Frost, his more obscure poems

From Collected Poems, Prose, & Plays

From Mountain Interval

LOCKED OUT
(AS TOLD TO A CHILD)

When we locked up the house at night,
We always locked the flowers outside
And cut them off from window light.
The time I dreamed the door was tried
And brushed with buttons upon sleeves,
Yet nobody molested them!
We did find one nasturtium
Upon the steps with bitten stem.
I may have been to blame for that:
I always thought it must have been
Some flower I played with as I sat
At dusk to watch the moon down early.

From Frost, Collected Poems, Prose, & Plays

From West-Running Brook

THE BEAR

The bear puts both arms around the tree above her
And draws it down as if it were a lover
And its choke cherries lips to kiss good-bye,
Then lets it snap back upright in the sky.
Her next step rocks a boulder on the wall
(She's making her cross-country in the fall).
Her great weight creaks the barbed-wire in its staples
As she flings over and off down through the maples,
Leaving on one wire tooth a lock a hair.
Suck is the uncaged progress of the bear.
The world has room to make a bear feel free;
The universe seems cramped to you and me.
Man acts more like the poor bear in a cage
His mood rejecting all his mind suggests.
He paces back and forth and never rests
The toe-nail click and shuffle of his feet,
The telescope at one end of his beat,
And at the other end the microscope,
Two instruments of nearly equal hope,
And in conjunction giving quite a spread.
Or if he rests from scientific tread,
'Tis only to sit back and sway his head
Through ninety odd degrees of arc, it seems,
Between two metaphysical extremes.
He sits back on his fundamental butt
With lifted snout and eyes (if any) shut,
(He almost looks religious but he's not).
And back and forth he sways from cheek to cheek, ... {excerpt}

by Robert Frost

From Frost, Collected Poems, Prose, & Plays

From A Witness Tree

THE WIND AND THE RAIN

I. That far-off day the leaves in flight
Were letting in the colder light.
A season-ending wind there blew
That as it did the forest strew
I leaned on with a singing trust
And let it drive me deathward too.
With breaking step I stabbed the dust,
Yet did not much to shorten stride.
I sang of death-- but had I known
The many deaths one must have died
Before he came to meet his own!
Oh, should a child be left unwarned
That any song in which he mourned
Would be as if he prophesied?
It were unworthy of the tongue
To let the half of life alone
And play the good without the ill.
And yet 'twould seem that what is sung
In happy sadness by the young
Fate has no choice but to fulfill.

II. Flowers in the desert heat
Contrive to bloom
On melted mountain water led by flume
To wet their feet.
But something in it still is incomplete.
Before I thought the wilted to exalt
With water I would see them water-bowed.
I would pick up all ocean less its salt,
And though it were as much as cloud could bear
Would load it on to a cloud,
And rolling it inland on roller air,
Would empty it unsparing on the flower
That past its prime lost petals in the flood,
(who cares but for the future of the bud?)
And all the more the mightier the shower
Would run in under it to get my share.
'Tis not enough on roots and in the mouth,
But give me water heavy on the head
In all the passion of a broken drouth.

And there is always more than should be said.

{excerpt}

From Frost, Collected Poems, Prose, & Plays

From New Hampshire

TWO LOOK AT TWO

Love and forgetting might have carried them
A little further up the mountainside
With night so near, but not much further up.
They must have halted soon in any case
With thoughts of the path back, how rough it was
With rock and washout, and unsafe in darkness;
When they were halted by a tumbled wall
With barbed-wire binding. They stood facing this,
Spending what onward impulse they still had
In one last look the way they must not go,
On up the failing path, where, if a stone
Or earthslide moved at night, it moved itself;
No footstep moved it, 'This is all,' they sighed,
'Good-night to woods,' But not so, there was more.
A doe from round a spruce stood looking at them
Across the wall, as near the wall as they.
She saw them in their field, they her in hers.
The difficulty of seeing what stood still,
Like some up-ended boulder split in two,
Was in her clouded eyes: they saw no fear there.
She seemed to think that two thus they were safe.
Then, as if they were something that, though strange,
She could not trouble her mind with too long,
She sighed and passed unscared along the wall.
'This, then, is all. What more is there to ask?'
But no, not yet. A snort to bid them wait.
A buck from round the spruce stood looking at them
Across the wall as near the wall as they.
This was an antlered buck of lusty nostril,
Not the same doe come back into her place.
He viewed them quizzically with jerks of head,
As if to ask, 'Why don't you make some motion?
Or give some sign of life? Because you can't.
I doubt if you're as living as you look.'
Thus till he had them almost feeling dared
To stretch a proffering hand-- and a spell-breaking.
Then he too passed unscared along the wall.
(excerpt)

Robert Frost, Paris Review Interview (with Richard Poirier) INTERVIEWER: "Yes, but weren't you named Robert Lee

because your father was a stanch Democrat around the time of the Civil War? That makes you a Democrat of sorts,

doesn't it?" ................FROST: "Yeah, I'm a Democrat. I was born a Democrat--and been unhappy ever since

1896. Somebody said to me, 'What's the difference between that and being a Republican?' Well, I went down after

we'd failed, and after Archie thought we'd failed, I just went down alone, walked into the Attorney General's

office and said, 'I come down here to see what your mood is about Ezra Pound'. And two of them spoke up at once.

'Our mood's your mood; let's get him out'. Just like that, that's all. And I said, 'This week?' They said,

'This week if you say so. You go get a lawyer, and we'll raise no objection.' So, since they were Republicans, I

went over and made friends with Thurman Arnold, that good leftish person, for my lawyer. I sat up that night and

wrote an appeal to the court that i threw away, and in the morning, just before I left town, I wrote another one, a

shorter one. And that's all there was to it. Ezra thanked me in a very short note that read: 'Thanks for what

you're doing. A little conversation would be in order.' Then signed, in large letters. And then he wrote me

another one, a nicer one. [Archie = Archibald MacLeish]

From Frost, Collected Poems, Prose, & Plays

From A Further Range

A BLUE RIBBON AT AMESBURY

Such a fine pullet ought to go
All coiffured to a winter show,
And be exhibited, and win.
The answer is this one has been--

And come with all her honors home.
Her golden leg, her coral comb,
Her fluff of plumage, white as chalk,
Her style, were all the fancy's talk

It seems as if you must have heard.
She scored an almost perfect bird.
In her we make ourselves acquainted
With one a Sewell might have painted.

Here common with the flock again,
At home in her abiding pen,
She lingers feeding at the trough,
The last to let night drive her off.

The one who gave her ankle-band,
Her keeper, empty pail in hand,
He lingers too, averse to slight
His chores for all the wintry night.

He leans against the dusty wall,
Immured almost beyond recall,
A depth past many swinging doors
And many litter-muffled floors.

He meditates the breeder's art.
He has a half a mid to start,
With her for Mother Eve, a race
That shall all living things displace.

'Tis ritual with her to lay
The full six days, then rest a day;
At which rate barring broodiness
She well may score an egg-succes...............

.................The roost is her extent of flight.
Yet once she rises to the height,
She shoulders with a wing so strong
She makes the whole flock move along.

The night is setting in to blow.
It scours the windowpane with snow,
But barely gets from them or her
For comment a complacent chirr.

The lowly pen is yet a hold
Against the dark and wind and cold
To give a prospect to a plan
And warrant prudence in a man.
{excerpt}

Robert Frost

Wednesday, November 19, 2008
2:07 PM

from Frost, Collected Poems, Prose, & Plays

from A Further Range

TAKEN DOUBLY
A LONE STRIKER

The swinging mill bell changed its rate
To tolling like the count of fate,
And though at that the tardy ran,
One failed to make the closing gate.
There was a law of God or man
That on the one who came too late
The gate for half an hour be locked,
His time be lost, his pittance docked.
He stood rebuked and unemployed.
The straining mill began to shake.
The mill, though many, many eyed,
Had eyes inscrutably opaque;
So that he couldn't look inside
To see if some forlorn machine
Was standing idle for his sake.
(He couldn't hope its heart would break.)

And yet he thought he saw the scene:
The air was full of dust of wool.
A thousand yarns were under pull,
But pull so slow, with such a twist,
All day from spool to lesser spool,
It seldom overtaxed their strength;
They safely grew in slender length.
And if one broke by any chance,
The spinner still was there to spin.

That's where the human still came in.
Her deft hand showed with finger rings
Among the harp-like spread of strings.
She caught the pieces end to end
And, with a touch that never missed,
Not so much tied as made them blend.
Man's ingenuity was good
He saw it plainly where he stood,
Yet found it easy to resist.

He knew another place, a wood,
And in it, tall as trees, were cliffs;
And if he stood on one of these,
'Twould be among the tops of trees,
Their upper branches round him wreathing,
Their breathing mingled with his breathing.
If-- if he stood! Enough of ifs!
He knew a path that wanted walking;
He knew a spring that wanted drinking;
A thought that wanted further thinking;
A love that wanted re-renewing.
Nor was this just a way of talking
To save him the expense of doing.
With him it boded action, deed.

The factory was very fine;
He wished it all the modern speed.
Yet, after all, 'twas not a church.
He never would assume that he'd
Be any institution's need.
But he said then and still would say
If there should ever come a day
When industry seemed like to die
Because he left it in the lurch,
Or even merely seemed to pine
For want of his approval, why,
Come get him-- they knew where to search.

thanks for the post!
I'm a big frost fan...and some of these I have never heard of!

from Frost, Collected Poems, Prose, & Plays

from Uncollected Poems

ON THE SALE OF MY FARM

Well-away and be it so,
To the stranger let them go.
Even cheerfully I yield
Pasture, orchard, mowing-field,
Yea and wish him all the gain
I required of them in vain.
Yea and I can yield him house,
Barn, and shed, with rat and mouse
To dispute possession of.
These I can unlearn to love.
Since I cannot help it? Good!
Only be it understood,
It shall be no trespassing
If I come again some spring
In the grey disguise of years,
Seeking ache of memory here.

{1911}