Thanks, that's always what I want to hear. You do know how to flatter, Antiquarian!
Now, let's finish this story. There is one last thought that I wanted to get out. Dark Muse and I already argued about this a little, but I like to take this a little deeper and get some other people involved. Chekhov refers to the camp fire many times and the story I'm curious to know what effect that has--why he does it. It's first brought up as an incidental piece of ambiance. The student surveys the ground and seesThen he notices Vasilisa staring at itQuote:
a camp fire was burning brightly with a crackling sound
This perhaps centers our attention on the fire, but it doesn't do anything particularly important yet. Ivan actually points out it's importance before Chekhov does. It's the student who saysQuote:
Vasilisa...was standing by and looking thoughtfully into the fire
The fire links Ivan with the past and the human spirit, and I think this is the purpose of the fire. The fire makes a sort of portal through which the student can generalize and talk about humanity in general. In an optimistic way, though. The cold wind has a similar effect on Ivan, but it makes him feel pessimistic about the peasants and the universe. The fire and cold wind are opposites in this story that fight with one another for control of Ivan's world-view. This split is rather common in Chekhov stories. Usually, it's snow that represents the negative, hopeless view of the world, however. I'm thinking of "In Exile," in particular, where there is another set of characters around the fire telling stories. The cold snow contrast with the warmth of the fire much more explicitly in that one. "Misery" also has these two symbols. The driver is oppressed by the snow, but looks for companionship by the fire. In any case, I thought I should point this out before we move on.Quote:
At just such a fire the apostle Peter warmed himself

