The title "Atlas $hrugged"
Quote:
Originally Posted by Bix12
I didn't read through the entire thread, so I don't know if she was mention'd....but, Ayn Rand get's my vote, hands down. A major snooze-fest, and her "philosophy" sucks...imo.
Aha, now I know the secret to your Font of Garamond and COLOR equals yellow! (Nice, that one poem of yours, Bix, I must look more closely)
I always felt like I should read Ayn Rand, but I could never bring myself to actually begin. Just now, I became curious about the origin of the title "Atlas Shrugged" and google lead me to a very informative link:
http://www.eckerd.edu/aspec/writers/atlas_shrugged.htm
Quote:
Originally Posted by The Title
The overarching story is that the men of the mind, who like Atlas,
carry the world on their shoulders, gradually get fed up with being
exploited, and abused, and given no respect. They retire from the
world, shrugging the burden, in effect. Rand’s working title was On
Strike. Her husband’s suggestion that the title be changed to Atlas
Shrugged was a valuable contribution. (It reminds me of another great
title change, when Viktor Frankl’s book From Death Camp to
Existentialism was re-named Man’s Search for Meaning.)
Quote:
Originally Posted by Her Philosophy
"My philosophy, Objectivism, holds that:
Reality exists as an objective absolute — facts are facts, independent
of man’s feelings, wishes, hopes, or fears.
Reason is man’s only means of perceiving reality, his only source of
knowledge, his only guide to action, and his basic means of survival.
Man — every man — is an end in himself, not the means to the ends of
others. He must exist for his own sake, neither sacrificing himself to
others, nor sacrificing others to himself. My need does not give me an
automatic claim to your wealth.
The ideal political-economic system is laissez-faire capitalism. It is a
system where men deal with one another, not as victims and
executioners, nor as masters and slaves, but as traders, by free,
voluntary exchange, to mutual benefit. It is a system where no man
may obtain any values from others by resorting to physical force, and
no man may initiate the use of physical force against others. The
government acts only as a policeman that protects man’s rights; it
uses physical force only in retaliation and only against those who
initiate its use, such as criminals or foreign invaders. There should be
a complete separation of state and economics, in the same way and
for the same reasons as the separation of state and church."
Quote:
Originally Posted by Dollar Signs
Rand makes much of the sign of the dollar, and another bit of hokum
occurs in the ending, when John Galt traces the sign of the dollar in
the air as he tells the strikers it is time to go back to the world. Even I
choke on that. She took the dollar-sign symbol, always drawn on
capitalist pigs in cartoons, and turned conventional wisdom upside
down, to make a point. She always wore a large gold dollar-sign pin on
her dress. At her funeral, a six-foot floral dollar-sign was placed by the
casket.
Such links, and tidbits help me to develop a deeper understanding of and appreciation for certain books and authors.
For now, I have my hands full with Thomas Pynchon, "Gravity's Rainbow". Ms. Rand will have to wait her turn.
Speaking of Faulkner, I am mesmerized by the opening pages of "As I Lay Dying", with Jewel and that horse poised for an instant in "furious hiatus".
I suppose if we like intricate, gothic, ornate convolutions of Byzantine complexity, then we are doomed to dislike barebones, powerful simplicity, elegantly hewn by Occam's razor and distilled to the most elemental form.
And, conversely, if we love the simple, we shall not love complex.
There is no accounting for personal tastes or for contemporary popularity or historical endurance. Thornton Wilder seems to have been quite fond of Gertrude Stein, but Hemingway appears to have disliked her intensely.
I am sure there are those who consider Gertrude Stein to be overrated.
It might prove very interesting to study works which were best-sellers but fell into obscurity, such as "Anthony Adverse" of the 1930's, and compare them with works which were unsuccessful in their time, but were then "rediscovered" long after the author's death.
James: The Art of Fiction
Quote:
Originally Posted by Scheherazade
That's interesting!
I read James' Daisy Miller at university and loved every bit of it; characters, description and since then, I have always wanted to read his books but never had the chance. Because of that one book I read, I actually consider James one of the writers I like! Maybe I should read his other books and see how I feel about his style now.
It is my understanding that he wrote some essays on theory of the novel, interpretation. I have looked around for those. I would like to read them. By the way, his brother, William James, was one of the last famous psychologists prior to Sigmund Freud; one of the last pre-Freudians.
It became fashionable for literature majors to say that Henry was the better psychologist and William was the better writer, but such observations are sometimes more clever than accurate.
http://www.press.jhu.edu/books/hopki...nry_james.html
Quote:
Originally Posted by The Art of Fiction
The critical act, for James, must first of all be a disinterested and dignified search for "truth," for "life." Like Matthew Arnold, one of his earliest critical models, James saw criticism as a means of making "truth generally accessible"; "it does not busy itself with consequences" but "takes high ground, which is the ground of theory" (717). Unlike the vulgar, "off-hand" productions of his English contemporaries, James's reviews self-consciously attempt to rise above practical matters of "rough-and-ready" evaluation (96-97) and achieve detached discrimination, analysis, and appreciation, the qualities that he felt characterized both Arnold and Charles Augustin Sainte-Beuve, another early critical model.
...
Before the appearance of "The Art of Fiction," James wrote approximately 200 reviews almost entirely on individual works. During this same period he wrote about 20 essays (including his book on Hawthorne) on more expansive topics, literary figures, schools, or movements. After its appearance he wrote only six reviews but published almost 100 critical essays, including the 18 prefaces to the collected New York Edition of his novels (1907-9). It was in these essays and prefaces that James voiced his major aesthetic, critical, and theoretical concerns.
...
Because of its crucially transitional place in James's development, it provides a synthesis of 20 years of inchoate and desultory*** thoughts about fiction and fiction writing and transforms them into a group of interrelated principles upon which most of his later criticism rests.
http://dictionary.reference.com/word...003/06/02.html
Quote:
Originally Posted by Desultory
comes from Latin desultorius, from desultor, "a leaper," from the past participle of desilire, "to leap down," from de-, "down from" + salire, "to leap."
http://www.litencyc.com/php/speople....=true&UID=5083
Ezra Pound noted James’s faithfulness to the vernacular.
http://www.cercles.com/review/r10/lodge.html
Quote:
Originally Posted by Consciousness and the Novel by David Lodge
In Lodge’s thumbnail sketch of the history of the novel Henry James is perhaps given too much credit—and Lodge’s interest being English Literature, Flaubert none at all—but he notes succinctly and effectively how James married in his fiction the first person of subjective enquiry with the third person of objective enquiry, developing the mastery of free indirect speech that allows the novelist to locate the narrative in a character’s consciousness and yet move away from it to suggest other realities.
http://mockingbird.creighton.edu/english/Erkan.htm
Quote:
Originally Posted by The Lioness and the Dove
James describes Aunt Maud in The Wings of the Dove as: “ Mrs. Lowder was London, was life—the roar of the siege and the thick of the fray. There were some things, after all, of which Britannia was afraid; but Aunt Maud was afraid of nothing – not even, it would appear, of arduous thought” (24). Here is another example of a personal description about Kate:
She would have been meanwhile a wonderful lioness for a show, an extraordinary figure in cage or anywhere; majestic, magnificent, high-coloured, all brilliant gloss, perpetual satin, twinkling bugles and flashing gems, with a lustre of agate eyes, a sheen of raven hair, a polish of complexion that was like that of well-kept china and that-as if the skin were too tight-told especially at curves and corners. (23)
On the other hand Milly is described as a dove : “ Milly was indeed a dove; this was the figure, though it most applied to her spirit. . . . so far as one remembered that doves have wings and wondrous flights, have them as well as tender tints and soft sounds” (337). James is very successful in describing people: Kate resembles to a lioness who acts according to her interests and get the best as she can whereas, Milly is soft and helpless resembling especially to a dove.
I have just found a link to the e-text of "The Art of Fiction"
http://dinamico.unibg.it/rls/essays/james.htm
which I reached through this useful looking page
http://dinamico.unibg.it/rls/e-texts.htm
By the way, this work by Robert Louis Stevenson looks interesting:
http://dinamico.unibg.it/rls/essays/writing/aw-1.htm
ON SOME TECHNICAL ELEMENTS OF STYLE IN LITERATURE
by Robert Louis Stevenson