Poem of the Day

Perfect Woman
........................
SHE was a phantom of delight
When first she gleam'd upon my sight;
A lovely apparition, sent
To be a moment's ornament;
Her eyes as stars of twilight fair; 5
Like twilight's, too, her dusky hair;
But all things else about her drawn
From May-time and the cheerful dawn;
A dancing shape, an image gay,
To haunt, to startle, and waylay. 10

I saw her upon nearer view,
A Spirit, yet a Woman too!
Her household motions light and free,
And steps of virgin liberty;
A countenance in which did meet 15
Sweet records, promises as sweet;
A creature not too bright or good
For human nature's daily food;
For transient sorrows, simple wiles,
Praise, blame, love, kisses, tears, and smiles. 20

And now I see with eye serene
The very pulse of the machine;
A being breathing thoughtful breath,
A traveller between life and death;
The reason firm, the temperate will, 25
Endurance, foresight, strength, and skill;
A perfect Woman, nobly plann'd,
To warn, to comfort, and command;
And yet a Spirit still, and bright
With something of angelic light. 30


By William Wordworth.
.................................

I am posting this on 29Th May 2008 ...A.M.

My comments on the postings in the forum?Are we not supposed to discuss the poem.I see only postings.Of course the thread made me read so many poems.But I would like to have some comments too.:)

My comments on the above poem is as follows.

Wordworth paints the picture of the Perfect Woman.....So relevant in these days of superficiality.But I sigh,thinking of the impoossible aims of mankind.Can there be perfection in anyone leave alone in a woman?Or when perfection is attained will it not tire us?

Please comment.

In reference to "Perfect Woman" poster, I believe the idea is that someone posts a poem and then it is discussed until the next poem is posted, preferably no sooner than 5 days (see 1st post for this thread).

The Perfect Woman:
I think Wordsworth is describing the perfect woman as he sees her more. Notice she isn't called a woman until the second stanza and he doesn't use "perfect woman" until the last stanza, yet physical descriptions of this being are most prevalent in the first stanza and taper out.
I believe the point Wordsworth is trying to make is that while physical features can catch your eye, perfection is found in the soul and demeanor of a person.

In response to V.Jayalakshmi, I think perfection in this sense is a bias. To him (the speaker), the woman is perfect and he tells you why. However, another man may come along and see her as completely imperfect and not ideal. No, I do not believe man can achieve perfection. But a man can be of the opinion that one woman is perfect to him.

Proverbs of Hell



From "The Marriage of Heaven and Hell"


In seed time learn, in harvest teach, in winter enjoy.
Drive your cart and your plow over the bones of the dead.
The road of excess leads to the palace of wisdom.
Prudence is a rich ugly old maid courted by Incapacity.
He who desires but acts not, breeds pestilence.
The cut worm forgives the plow.
Dip him in the river who loves water.

A fool sees not the same tree that a wise man sees.
He whose face gives no light, shall never become a star.
Eternity is in love with the productions of time.
The busy bee has no time for sorrow.
The hours of folly are measur'd by the clock, but of wisdom: no clock can measure.

All wholsom food is caught without a net or a trap.
Bring out number weight & measure in a year of dearth.
No bird soars too high, if he soars with his own wings.
A dead body, revenges not injuries.
The most sublime act is to set another before you.
If the fool would persist in his folly he would become wise.
Folly is the cloke of knavery.
Shame is Prides cloke.

~

Prisons are built with stones of Law, Brothels with bricks of Religion.
The pride of the peacock is the glory of God.
The lust of the goat is the bounty of God.
The wrath of the lion is the wisdom of God.
The nakedness of woman is the work of God.
Excess of sorrow laughs. Excess of joy weeps.
The roaring of lions, the howling of wolves, the raging of the stormy sea, and the
destructive sword, are portions of eternity too great for the eye of man.
The fox condemns the trap, not himself.
Joys impregnate. Sorrows bring forth.
Let man wear the fell of the lion, woman the fleece of the sheep.
The bird a nest, the spider a web, man friendship.
The selfish smiling fool, & the sullen frowning fool, shall be both thought wise, that
they may be a rod.
What is now proved was once, only imagin'd.
The rat, the mouse, the fox, the rabbit: watch the roots; the lion, the tyger, the horse,
the elephant, watch the fruits.
The cistern contains; the fountain overflows.
One thought, fills immensity.
Always be ready to speak your mind, and a base man will avoid you.
Every thing possible to be believ'd is an image of truth.
The eagle never lost so much time, as when he submitted to learn of the crow.

~

The fox provides for himself, but God provides for the lion.
Think in the morning. Act in the noon. Eat in the evening. Sleep in the night.
He who has suffer'd you to impose on him knows you.
As the plow follows words, so God rewards prayers.
The tygers of wrath are wiser than the horses of instruction.
Expect poison from the standing water.
You never know what is enough unless you know what is more than enough.
Listen to the fools reproach! it is a kingly title!
The eyes of fire, the nostrils of air, the mouth of water, the beard of earth.
The weak in courage is strong in cunning.
The apple tree never asks the beech how he shall grow, nor the lion, the horse,
how he shall take his prey.
The thankful reciever bears a plentiful harvest.
If others had not been foolish, we should be so.
The soul of sweet delight, can never be defil'd.
When thou seest an Eagle, thou seest a portion of Genius, lift up thy head!
As the catterpiller chooses the fairest leaves to lay her eggs on, so the priest
lays his curse on the fairest joys.
To create a little flower is the labour of ages.
Damn, braces: Bless relaxes.
The best wine is the oldest, the best water the newest.
Prayers plow not! Praises reap not!
Joys laugh not! Sorrows weep not!

~

The head Sublime, the heart Pathos, the genitals Beauty, the hands &
feet Proportion.
As the air to a bird of the sea to a fish, so is contempt to the contemptible.
The crow wish'd every thing was black, the owl, that every thing was white.
Exuberance is Beauty.
If the lion was advised by the fox, he would be cunning.
Improvement makes strait roads, but the crooked roads without Improvement,
are roads of Genius.
Sooner murder an infant in its cradle than nurse unacted desires.
Where man is not nature is barren.
Truth can never be told so as to be understood, and not be believ'd.
Enough! or Too much!

To _.

John Keats

Had I a man's fair form, then might my sighs
Be echoed swiftly through that ivory shell
Thine ear, and find thy gentle heart; so well
Would passion arm me for the enterprize:
But ah! I am no knight whose foeman dies;
No cuirass glistens on my bosom's swell;
I am no happy shepherd of the dell
Whose lips have trembled with a maiden's eyes.
Yet must I doat upon thee, — call thee sweet,
Sweeter by far than Hybla's honied roses
When steep'd in dew rich to intoxication.
Ah! I will taste that dew, for me 'tis meet,
And when the moon her pallid face discloses,
I'll gather some by spells, and incantation.

"Ozymandias" by Percy Bysshe Shelley:

I met a traveller from an antique land,
Who said--"Two vast and trunkless legs of stone
Stand in the desert....Near them, on the sand,
Half sunk a shattered visage lies, whose frown,
And wrinkled lip, and sneer of cold command,
Tell that its sculptor well those passions read
Which yet survive, stamped on these lifeless things,
The hand that mocked them, and the heart that fed;
And on the pedestal, these words appear:
"My name is Ozymandias, King of Kings,
Look on my Works, ye Mighty, and despair!"
Nothing beside remains. Round the decay
Of that colossal Wreck, boundless and bare
The lone and level sands stretch far away."



One of my favorites. Themes I notice: Arrogancy, and failure to keep a strong legacy.

I love "Ozymandias." Is it a failure to keep a strong legacy, or that all things must come to an end?

I think both of those could be considered the same thing to some.

Quote:

---

Originally Posted by qimissung

I love "Ozymandias." Is it a failure to keep a strong legacy, or that all things must come to an end?

---

I do not think that is what the poem is about at all. I thought the poem was about the artist, and how it is the artist's vision that stands time, while the empire and feats of Ozymandias have crumbled and are no more.

Good point. Could the poem, perhaps, encompass both ideas? I think it could, and probably does. That idea makes me think of Shakespeare's Sonnet XVIII, in which he assures the beloved that she will live eternally..."so long lives this and this gives life to thee."

In accordance with my newest signature, one of my favourites...

L'Irréparable

Pouvons-nous étouffer le vieux, le long Remords,
Qui vit, s'agite et se tortille
Et se nourrit de nous comme le ver des morts,
Comme du chêne la chenille?
Pouvons-nous étouffer l'implacable Remords?

Dans quel philtre, dans quel vin, dans quelle tisane,
Noierons-nous ce vieil ennemi,
Destructeur et gourmand comme la courtisane,
Patient comme la fourmi?
Dans quel philtre? — dans quel vin? — dans quelle tisane?

Dis-le, belle sorcière, oh! dis, si tu le sais,
À cet esprit comblé d'angoisse
Et pareil au mourant qu'écrasent les blessés,
Que le sabot du cheval froisse,
Dis-le, belle sorcière, oh! dis, si tu le sais,

À cet agonisant que le loup déjà flaire
Et que surveille le corbeau,
À ce soldat brisé! s'il faut qu'il désespère
D'avoir sa croix et son tombeau;
Ce pauvre agonisant que déjà le loup flaire!

Peut-on illuminer un ciel bourbeux et noir?
Peut-on déchirer des ténèbres
Plus denses que la poix, sans matin et sans soir,
Sans astres, sans éclairs funèbres?
Peut-on illuminer un ciel bourbeux et noir?

L'Espérance qui brille aux carreaux de l'Auberge
Est soufflée, est morte à jamais!
Sans lune et sans rayons, trouver où l'on héberge
Les martyrs d'un chemin mauvais!
Le Diable a tout éteint aux carreaux de l'Auberge!

Adorable sorcière, aimes-tu les damnés?
Dis, connais-tu l'irrémissible?
Connais-tu le Remords, aux traits empoisonnés,
À qui notre coeur sert de cible?
Adorable sorcière, aimes-tu les damnés?

L'Irréparable ronge avec sa dent maudite
Notre âme, piteux monument,
Et souvent il attaque ainsi que le termite,
Par la base le bâtiment.
L'Irréparable ronge avec sa dent maudite!

— J'ai vu parfois, au fond d'un théâtre banal
Qu'enflammait l'orchestre sonore,
Une fée allumer dans un ciel infernal
Une miraculeuse aurore;
J'ai vu parfois au fond d'un théâtre banal

Un être, qui n'était que lumière, or et gaze,
Terrasser l'énorme Satan;
Mais mon coeur, que jamais ne visite l'extase,
Est un théâtre où l'on attend
Toujours. toujours en vain, l'Etre aux ailes de gaze!

— Charles Baudelaire

The Irreparable

Can we stifle the old, the lingering Remorse,
That lives, quivers and writhes,
And feeds on us like the worm on the dead,
Like the grub on the oak?
Can we stifle implacable Remorse?

In what philtre, in what potion, what wine,
Shall we drown this old enemy,
Destructive and greedy as a harlot,
Patient as the ant?
In what philtre, in what potion, what wine?

Tell it, fair sorceress, O! tell it, if you know,
To this spirit filled with anguish,
So like a dying man crushed beneath the wounded,
Who is struck by the horses' shoes;
Tell it, fair sorceress, O! tell it, if you know,

To this dying man whom the wolf already scents
And whom the crow watches,
To this broken soldier! if he must despair
Of having his cross and his grave,
This poor, dying man whom the wolf already scents!

Can one illuminate a black and miry sky?
Can one tear asunder darkness
Thicker than pitch, without morning, without evening,
Without stars, without ominous lightning?
Can one illuminate a black and miry sky?

Hope that shines in the windows of the Inn
Is snuffed out, dead forever!
Without the moon, without light, to find where they lodge
The martyrs of an evil road!
The Devil has put out all the lights at the Inn!

Adorable sorceress, do you love the damned?
Say, do you know the irremissible?
Do you know Remorse, with the poisoned darts,
For whom our hearts serve as targets?
Adorable sorceress, do you love the damned?

The Irreparable gnaws with his accurst teeth
Our soul, pitiful monument,
And often he attacks like the termite
The foundations of the building.
The Irreparable gnaws with his accurst teeth!

— Sometimes I have seen at the back of a trite stage
Enlivened by a deep-toned orchestra,
A fairy set ablaze a miraculous dawn
In an infernal sky;
Sometimes I have been at the back of a trite stage

A being who was only light, gold and gauze,
Throw down the enormous Satan;
But my heart, which rapture never visits,
Is a playhouse where one awaits
Always, always in vain, the Being with gauze wings!

(translation by William Aggeler)

CONUNDRUMS

Tell me a word
that you've often heard,
yet it makes you squint
when you see it in print!

Tell me a thing
that you've often seen
yet if put in a book
it makes you turn green!

Tell me a thing
that you often do,
when described in a story
shocks you through and through!

Tell me what's wrong
with words or with you
that you don't mind the thing
yet the name is taboo.

Antonio Machado -- (1875 - 1939) -- "I dreamt

you took me"
up a white lane
through the heart of the green field
toward the blue of the high mountains,
toward the blue peaks,
one still morning.

I felt your hand in mine,
your perfect matching hand,
your girlish voice in my ear
like a new bell,
like the untouched bell
of a spring dawn.
It was your voice and your hand
in the dreams, so real, so true!...
Hope, live on -- who knows
what the earth can swallow up!

MOUNTAIN LIFE
IN summer dusk the valley lies
With far-flung shadow veil;
A cloud-sea laps the precipice
Before the evening gale:
The welter of the cloud-waves grey
Cuts off from keenest sight
The glacier, looking out by day
O'er all the district, far away,
And crowned with golden light.

But o'er the smouldering cloud-wrack's flow,
Where gold and amber kiss,
Stands up the archipelago,
A home of shining peace.
The mountain eagle seems to sail
A ship far seen at even;
And over all a serried pale
Of peaks, like giants ranked in mail,
Fronts westward threatening heaven.

But look, a steading nestles, close
Beneath the ice-fields bound,
Where purple cliffs and glittering snows
The quiet home surround.
Here place and people seem to be
A world apart, alone; --
Cut off from men by spate and scree
It has a heaven more broad, more free,
A sunshine all its own.

Look: mute the saeter-maiden stays,
Half shadow, half aflame;
The deep, still vision of her gaze
Was never word to name.
She names it not herself, nor knows
What goal my be its will;
While cow-bells chime and alp-horn blows
It bears her where the sunset glows,
Or, maybe, further still.

Too brief, thy life on highland wolds
Where close the glaciers jut;
Too soon the snowstorm's cloak enfolds
Stone byre and pine-log hut.
Then wilt thou ply with hearth ablaze
The winter's well-worn tasks; --
But spin thy wool with cheerful face:
One sunset in the mountain pays
For all their winter asks.

VARIATIONS ON A FRAGMENT BY TRUMBULL STICKNEY

I hear a river thro' the valley wander
Whose water runs, the song alone remaining.
A rainbow stands and summer passes under,

Flowing like silence in the light of wonder.
In the near distances it is still raining
Where now the valley fills again with thunder,

Where now the river in her wide meander,
Losing at each loop what she had been gaining,
Moves into what one might as well call yonder.

The way of the dark water is to ponder
The way the light sings as of something waning.
The far-off water fall can sound asunder

Stillness of distances, as if in blunder,
Tumbling over the rim of all explaining.
Water proves nothing, but can only maunder.

Shadows show nothing, but can only launder
The lovely land that sunset had been staining,
Long fields of which the failing light grows fonder.

Here summer stands while all its songs pass under,
A riverbank still time runs by, remaining.
I will remember rainbows as I wander.

John Hollander

"TO THE MOON" BY Giacomo Leopardi (translated by Eamon Grennan) Now that the year has come full circle, I remember climbing this hill, heartbroken, To gaze up at the graceful sight of you, And how you hang then above those woods, As you do tonight, bathing them in brightness. But at that time your face seemed nothing, But a cloudy shimmering through my tears, So wrewtched was the life I led: and lead still... Nothing changes, moon of my delight. Yet... I find pleasure in recollection, in calling back, My season of grief: when one is young. And hope is a long road, memory, A short one, how welcome then, The remembrance of things past-- no matter, How sad, and the heart still grieving.

The vastest things are those we may not learn.
We are not taught to die, nor to be born,
Nor how to burn
With love.
How pitiful is our enforced return
To those small things we are the masters of.

- Mervyn Peake

A SHROPSHIRE LAD: LIV
by AE Housman

With rue my heart is laden
For golden friends I had,
For many a rose-lipt maiden
And many a lightfoot lad.

By brooks too broad for leaping
The lightfoot boys are laid;
The rose-lipt girls are sleeping
In fields where roses fade.

From Wandering, Notes and Sketches
(translated by James Wright)

COUNTRY CEMETERY
............

Blessed ones, who lie sheltered,
Nestled against the heart of the good earth,

Blessed, who have come home, gentle and nameless,
To rest in the mother's lap.

But listen, from the hives and blossoms
Longing for life sings to me.

Out of the tangled roots of dreams
The long dead being breaks into the light,

The ruins of life, darkly buried,
Transform themselves and demand the present,

And the queenly earth-mother
Shudders in the effort of birth.

The sweet treasure of peace in the hollowed grave
Rocks gently as a dream in the night.

The dream of death is only the dark smoke
Under which the fires of life are burning.
{excerpt}

I Am

by John Clare (1793-1864)

I am! yet what I am none cares or knows,
My friends forsake me like a memory lost;
I am the self-consumer of my woes,
They rise and vanish in oblivious host,
Like shades in love and death's oblivion lost;
And yet I am! and live with shadows tost

Into the nothingness of scorn and noise,
Into the living sea of waking dreams,
Where there is neither sense of life nor joys,
But the vast shipwreck of my life's esteems;
And e'en the dearest--that I loved the best--
Are strange--nay, rather stranger than the rest.

I long for scenes where man has never trod;
A place where woman never smil'd or wept;
There to abide with my creator, God,
And sleep as I in childhood sweetly slept:
Untroubling and untroubled where I lie;

The grass below--above the vaulted sky.

To Kafka's Crow: I'd not seen this one by Clare in a decade...what an amazing grouping of words it is. Although it is not perhaps the more popular general theme of "rose-lipt maidens" and "lightfoot lads", it (Clare's poem), is not depressing, which, sometimes is my only requirement of poetry. Thanks for remembering it.

What other poem reminds you of this time of the year better than Robert Frost's Nothing Gold can Stay:

Nature's first green is gold
Her hardest hue to hold.
Her early leaf's a flower;
But only so an hour.
Then leaf subsides to leaf.
So Eden sank to grief,
So dawn goes down to day.
Nothing gold can stay.

From "Little Orphant Annie" by James Whitcomb Riley

An' little Orphant Annie says when the blaze is blue,
An' the lamp-wick sputters, an' the wind goes woo-oo!
An' you hear the crickets quit, an' the moon is gray,
An' the lightnin'-bugs in dew is all squenched away,--
You better mind yer parents, an' yer teachers fond an' dear,
An' churish them 'at loves you, an' dry the orphant's tear,
An' he'p the pore an' needy ones 'at clusters all about,
Er the Gobble-uns'll git you
Ef you
Don't
Watch
Out!

I love the Trochaic pattern in the above poem. It quite frankly makes the poem, and makes it commical. Though I don't know why the poet bothered to cut the last line up. I would think that most readers will simply piece it back together, and make it one line.

John McCrae was a Canadian physician and poet. During the First World War McCrae was serving at a field hospital in Ypres. In 1915 after a friend was killed on the battlefield, he wrote the following poem, a rondeau:

In Flanders fields the poppies blow
Between the crosses, row on row,
That mark our place, and in the sky,
The larks, still bravely singing, fly,
Scarce heard amid the guns below.

We are the dead; short days ago
We lived, felt dawn, saw sunset glow,
Loved and were loved, and now we lie
In Flanders fields.

Take up our quarrel with the foe!
To you from failing hands we throw
The torch; be yours to hold it high!
If ye break faith with us who die
We shall not sleep, though poppies grow
In Flanders fields.

The following lines from "In Memory of W.B. Yeats" by W.H. Auden are posted in honor of Cdn Reader:

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

Quote:

---

Originally Posted by AuntShecky

The following lines from "In Memory of W.B. Yeats" by W.H. Auden are posted in honor of Cdn Reader:

With the farming of a verse
Make a vineyard of the curse,
Sing of human unsuccess
In a rapture of distress;

In the deserts of the heart
Let the healing fountain start,
In the prison of his days
Teach the free man how to praise.

---

How I wish she were here to appreciate this - and I believe she would!

A Red, Red Rose


Burns' Original
1.
O, my luve's like a red, red rose,
That's newly sprung in June.
O, my luve's like the melodie,
That's sweetly play'd in tune.
2.
As fair art thou, my bonie lass,
So deep in luve am I,
And I will luve thee still, my Dear,
Till a' the seas gang dry.
3.
Till a' the seas gang dry, my Dear,
And the rocks melt wi' the sun!
O I will luve thee still, my Dear,
While the sands o' life shall run.
4.
And fare thee weel, my only Luve,
And fare thee weel a while!
And I will come again, my Luve,
Tho' it were ten thousand mile!


Standard English Translation

O, my love is like a red, red rose,
That is newly sprung in June.
O, my love is like the melody,
That is sweetly played in tune.

As fair are you, my lovely lass,
So deep in love am I,
And I will love you still, my Dear,
Till all the seas go dry.

Till all the seas go dry, my Dear,
And the rocks melt with the sun!
O I will love you still, my Dear,
While the sands of life shall run.

And fare you well, my only Love,
And fare you well a while!
And I will come again, my Love,
Although it were ten thousand mile!


This is probably one of the greatest love poems I have ever read! This poem illustrates the extent that one will go to for the love of their life. Not only is this poem beautiful through the long standing appeal of its imagery, but, it's also boundless in context. I have to dig deeper into this poem; it pulls you in. I WANT to dig deeper into the poem's meaning. Who is the narrator? Who is the love described here? What is the significance of the imagery presented? All this and more. Simply stunning.

14 March 2009...

Neutral Tones

We stood by a pond that winter day,
And the sun was white, as though chidden of God,
And a few leaves lay on the starving sod,
—-They had fallen from an ash, and were gray.

Your eyes on me were as eyes that rove
Over tedious riddles solved years ago;
And some words played between us to and fro-—
On which lost the more by our love.

The smile on your mouth was the deadest thing
Alive enough to have strength to die;
And a grin of bitterness swept thereby
Like an ominous bird a-wing...

Since then, keen lessons that love deceives,
And wrings with wrong, have shaped to me
Your face, and the God-curst sun, and a tree,
And a pond edged with grayish leaves.

-- Thomas Hardy

Mother to Son

Well, son, I’ll tell you:
Life for me ain’t been no crystal stair.
It’s had tacks in it,
And splinters,
And boards torn up,
And places with no carpet on the floor–
Bare.
But all the time
I’se been a-climbin’ on,
And reachin’ landin’s,
And turnin’ corners,
And sometimes goin’ in the dark
Where there ain’t been no light.
So, boy, don’t you turn back.
Don’t you set down on the steps.
‘Cause you finds it kinder hard.
Don’t you fall now --
For I’se still goin’, honey,
I’se still climbin’,
And life for me ain’t been no crystal stair.

--Langston Hughes
1922

Quote:

---

Originally Posted by Dedalus114

14 March 2009...

Neutral Tones

We stood by a pond that winter day,
And the sun was white, as though chidden of God,
And a few leaves lay on the starving sod,
—-They had fallen from an ash, and were gray.

Your eyes on me were as eyes that rove
Over tedious riddles solved years ago;
And some words played between us to and fro-—
On which lost the more by our love.

The smile on your mouth was the deadest thing
Alive enough to have strength to die;
And a grin of bitterness swept thereby
Like an ominous bird a-wing...

Since then, keen lessons that love deceives,
And wrings with wrong, have shaped to me
Your face, and the God-curst sun, and a tree,
And a pond edged with grayish leaves.

-- Thomas Hardy

---

One of my favourite poems :)