View RSS Feed

A Mirror Floating in Water

Great Poetry Series - Keats, Ode to a Nightingale

Rate this Entry
Do you ever get the feeling, that after reading a poem of such immense greatness that you feel like you owe a debt to the author? Well I've been somewhat struggling with this for some time, and have now discovered my way to express my almost religious respect of poets is to create a series of the poems themselves. Of course the poems that I shall include are of a pure personal bias. For example, I certainly plan to include Sonnet 66 of Shakespeare's sonnets, before I include something more well known like sonnet 18. Both are utterly great works of literature, but sonnet 66 in particular touched me the deepest, personally.

So this is the most subjective compilation you will ever encounter. I will make sure to follow the mods rules concerning copyright and make sure to post only works in their whole which are in the public domain. (Btw, I must beg the mods my immediete forgiveness if I happen to unwittingly post a poem that is still copyrighted, and I will make sure to remove it immedietly).

Well either way, one could very well just find a better anthology anywhere, but I must find some way to homage my respects for these great poems that have touched my heart and soul.


First is Keat's masterpiece Ode to a Nightingale. There are words and phrases in here that stick out more sharply than almost any other work of literature. Fitzgerald once said that he could never read this poem "without tears in my eyes".

Btw, for proper indents, I strongly suggest just seeking out this poem on the internet.


Ode to a Nightingale

1.

My heart aches, and a drowsy numbness pains
My sense, as though of hemlock I had drunk,
Or emptied some dull opiate to the drains
One minute past, and Lethe-wards had sunk:
’Tis not through envy of thy happy lot,
But being too happy in thine happiness,—
That thou, light-winged Dryad of the trees,
In some melodious plot
Of beechen green, and shadows numberless,
Singest of summer in full-throated ease.

2.

O, for a draught of vintage! that hath been
Cool’d a long age in the deep-delved earth,
Tasting of Flora and the country green,
Dance, and Provencal song, and sunburnt mirth!
O for a beaker full of the warm South,
Full of the true, the blushful Hippocrene,
With beaded bubbles winking at the brim,
And purple-stained mouth;
That I might drink, and leave the world unseen,
And with thee fade away into the forest dim:

3.

Fade far away, dissolve, and quite forget
What thou among the leaves hast never known,
The weariness, the fever, and the fret
Here, where men sit and hear each other groan;
Where palsy shakes a few, sad, last gray hairs,
Where youth grows pale, and spectre-thin, and dies;
Where but to think is to be full of sorrow
And leaden-eyed despairs,
Where Beauty cannot keep her lustrous eyes,
Or new Love pine at them beyond to-morrow.

4.

Away! away! for I will fly to thee,
Not charioted by Bacchus and his pards,
But on the viewless wings of Poesy,
Though the dull brain perplexes and retards:
Already with thee! tender is the night,
And haply the Queen-Moon is on her throne,
Cluster’d around by all her starry Fays;
But here there is no light,
Save what from heaven is with the breezes blown
Through verdurous glooms and winding mossy ways.

5.

I cannot see what flowers are at my feet,
Nor what soft incense hangs upon the boughs,
But, in embalmed darkness, guess each sweet
Wherewith the seasonable month endows
The grass, the thicket, and the fruit-tree wild;
White hawthorn, and the pastoral eglantine;
Fast fading violets cover’d up in leaves;
And mid-May’s eldest child,
The coming musk-rose, full of dewy wine,
The murmurous haunt of flies on summer eves.

6.

Darkling I listen; and, for many a time
I have been half in love with easeful Death,
Call’d him soft names in many a mused rhyme,
To take into the air my quiet breath;
Now more than ever seems it rich to die,
To cease upon the midnight with no pain,
While thou art pouring forth thy soul abroad
In such an ecstasy!
Still wouldst thou sing, and I have ears in vain—
To thy high requiem become a sod.

7.

Thou wast not born for death, immortal Bird!
No hungry generations tread thee down;
The voice I hear this passing night was heard
In ancient days by emperor and clown:
Perhaps the self-same song that found a path
Through the sad heart of Ruth, when, sick for home,
She stood in tears amid the alien corn;
The same that oft-times hath
Charm’d magic casements, opening on the foam
Of perilous seas, in faery lands forlorn.

8.

Forlorn! the very word is like a bell
To toll me back from thee to my sole self!
Adieu! the fancy cannot cheat so well
As she is fam’d to do, deceiving elf.
Adieu! adieu! thy plaintive anthem fades
Past the near meadows, over the still stream,
Up the hill-side; and now ’tis buried deep
In the next valley-glades:
Was it a vision, or a waking dream?
Fled is that music:—Do I wake or sleep?
Categories
Uncategorized

Comments

  1. AuntShecky's Avatar
    Uh, Daniel, Shakespeare wrote 154 sonnets, not 66.
    Updated 01-14-2010 at 03:55 PM by AuntShecky
  2. AuntShecky's Avatar
    Do you intend to do all 154?
  3. DanielBenoit's Avatar
    I never said that he wrote 66 sonnets. I said that you're sure to find me posting sonnet 66 in this anthology. Sorry for the confusion.
  4. DanielBenoit's Avatar
    Oh, and I don't intend to do all 154. I must admit that this series is not going to be like my analysis of Stephen Crane and Wallace Steven's poems as I posted a while back. They will just be a compilation of poems that I personally am in love with, and I will probably have an introduction before each one, expressing my feelings about that particular poem.
  5. AuntShecky's Avatar
    I'm making gaffes all over the place today! Maybe Pat Robertson sent some demons to possess me.
  6. DanielBenoit's Avatar
    Maybe. . . .

    On a more serious note, what he said apaulled me beyond belief. What a disrespect for those poor people in Haiti.
  7. Virgil's Avatar
    Ode to a Nightingale is one of the greatest poems in the English language. I love this to death. I don't know which is my favorite stanza, they are all marvelous. But let me highlight number 7:

    Thou wast not born for death, immortal Bird!
    No hungry generations tread thee down;
    The voice I hear this passing night was heard
    In ancient days by emperor and clown:
    Perhaps the self-same song that found a path
    Through the sad heart of Ruth, when, sick for home,
    She stood in tears amid the alien corn;
    The same that oft-times hath
    Charm’d magic casements, opening on the foam
    Of perilous seas, in faery lands forlorn.
    That is just so Keats, the combination of thrill and hapiness with sadness and death and mystery and magic: "Charm’d magic casements, opening on the foam/Of perilous seas, in faery lands forlorn."