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Sweets, it isn't quite a short story (maybe a 'short short', or whatever they call it). Anyhow, your words are very powerful. In such a short piece you put the reader through quite a workout -- loved it. Makes me really hope and pray that peace comes to that poor girl. And then the cycle restarts with a new victim.....Well done! :thumbs_up
Thanks for your comment! :) :)
That is true that it isn't a short story. Maybe a 'short short story', yes. :lol: :D
It's more of a text on a theme, I guess.
I am glad that you found my words powerful.
I did worry whether it could (if you intended it do) achieve the status of a narrative rather than a vivid powerful pieceof stream-of-consciousness. The "yellow bag," I thought was the promise of some objective reality beyond the heated thoughts of the two characters, and then the yellow article of clothing seemed to call into question whether there really was a yellow bag - the promise of escape - or whether yellowness was just a figment of her imagination.
But if it was to attain the condition of change that narrative requires - even if only change in the reader's perception of what has been presented - you do provide that in the shocking conclusion:
At which point, whether from the author's point of view or that of the protagonist - something does change: from that of the possibly fevered thinking of both the man and the woman, to a powerful feminist statement of the circumstance of women in general who feel they have no option but to submit to spousal brutality.
Thank you, Jer. :)
I actually enjoyed writing in this 'stream of consciousness' way and emphasizing thoughts instead of action.
Now that you have explained, I see what you mean about the 'yellow bag'. I did not intend it this way though, I just wanted to add this yellow coat worn by the little boy, because the bag was a symbol of hope and the fact that the yellow coat was worn by a male character reduced this hope to nothing, in a way. Oh, also, when I wrote that, I couldn't help thinking of the 'low men in yellow coats' by Stephen King.
I am not sure I wanted to make a general feminist statement, I think I just wanted to write something which ended in kind of a depressive way, I wanted the cycle to perpetuate itself, I wanted to write about hopelessness.
Thank you, Granny! :) :)
I'm sure this story could be elaborated, but I am not sure I want to write more about it. I think I would prefer writing about something else. I'm happy that you enjoyed it!!
Your story is too hard to understand,I think
Really? In which ways? Can you tell me more? Maybe you could try to tell me what you understand of it and I would see what is still foggy. I thought that it might be a little strange in the beginning but that the rest of the text explained it.
Thank you for your comment. :)
This has to be one of the best stories I have read here on lit-net forums. I feel really impressed by your description. Emotions are portrayed so well that during all the time I was reading this story, I had been putting myself in the area this story has focused upon, then eventually in the places of all these characters too, and after having read the story, couldn't stop myself from thinking about it for sometime too.
Would like to read more by you as well. :)
Thank you very much for this reply, Pensive! That reassures me a little because I would like taking some creative writing courses next year and I hope I will do ok in it.
I am so happy that you felt the emotions I tried to translate into my words. I appreciate that my little story had such an impact on you.
Thank you again. :)
It is one of the frustrations - and sometimes on of the happy surprises - that what one writes will strike readers differently than what one intended. And since writing fiction is like writing poetry in that it is a collaboration between the conscious and the unconscious mind, sometimes what one has written will be even MORE truthful or truthful in a different way than one intended.
For me, the first appearance of the reference to yellow gave me some assurance of a reality outside that of the character's mind. Until that reference, everything was of necessity subjective - and therefore of somewhat questionable truth, as our thoughts almost always were. If she had merely mentioned "a bag" I might have concluded that it could bereal or it could be part of a fantasy wish to escape, but the fact that it was yellow - a seemingly irrelevant detail - made it objectively real for me.
Then when it turns out that the boy is wearing a yellow coat could mean - as you consciously intend - that her escape route was blocked or it could be nothing more than reality taunting her, or her having doubts.
Well, as in our dreams, anything and everything can get into our fiction!Quote:
Oh, also, when I wrote that, I couldn't help thinking of the 'low men in yellow coats' by Stephen King.
Maybe not, but I felt and still feel free to read it that way. She, the protagonist, may not be intending a feminist observation, but the perception that her situation is not unique to her lifts the story for me from one of a vivid but static experience into one that had wider reference - an example of the change that I think narratives require.Quote:
I am not sure I wanted to make a general feminist statement,
a good start.
Stream of consciousness is certainly valid. I would try tightening it up a little. A few more concrete images to help it breathe? Also, the paragraphs could be broken up a little to make it a little easier on the eyes. A couple of lines of enlightening dialogue?
Please don't abandon this -- you've got a good topic here.