Originally Posted by
Darcy88
Well this thread has made me want to re-read M of S and so I'll post pertinent sections as I come across them.
Even if the city is noisy, its noisy because of man, and even the tall red-wood-like skyscrapers, the rivers of concrete, and the growling four-wheeled beasts all confront one as inhumanly aloof, beyond sympathy or meaning, unlike a numinous Grecian river with its attendant deity and its mythical story and its centaur inhabitants. They actually bestowed upon rivers personality and will, unlike we who reduce rivers to natural scientifically rather than spiritually coherent phenomena.
Walk to the ocean or lake-side on a clear day. Look upon the illimitable landscape of water and sky. Try and regard it as it is - a great amalgamation of molecules composed of basic chemical ingrediants, hyrdogen and oxygen and such. See it as that and only as that. Its hard, but without man, without us imposing meaning and beauty upon it, its nothing more than that. Its terrifying really, just how mute and unfeeling is this world, this universe we inhabit. Without God or gods we are utterly insignificant and alone, like ants on a mound of dirt.
Or if you want to undertand the absurdity of the actor, imagine some epic scene at the end of an epic film. Imagine right before Martin Sheen is about to plunge the blade into Brando, the great and mysterious and awe-inspiring Colonel Kurtz, in the thick of the deep dark jungle as forboding drums play and hellish flames dance in a flickering rage.... imagine the passion and terror of the scene, the actors and the audience taken wholly in, every thought and every breath arising with utmost profundity and trepidation, totally rapt... and all of a sudden a small smiling caucasion child holding a bright blue balloon on a string wanders through the shot. The emotion and meaning and everything about the scene have suddenly become strikingly absurd. When God died, when world war 1 introduced into the world and the mind of man such utter depravity as had never been imagined or seen, all the fabricated layers of meaning, of truth and morality, were then cataclysmically rent, and man's absurdity became henceforth plainly and unavoidably known. His script was made up, his passions and beliefs false, his setting natural, turned out by the amoral and purposeless cosmic machine.