Originally Posted by
rintrah
Sorry - things come to me in stages . . . I remember now reading about Keats' notion of negative capability, the concept that the poet has a capacity to exist in a state of un-resolvedness. It's been years since my Keats lectures, but I remember the discussion of this poem as an example of this. There is no clear resolve - there is no attempt to reconcile the notion of the silent urn containing wild ecstasy - also the happy happy love against the notion that the lover cannot ever kiss. This is not really resolved, but held in a state, as it were, of constant stillness. All the sacrifice, the love, the fruit, the barrenness, the pipes and timbrels, the silence, the eternally green boughs, and the parched tongue, all from a vase! These are paradoxes that remain open and active, and I think this willingness to allow such oppositional forces to remain is the basic energy pf the poem.