Favorite poem?

I like 'Neutral Tones' by Thomas Hardy
'On a Dead Child' by Richard Middleton
'The Tyger' by William Blake
'Sonnet' by Christina Rossetti
'Dulce et Decorem Est' by Wilfred Owen

Lots, I think

there are so many... and my taste changes depending on so many things...but coleridge "Duty surviving self love"
wordsworth "..tintern abbey"
tennyson "come to the garden, maude"
eliot "prufrock"
wally stevens..(my favorite poet) "13 ways of looking at a blackbird"
kipling for when i want to grin...but right now i'm "feverish" and so prone to being a bit romantic....*grin* when in england...
there a five million more...sorry!
thanks for letting me post here..it's great! ( sorry if this came up two times)

Brick by Ben Folds

Shes a Brick and I'm Drowning slowly

All about a guy that gets a girl pregnant, and then tries to talk her into an abortion... absolutley beautiful song!!!

TS Eliot - The Wasteland

April is the cruellest month
Breeding lilacs out of the dead land
Mixing memory and desire
Stirring dull roots with spring rain

Love For This Book
by Pablo Neruda
Translated by Clark Zlotchew and Dennis Maloney


In these lonely regions I have been powerful
in the same way as a cheerful tool
or like untrammeled grass which lets loose its seed
or like a dog rolling around in the dew.
Matilde, time will pass wearing out and burning
another skin, other fingernails, other eyes, and then
the algae that lashed our wild rocks,
the waves that unceasingly construct their own whiteness,
all will be firm without us,
all will be ready for the new days,
which will not know our destiny.

What do we leave here but the lost cry
of the seabird, in the sand of winter, in the gusts of wind
that cut our faces and kept us
erect in the light of purity,
as in the heart of an illustrious star? {first half of this poem}

Prufrock, TS Eliot
Stopping by Woods-Robert Frost
Be Still, My soul, be still-AE Houseman
On his Blindness-Milton
Dover Beach
My Heart leaps up with joy-Wordsworth
I like a lot of poems, but these I enjoy reading over and over and over.

My favourites are-
Ode to Autumn, Keats
Written in early spring, Worsworth
In Memorium, Tennyson

Definitely "Goblin Market" by Christina Rossetti.

I like "Leda and the Swan" by Yeats, as well.

Gotta say 'Days' by Larkin is a favourite of mine:

''Days, what are days for?"

I must say the crunch, by Charles Bukowski.

people are not good to each other.
perhaps if they were
our deaths would not be so sad.

My favorite quote of all time.

Prufrock by Eliot or The Raven by Poe

the raven

one of my favourite poems is by Pablo Nerruda Tonight I can write the saddest lines..........

One of my favourite poem is "Daffodils" by W.Wordsworth
I also like Shakespeare's sonnet "Dirge to Love"
"The Moon" by Shelley

Nevertheless as a French people , I do not know a lot about English litterature but I am eager to learn

The Jabberwocky

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

"Beware the Jabberwock, my son!
The jaws that bite, the claws that catch!
Beware the Jubjub bird, and shun
The frumious Bandersnatch!"

He took his vorpal sword in hand:
Long time the manxome foe he sought --
So rested he by the Tumtum tree,
And stood awhile in thought

And as in uffish thought he stood,
The Jabberwock, with eyes of flame,
Came whiffling through the tulgey wood,
And burbled as it came!

One, two! One, two! and through and through
The vorpal blade went snicker-snack!
He left it dead, and with its head
He went galumphing back.

"And has thou slain the Jabberwock?
Come to my arms, my beamish boy!
O frabjous day! Callooh! Callay!"
He chortled in his joy.

'Twas brillig, and the slithy toves
Did gyre and gimble in the wabe:
All mimsy were the borogoves,
And the mome raths outgrabe.

i like sylvia plath's "mirror" and also am a fan of Robert Frost.

Do we really need to read lines of words to get some feeling about something?! Just look at this :
old pond
a frog jumps
the sound of water
isn't haiku marvelous?

Quote:

---

Originally Posted by LaPléiade

One of my favourite poem is "Daffodils" by W.Wordsworth
I also like Shakespeare's sonnet "Dirge to Love"
"The Moon" by Shelley

Nevertheless as a French people , I do not know a lot about English litterature but I am eager to learn

---

Dear LaPleiade,
I am interested in french and its literature.You can write poems in french here for us.( if u have the translation it'll be wonderful)

In earlier days, and calmer hours,

When heart with heart delights to blend,

Where bloom my native valley's bowers,

I had --- Ah ! Have I now? --- a friend !

To him this pledge I charge thee send,

Memorial of a youthful vow;

I would remind him of my end:

Though souls absorb'd like mine allow

Brief thought to distant friendship's claim,

Yet dear to him my blighted name.

'Tis strange --- he prophesied my doom,

And I have smiled --- I then could smile ---

When Prudence would his voice assume,

And warn --- I reck'd not what --- the while:

But now remembrance whisper o'er

Those accents scarcely mark'd before.

Say --- that his bodings came to pass,

And he will start to hear their truth,

And wish his words had not been sooth:

Tell him, unheeding as I was,

Through many a busy bitter scene

Of all our golden youth had been,

In pain, my faltering tongue had tried

To bless his memory ere I died;

But Heaven in wrath would turn away

If Guilt should for the guiltless pray.

I do not ask him not to blame,

Too gentle he to wound my name;

And what have I to do with fame?

I do not ask him not to mourn,

Such cold request might sound like scorn;

And what than friendship's manly tear

May better grace a brother's bier?

But bear this ring, his own of old,

And tell him --- what thou dost behold !

The wither'd frame, the ruin'd mind,

The wrack by passion left behind,

A shrivell'd scroll, a scatter'd leaf,

Sear'd by the autumn blast of grief !


{excerpt from Lord Byron's long poem} -- THE GIAOUR
A FRAGMENT OF A TURKISH TALE

By
Lord Byron
1813

http://readytogoebooks.com/LB-Giaour.htm

Invitation to the Voyage


My child, my sister,
Think of the rapture
Of living together there!
Of loving at will,
Of loving till death,
In the land that is like you!
The misty sunlight
Of those cloudy skies
Has for my spirit the charms,
So mysterious,
Of your treacherous eyes,
Shining brightly through their tears.


There all is order and beauty,
Luxury, peace, and pleasure.


Gleaming furniture,
Polished by the years,
Will ornament our bedroom;
The rarest flowers
Mingling their fragrance
With the faint scent of amber,
The ornate ceilings,
The limpid mirrors,
The oriental splendor,
All would whisper there
Secretly to the soul
In its soft, native language.


There all is order and beauty,
Luxury, peace, and pleasure.


See on the canals
Those vessels sleeping.
Their mood is adventurous;
It's to satisfy
Your slightest desire
That they come from the ends of the earth.
— The setting suns
Adorn the fields,
The canals, the whole city,
With hyacinth and gold;
The world falls asleep
In a warm glow of light.


There all is order and beauty,
Luxury, peace, and pleasure.


— William Aggeler, The Flowers of Evil (Fresno, CA: Academy Library Guild, 1954)


{I have no idea if this translation is the best, Antiquarian?}

Fern Hill



Now as I was young and easy under the apple boughs
About the lilting house and happy as the grass was green,
The night above the dingle starry,
Time let me hail and climb
Golden in the heydays of his eyes,
And honoured among wagons I was prince of the apple towns
And once below a time I lordly had the trees and leaves
Trail with daisies and barley
Down the rivers of the windfall light.

And as I was green and carefree, famous among the barns
About the happy yard and singing as the farm was home,
In the sun that is young once only,
Time let me play and be
Golden in the mercy of his means,
And green and golden I was huntsman and herdsman, the calves
Sang to my horn, the foxes on the hills barked clear and cold,
And the sabbath rang slowly
In the pebbles of the holy streams.

All the sun long it was running, it was lovely, the hay
Fields high as the house, the tunes from the chimneys, it was air
And playing, lovely and watery
And fire green as grass.
And nightly under the simple stars
As I rode to sleep the owls were bearing the farm away,
All the moon long I heard, blessed among stables, the nightjars
Flying with the ricks, and the horses
Flashing into the dark.

And then to awake, and the farm, like a wanderer white
With the dew, come back, the **** on his shoulder: it was all
Shining, it was Adam and maiden,
The sky gathered again
And the sun grew round that very day.
So it must have been after the birth of the simple light
In the first, spinning place, the spellbound horses walking warm
Out of the whinnying green stable
On to the fields of praise.

And honoured among foxes and pheasants by the gay house
Under the new made clouds and happy as the heart was long,
In the sun born over and over,
I ran my heedless ways,
My wishes raced through the house high hay
And nothing I cared, at my sky blue trades, that time allows
In all his tuneful turning so few and such morning songs
Before the children green and golden
Follow him out of grace,

Nothing I cared, in the lamb white days, that time would take me
Up to the swallow thronged loft by the shadow of my hand,
In the moon that is always rising,
Nor that riding to sleep
I should hear him fly with the high fields
And wake to the farm forever fled from the childless land.
Oh as I was young and easy in the mercy of his means,
Time held me green and dying
Though I sang in my chains like the sea.


By Dylan Thomas

Almost Miss Scotland by Liz Lochhead

A little extract:

I was six-fit-six, I was slinky
(Yet nae skinnymalinky) -
My waist was nipped in wi elastic,
My powder and panstick were three inches thick
Nails? Long, blood-red and plastic.
So my smile'd come across, I'd larded oan lipgloss
And my false eyelashes were mink
With a sky blue crescent that was pure iridescent
When I lowered my eyelids to blink.

Well, I wiggled on tapselteerie, my heels were that peerie
While a kinna Jimmy Shrandish band
Played 'Flower of Scotland'
But it aw got droont oot wi wolf whistles -
And that's no countin' "For These Are My Mountains'
- See I'd tits like nuclear missiles.

Funny if you hear it in a Scottish accent :p

My teacher read this poem to our group when I was in a Literary Criticism competition for practice one day. Oh my god, I fell in love with it immediately. He read it so well! This has been my favorite poem ever since.


La Belle Dame Sans Merci
John Keats 1884



O WHAT can ail thee, knight-at-arms,
Alone and palely loitering?
The sedge has wither’d from the lake,
And no birds sing.

O what can ail thee, knight-at-arms!
So haggard and so woe-begone?
The squirrel’s granary is full,
And the harvest’s done.

I see a lily on thy brow
With anguish moist and fever dew,
And on thy cheeks a fading rose
Fast withereth too.

I met a lady in the meads,
Full beautiful—a faery’s child,
Her hair was long, her foot was light,
And her eyes were wild.

I made a garland for her head,
And bracelets too, and fragrant zone;
She look’d at me as she did love,
And made sweet moan.

I set her on my pacing steed,
And nothing else saw all day long,
For sidelong would she bend, and sing
A faery’s song.

She found me roots of relish sweet,
And honey wild, and manna dew,
And sure in language strange she said—
“I love thee true.”

She took me to her elfin grot,
And there she wept, and sigh’d fill sore,
And there I shut her wild wild eyes
With kisses four.

And there she lulled me asleep,
And there I dream’d—Ah! woe betide!
The latest dream I ever dream’d
On the cold hill’s side.

I saw pale kings and princes too,
Pale warriors, death-pale were they all;
They cried—“La Belle Dame sans Merci
Hath thee in thrall!”

I saw their starved lips in the gloam,
With horrid warning gaped wide,
And I awoke and found me here,
On the cold hill’s side.

And this is why I sojourn here,
Alone and palely loitering,
Though the sedge is wither’d from the lake,
And no birds sing.

RED HANRAHAN'S SONG ABOUT IRELAND

THE old brown thorn-trees break in two high over Cummen Strand,
Under a bitter black wind that blows from the left hand;
Our courage breaks like an old tree in a black wind and dies,
But we have hidden in our hearts the flame out of the eyes
Of Cathleen, the daughter of Houlihan.

The wind has bundled up the clouds high over Knock- narea,
And thrown the thunder on the stones for all that Maeve can say.
Angers that are like noisy clouds have set our hearts abeat;
But we have all bent low and low and kissed the quiet feet
Of Cathleen, the daughter of Houlihan.

The yellow pool has overflowed high up on Clooth-na-Bare,
For the wet winds are blowing out of the clinging air;
Like heavy flooded waters our bodies and our blood;
But purer than a tall candle before the Holy Rood
Is Cathleen, the daughter of Houlihan.

This one is funny. It's good to read, but if you actually hear Billy Collins reading it, it's hilarious. My entire class was cracking up. lol. It was one of the best weeks all year, we were going over contemporary american poetry. I my copy of the poem and my annotations...



Nostalgia
by Billy Collins

Remember the 1340s? We were doing a dance called the Catapult.
You always wore brown, the color of the decade,
and I was draped in one of thos caps that were popular,
the ones with unicorns and pomegranates in needlework.
Everyone would pause for beer and onions in the afternoon,
and at night we would play a game called "Find the Cow."
Everything was hand-lettered then, not like today.

Where has the summer of 1572 gone? Brocade and sonnet
marathons were the rage. We used to dress up in the flags
of rival baronies and conquer one another in cold rooms of ston.
Out on the dance floor we were all doing the Struggle
while you sister practiced the Daphne all alone in her room.
We borrowed the jargon of farriers for our slang.
These days language seems transparent, a badly broken code.

The 1790s will never come again. Childhood was big.
People would take walks to the very tops of hills
and write down that they saw in their journals without speaking.
Our collars were high and our hats were extremely soft.
We would surprise each other with alphabets made of twigs.
It was a wonderful time to be alive, or dead.

I am very fond of the period between 1815 and 1821.
Europe trembled while we sat still for our portraits.
And I would love to return to 1901 if only for a moment,
time enough to wind up a music box and do a few dance steps.

or shoot me back to 1922 or 1941, or at least let me
recapture the serenity of last month when we picked
berries and glided through afternoons in a canoe.

Even this morning would be an improvement over the present.
I was in the garden then, surrounded by the hum of bees
and the Latin names of flowers, watching the early light
flash off the slanted windows of the greenhouse
and silver the limbs on the rows of dark hemlocks.

As usual, I was thinking about the moments of the past,
letting my memory rush over them like water
rushing over the stones on the bottom of a stream.
I was even thinking a little about the future, that place
where people are doing a dance we cannot imagine,
a dance whose name we can only guess.

I love this thread, I have so many favourite poems. Here's one of my all-time favs.

To his Coy Mistress
by Andrew Marvell


Had we but world enough, and time,
This coyness, lady, were no crime.
We would sit down and think which way
To walk, and pass our long love's day;
Thou by the Indian Ganges' side
Shouldst rubies find; I by the tide
Of Humber would complain. I would
Love you ten years before the Flood;
And you should, if you please, refuse
Till the conversion of the Jews.
My vegetable love should grow
Vaster than empires, and more slow.
An hundred years should go to praise
Thine eyes, and on thy forehead gaze;
Two hundred to adore each breast,
But thirty thousand to the rest;
An age at least to every part,
And the last age should show your heart.
For, lady, you deserve this state,
Nor would I love at lower rate.

But at my back I always hear
Time's winged chariot hurrying near;
And yonder all before us lie
Deserts of vast eternity.
Thy beauty shall no more be found,
Nor, in thy marble vault, shall sound
My echoing song; then worms shall try
That long preserv'd virginity,
And your quaint honour turn to dust,
And into ashes all my lust.
The grave's a fine and private place,
But none I think do there embrace.

Now therefore, while the youthful hue
Sits on thy skin like morning dew,
And while thy willing soul transpires
At every pore with instant fires,
Now let us sport us while we may;
And now, like am'rous birds of prey,
Rather at once our time devour,
Than languish in his slow-chapp'd power.
Let us roll all our strength, and all
Our sweetness, up into one ball;
And tear our pleasures with rough strife
Thorough the iron gates of life.
Thus, though we cannot make our sun
Stand still, yet we will make him run.

I also love:


Ode to a Nightingale

MY heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
'Tis not through envy of thy happy lot, 5
But being too happy in thine happiness,
That thou, light-wingèd Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease. 10

O for a draught of vintage! that hath been
Cool'd a long age in the deep-delvèd earth,
Tasting of Flora and the country-green,
Dance, and Provençal song, and sunburnt mirth!
O for a beaker full of the warm South! 15
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stainèd mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim: 20

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last grey hairs, 25
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs;
Where beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow. 30

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night, 35
And haply the Queen-Moon is on her throne,
Cluster'd around by all her starry Fays
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways. 40

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmèd darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild; 45
White hawthorn, and the pastoral eglantine;
Fast-fading violets cover'd up in leaves;
And mid-May's eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves. 50

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call'd him soft names in many a musèd rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die, 55
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod. 60

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path 65
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that ofttimes hath
Charm'd magic casements, opening on the foam
Of perilous seas, in faery lands forlorn. 70

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is famed to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades 75
Past the near meadows, over the still stream,
Up the hill-side; and now 'tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—do I wake or sleep? 80

And of course some of the greatest Shakespeare sonnets:


SONNET 116
Let me not to the marriage of true minds
Admit impediments. Love is not love
Which alters when it alteration finds,
Or bends with the remover to remove:
O no! it is an ever-fixed mark
That looks on tempests and is never shaken;
It is the star to every wandering bark,
Whose worth's unknown, although his height be taken.
Love's not Time's fool, though rosy lips and cheeks
Within his bending sickle's compass come:
Love alters not with his brief hours and weeks,
But bears it out even to the edge of doom.
If this be error and upon me proved,
I never writ, nor no man ever loved.


My mistress' eyes are nothing like the sun"


My mistress' eyes are nothing like the sun;
Coral is far more red than her lips' red:
If snow be white, why then her breasts are dun;
If hairs be wires, black wires grow on her head.
I have seen roses damask'd, red and white,
But no such roses see I in her cheeks;
And in some perfumes is there more delight
Than in the breath that from my mistress reeks.
I love to hear her speak,--yet well I know
That music hath a far more pleasing sound;
I grant I never saw a goddess go,
My mistress when she walks, treads on the ground;
And yet, by heaven, I think my love as rare
As any she belied with false compare.


When in disgrace with fortune and men's eyes,
I all alone beweep my outcast state,
And trouble deaf Heaven with my bootless cries,
And look upon myself, and curse my fate,
Wishing me like to one more rich in hope,
Featur'd like him, like him with friends possess'd,
Desiring this man's art, and that man's scope,
With what I most enjoy contented least:
Yet in these thoughts myself almost despising,
Haply I think on thee,--and then my state
(Like to the lark at break of day arising
From sullen earth) sings hymns at heaven's gate;
For thy sweet love remember'd such wealth brings
That then I scorn to change my state with kings'.


They that have power to hurt and will do none,
That do not do the thing they most do show,
Who, moving others, are themselves as stone,
Unmoved, cold, and to temptation slow;
They rightly do inherit heaven's graces
And husband nature's riches from expense;
They are the lords and owners of their faces,
Others but stewards of their excellence.
The summer's flower is to the summer sweet,
Though to itself it only live and die,
But if that flower with base infection meet,
The basest weed outbraves his dignity:
For sweetest things turn sourest by their deeds;
Lilies that fester smell far worse than weeds.


I'll be back with more when I have more time. :D

FAITH
Here am I - breathing,
Working,
Living
And writing my poetry
(My best ti it giving).
Life and I glower
Across at each other,
And with it I struggle
With all my power.
Life and I quarrel,
But don't draw the moral
That I despise it.
No, just the opposite!
Though I should perist,
Life with its brutal
Claws of steel
Still would I cherish,
Still would I cherish!
Supose round my neck they tie fast
The rope
And they ask:
"Would you like one more hour to live?"
I would instantly cry:
"Untie!
Untie!
Come, quickly untie
The rope, you devils!"
For Life there is nothing
I would not dare.
I would fly
A prototype plane in the sky,
I'd climb in a roaring
Rocket, exploring
Alone
In space
Distant
Planets.
Still would I feel
A joyous thrill
Gazing
Up
At the blue sky.
Still would I feel
A joyous thrill
To be alive,
To go on living.
But look, suppose
You took - how much? -
A single grain
From this my faith,
Then would I rage,
I would rage from pain
Like a panter
Pierced to the heart.
For what of me
Would there remain?
After the theft
I'd be distraught.
To put it plainly
And more directly -
After the theft
I would be naught.
Maybe you wish
You could erase
My faith
In happy days,
My faith -
That tomorrow
Life will be finer,
Life will be wiser?
Pray, how will you smash it?
With bullets?
No! That is unless!
Stop! It's not worth it!
My faith has strong armour
In my sturdy breast,
And bullets able to shatter
My faith
Do not exist,
Do not exist!



This is from Nikola Vapcarov, one of the best bulgarian poets and this is one of my favourite !

I've thought of some more:


When we two are parted
Lord Byron

When we two parted
In silence and tears,
Half broken-hearted,
To sever for years,
Pale grew thy cheek and cold,
Colder thy kiss;
Truly that hour foretold
Sorrow to this.

The dew of the morning
Sank chill on my brow
It felt like the warning
Of what I feel now.
Thy vows are all broken,
And light is thy fame:
I hear thy name spoken,
And share in its shame.

They name thee before me,
A knell to mine ear;
A shudder comes o'er me
Why wert thou so dear?
They know not I knew thee,
Who knew thee too well:
Long, long shall I rue thee
Too deeply to tell.

In secret we met
In silence I grieve
That thy heart could forget,
Thy spirit deceive.
If I should meet thee
After long years,
How should I greet thee?
With silence and tears.


Christina Rossetti
Remember

REMEMBER me when I am gone away,
Gone far away into the silent land;
When you can no more hold me by the hand,
Nor I half turn to go, yet turning stay.
Remember me when no more day by day
You tell me of our future that you plann'd:
Only remember me; you understand
It will be late to counsel then or pray.
Yet if you should forget me for a while
And afterwards remember, do not grieve:
For if the darkness and corruption leave
A vestige of the thoughts that once I had,
Better by far you should forget and smile
Than that you should remember and be sad


W B Yeats
Had I the heavens' embroidered cloths,
Enwrought with golden and silver light,
The blue and the dim and the dark cloths
Of night and light and the half-light,
I would spread the cloths under your feet:
But I, being poor, have only my dreams;
I have spread my dreams under your feet;
Tread softly because you tread on my dreams.


'Timothy Winters'
Timothy Winters comes to school
With eyes as wide as a football-pool,
Ears like bombs and teeth like splinters:
A blitz of a boy is Timothy Winters.

His belly is white, his neck is dark,
And his hair is an exclamation-mark.
His clothes are enough to scare a crow
And through his britches the blue winds blow.

When teacher talks he won't hear a word
And he shoots down dead the arithmetic-bird,
He licks the pattern off his plate
And he's not even heard of the Welfare State.

Timothy Winters has bloody feet
And he lives in a house on Suez Street,
He sleeps in a sack on the kithen floor
And they say there aren't boys like him anymore.

Old Man Winters likes his beer
And his missus ran off with a bombardier,
Grandma sits in the grate with a gin
And Timothy's dosed with an aspirin.

The welfare Worker lies awake
But the law's as tricky as a ten-foot snake,
So Timothy Winters drinks his cup
And slowly goes on growing up.

At Morning Prayers the Master helves
for children less fortunate than ourselves,
And the loudest response in the room is when
Timothy Winters roars "Amen!"

So come one angel, come on ten
Timothy Winters says "Amen
Amen amen amen amen."
Timothy Winters, Lord. Amen

Charles Causley

Elizabeth Barrett Browning

How do I love thee? Let me count the ways.
I love thee to the depth and breadth and height
My soul can reach, when feeling out of sight
For the ends of Being and ideal Grace.
I love thee to the level of every day's
Most quiet need, by sun and candlelight.
I love thee freely, as men strive for Right;
I love thee purely, as they turn from Praise.
I love with a passion put to use
In my old griefs, and with my childhood's faith.
I love thee with a love I seemed to lose
With my lost saints, I love thee with the breath,
Smiles, tears, of all my life! and, if God choose,
I shall but love thee better after death.


My Last Duchess
Robert Browning

That's my last duchess painted on the wall,
Looking as if she were alive. I call
That piece a wonder, now: Frà Pandolf's hands
Worked busily a day, and there she stands.
Will't please you sit and look at her? I said
"Frà Pandolf" by design, for never read
Strangers like you that pictured countenance,
The depth and passion of its earnest glance,
But to myself they turned (since none puts by
The curtain I have drawn for you, but I)
And seemed as they would ask me, if they durst,
How such a glance came there; so, not the first
Are you to turn and ask thus. Sir, 'twas not
Her husband's presence only, called that spot
Of joy into the Duchess' cheek: perhaps
Frà Pandolf chanced to say "Her mantle laps
"Over my lady's wrist too much," or "Paint
"Must never hope to reproduce the faint
"Half-flush that dies along her throat": such stuff
Was courtesy, she thought, and cause enough
For calling up that spot of joy. She had
A heart how shall I say? too soon made glad,
Too easily impressed; she liked whate'er
She looked on, and her looks went everywhere.
Sir, 'twas all one! My favor at her breast,
The dropping of the daylight in the West,
The bough of cherries some officious fool
Broke in the orchard for her, the white mule
She rode with round the terrace all and each
Would draw from her alike the approving speech,
Or blush, at least. She thanked men good! but thanked
Somehow I know not how as if she ranked
My gift of a nine-hundred-years-old name
With anybody's gift. Who'd stoop to blame
This sort of trifling? Even had you skill
In speech which I have not to make your will
Quite clear to such an one, and say, "Just this
"Or that in you disgusts me; here you miss,
"Or there exceed the mark" and if she let
Herself be lessoned so, nor plainly set
Her wits to yours, forsooth, and make excuse,
E'en then would be some stooping; and I choose
Never to stoop. Oh sir, she smiled, no doubt,
Whene'er I passed her; but who passed without
Much the same smile? This grew; I gave commands;
Then all smiles stopped together. There she stands
As if alive. Will't please you rise? We'll meet
The company below, then. I repeat,
The Count your master's known munificence
Is ample warrant that no just pretense
Of mine for dowry will be disallowed;
Though his fair daughter's self, as I avowed
At starting, is my object. Nay we'll go
Together down, sir. Notice Neptune, though,
Taming a sea-horse, thought a rarity,
Which Claus of Innsbruck cast in bronze for me!

dulce et decorum est wilfred owen
and tyger tyger william blake and poison tree willaim blake

From childhood's hour I have not been
As others were; I have not seen
As others saw; I could not bring
My passions from a common spring.
From the same source I have not taken
My sorrow; I could not awaken
My heart to joy at the same tone;
And all I loved, I loved alone.
Then- in my childhood, in the dawn
Of a most stormy life- was drawn
From every depth of good and ill
The mystery which binds me still:
From the torrent, or the fountain,
From the red cliff of the mountain,
From the sun that round me rolled
In its autumn tint of gold,
From the lightning in the sky
As it passed me flying by,
From the thunder and the storm,
And the cloud that took the form
(When the rest of Heaven was blue)
Of a demon in my view. -- {"Alone" by Edgar Allen Poe}

An Apology for the Bottle Volcanic


Sometimes I dip my pen and find the bottle full of fire,
The salamanders flying forth I cannot but admire.
It's Etna, or Vesuvius, if those big things were small,
And then 'tis but itself again, and does not smoke at all.
And so my blood grows cold. I say, "The bottle held but ink,
And, if you thought it otherwise, the worser for your think."
And then, just as I throw my scribbled paper on the floor,
The bottle says, "Fe, fi, fo, fum," and steams and shouts some more.
O sad deceiving ink, as bad as liquor in its way—
All demons of a bottle size have pranced from you to-day,
And seized my pen for hobby-horse as witches ride a broom,
And left a trail of brimstone words and blots and gobs of gloom.
And yet when I am extra good and say my prayers at night,
And mind my ma, and do the chores, and speak to folks polite,
My bottle spreads a rainbow-mist, and from the vapor fine
Ten thousand troops from fairyland come riding in a line.
I've seen them on their chargers race around my study chair,
They opened wide the window and rode forth upon the air.
The army widened as it went, and into myriads grew,
O how the lances shimmered, how the silvery trumpets blew!

Vachel Lindsay

Either "The Raven" by Edgar Allen Poe or "Tiger" by William Blake.

Here something from Pablo Neruda I find this poem extremely passionate as are some of his other love poems.

Don't leave me, even for an hour, because
then the little drops of anguish will all run together,
the smoke that roams looking for a home will drift
into me, choking my lost heart. .

Out of the night that covers me,
Black as the Pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of Circumstance
I have not winced nor cried aloud.
Under the bludgeonings of Chance
My head is bloody, but unbowed.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds, and shall find me, unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

William Ernest Henley

Autumn Song

Soon we will plunge ourselves into cold shadows,
And all of summer's stunning afternoons will be gone.
I already hear the dead thuds of logs below
Falling on the cobblestones and the lawn.


All of winter will return to me:
derision, Hate, shuddering, horror, drudgery and vice,
And exiled, like the sun, to a polar prison,
My soul will harden into a block of red ice.


I shiver as I listen to each log crash and slam:
The echoes are as dull as executioners' drums.
My mind is like a tower that slowly succumbs
To the blows of a relentless battering ram.


It seems to me, swaying to these shocks, that someone
Is nailing down a coffin in a hurry somewhere.
For whom? --It was summer yesterday; now it's autumn.
Echoes of departure keep resounding in the air.

--Charles Baudelaire

UNCONQUERABLE



OUT of the night that covers me,
Black as the pit from pole to pole,
I thank whatever gods may be
For my unconquerable soul.

In the fell clutch of circumstance
I have not winced nor cried aloud:
Under the bludgeonings of chance
My head is bloody, but unbow'd.

Beyond this place of wrath and tears
Looms but the Horror of the shade,
And yet the menace of the years
Finds and shall find me unafraid.

It matters not how strait the gate,
How charged with punishments the scroll,
I am the master of my fate:
I am the captain of my soul.

CROQUIS

by: William Ernest Henley (1849-1903)

THE beach was crowded. Pausing now and then,
He groped and fiddled doggedly along,
His worn face glaring on the thoughtless throng
The stony peevishness of sightless men.
He seemed scarce older than his clothes. Again,
Grotesquing thinly many an old sweet song,
So cracked his fiddle, his hand so frail and wrong,
You hardly could distinguish one in ten.
He stopped at last, and sat him on the sand,
And, grasping wearily his bread-winner,
Staring dim towards the blue immensity,
Then leaned his head upon his poor old hand.
He may have slept: he did not speak nor stir:
His gesture spoke a vast despondency.