The Deep Blue Sea ( 1955 )
Anatole Litvak's screen version of Terence Rattigan's famous play was unfortunately filmed in Eastman colour when both the subject matter and settings would have been better in black and white. This resulted in very muddy colours and poor definition but Vivien Leigh and Kenneth More are good as the wife of a High Court judge, sympathetically played by Emlyn Williams, who leaves him for a former fighter pilot whose free-wheeling and hard drinking lifestyle is the opposite of the stolid sobriety of the judge. This is a recipe for disaster, for the failure of her efforts to reform her lover eventually leads to attempted suicide. Her situation is redeemed by Eric Portman's wisely pragmatic ex-doctor who has been struck off the register for some unexplained medical misdemeanor and the film ends intriguingly with the departure but possible return of the Kenneth More character.
7/10
Lift to the Scaffold (1958)
With a cast of top class actors of the period, this thriller opens with a cleverly planned murder of an arms dealer by his wife and her lover. It then falls apart with the killer trapped in a lift while his car is stolen and used in the random killing of two German tourists. It was much admired in its day, but with a plot full of holes, Louis Malle's directorial debut is nothing to write home about even though the Paris locations are, as always, very watchable.
http://youtu.be/sjURPebrbrY
Moment of danger ( 1960 )
This British film has a weird provenance insofar as its cast and director are concerned. It was directed by Laslo Benedek, director of The Wild One, and stars Dorothy Dandridge, Edmund Purdom and Trevor Howard; casting doesn't get much weirder than that. A few stalwarts of British supporting actors such as Michael Hordern, Alfred Burke and Paul Stassino complete the lineup. The story looks as though it was made up as they went along and it's a pity to see Trevor Howard in such low grade material, although the opening scene where a burglary is carried out in total silence in the presence of the sleeping victim was genuinely exciting. All in all though, it falls into that category where someone with too much money backs a film that should never have been made.
4/10