some 5 years or so... in which visual artists have toyed with all that you propose and far more. There are artists who deconstruct the book as a sculptural object:
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The German Artist, Anselm Kiefer has scrawled poems across the surface of his huge paintings...
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... created books of lead pages inscribed with astronomical/astrological star charts and Cabalistic texts...
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... even created "books" encased under glass filled with clothing, plants, even earth from Egypt and the Middle East:
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The artist Adolf Wolfli (see above) was far more audacious than our beloved Wolf. While a patient in the Waldau Psychiatric Institute he created an autobiographical epic of some 25,000 pages employing collage, drawings, paintings, text, musical scores (utilizing his own invented method of scoring), etc...
Get with the program, Wolf. Book Artists have experimented with a range of approaches to the book and text that you have not even begun to imagine.
And why shouldn't we write orgies? What's wrong with orgies? We are told that pornography is bad. No it's not! Pornography is wonderful!
Didn't Cacian and I already have this discussion? How do you define "pornography"? The dictionary definitions of "pornography" vs "erotica" read as follows:
The "erotic" (from the Greek ἔρως, eros—"desire") is defined as that which causes sexual feelings, as well as a philosophical contemplation concerning the aesthetics of sexual desire, sensuality and romantic love. Pornography (derived from the Greek words πόρνη [pornē "prostitute"] and πορνεία [porneia "prostitution"] and and the Greek word γράφειν (graphein "to write or to record", or illustrate/draw). Pornography involves the explicit representation of sexual display or sexual acts. The Erotic need not. Some may find certain clothing, music, a person's voice, scents/perfumes, images that do not involve involves the explicit representation of sexual display or sexual acts to be "erotic".
By these definitions Art History is laden with "pornographic" art. There are endless examples by the Greeks, Romans, Persians, Indians, Renaissance, 18th/19th/20th century Europeans/Americans.
Why not write wonderful Baroque-Rococo works of pornography?
John Wilmot, Pierre Louÿs, L'Ecole des Filles, Dialogues of Luisa Sigea, Sodom, or the Quintessence of Debauchery, Thérèse Philosophe, Fanny Hill, the Marquis de Sade, The Lifted Curtain or Laura's Education, etc... And there are endless examples of "pornographic" paintings and prints of the Rococo period.
Why not prove that pornography can be artistic? Why not prove that pornography can be the greatest works of literature ever created by mankind?!
Sometimes it is. One need only look at Titian's Venus d'Urbino, Japanese Shunga, or the Khajuraho temples in India.
In fact, I have a book of poetry named Pornography! (It has no pictures.) Look at how popular pornography is! The problem is, there's too much bad pornography!
And there is just as much bad art and literature of a moral/ethical/religious nature... or of any genre you can think of.
What we need is to create wonderful pornography! Creative pornography! The best works of literature should be positively pornographic!
Every artist SHOULD only create that which he or she desires and believes in. If you believe in creating artistically wonderful pornography... then that is what you should be doing.
Why do novels need characters? Why do novels and short stories need plots?
Certainly there are novels, short stories... "fictions" as J.L. Borges referred to them... that stretch and challenge about every standard of traditional fiction. Have you read Lawrence Sterne, J.L. Borges, Julio Cortazar, Fernando Pessoa, Cesar Vallejo, etc...?
Why should literature be confined to traditional grammar? Why not make up your own grammar? If 20th century classical musicians could invent the 12 tone scale why can't you do the same with grammar?
Have you listened much to Schoenberg, Berg, Webern and their heirs? Personally I find much of it hard-going and not all that pleasant to listen to.
Why couldn't you invent something called 12 tone grammar? Why shouldn't each one of your works have a different form of grammar? Why not?
You've heard of James Joyce, right?
Some people whine about "obscenity". Perhaps these are the same kinds of people that helped get endless works of literature censored and banned in the recent past.
At last! Something I fully agree with.
Perhaps Puritanism and the obstruction of our natural sex drives is one of the leading causes of so-called "writers block". You block out everything that others may have an objection to – even your own so-called "morality" is perhaps blocking you from writing the great literature you're destined to write!
Don't expect to write great literature if you're all repressed! You don't think there's a connection between being repressed and "writers block"? Just write what comes into your head! To hell with what everybody else thinks! I'll tell you one thing: literature is not served by censorship, whether that censorship is from others or from yourself. Stop practicing self-censorship!
Again... there is some truth to this. I turn to a work of art to read/listen to/see the strong, unique "voice" of an individual... not a voice curtailed out of fear of not being acceptable. I suspect self-censorship is far more detrimental than external censorship. Many older writers, poets, musicians... think of early Jazz and Blues musicians... created diamonds under the pressure. Compare the witty and creative double entendre or hidden meanings of the lyrics by the old Blues singers to the endless stream of "f***" and "b****" by many of today's rappers who are free from censorship.
Creative writing therefore is a form of confrontation. When you write what you want to write without self-censorship you are confronting all of the ignorance that's holding literature back. The social values of any time in history are merely the social values of that political/economic structure and its ruling class. (The ruling class themselves rarely live according to these "values" – but they expect everybody else to live according to these "values" – especially writers – because writers can be dangerous to the status quo.) Many of these "values" are merely a form of trying to induce conformity, so that the masses are under control and do not threaten the ruling class and its political/economic structure. There is nothing natural about the "values" of the societies of the sick world of today. To hell with these hypocritical "moral values". You have to fight to write what you want to write! And if you don't have to fight to write would you want to write than maybe you're doing something wrong.
OK. Agreed. The Artist should create that which comes to mind... that which he or she is obsessed with and passionately believes in. This need not always be vulgar or pornographic or violent... but it should not exclude urges which one fears others might find unacceptable if these are what one truly desires to express/convey.
Again, I must say something impolite, my apologies. But why do normal people even bother writing? What do normal people have to contribute to literature? If there's nothing unusual about you, if you don't have anything original to say, then why do you bother? I think the best literature comes from those who are unique – or have some unique experiences – or have something unique to say – or have some new unique literature to give to the reading public.
Of course the question becomes, how do you define "normal"? There are any number of examples of individuals who on the surface appeared wholly "normal"... yet had truly unique voices or visions as artists. At the same time... the art world is full of poseurs putting on the facade of "weirdness" or being the "outsider" who achieve little or nothing as artists.
OK... this dialog has gone on long enough. I need to get up early... and spend the day in my studio... painting 7 foot tall "pornographic" paintings. :lol:

