ajvenigalla
03-09-2017, 06:27 PM
Interesting thought I have.
Of Shakespeare's five great tragedies (Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra), almost four of them involve invasion subplots
In Othello the invasion threat by the Ottomans is taken out by the sea, though the subtler invasion into a happy marriage is there.
In Hamlet the invasion subplot comes in the form of Fortinbras' invasion of Denmark, and ends with his successful invasion - with, oddly and interestingly enough, the blessing of Hamlet himself.
In King Lear, the King of France and Cordelia launch an invasion on Britain to reclaim the kingdom for Lear. And the Duke of Albany, forced to fight to defend Britain, actually supports the invasion as righteous.
In Macbeth, General Macbeth puts down a usurpation before himself usurping. And at the end, Malcolm and Macduff lead an army from England to invade Scotland and boot out the usurper in order to restore the true lineal king.
In Antony and Cleopatra, a play set at the beginning of the Roman Empire, there is the subplot of Rome's conquering Alexandria and making it a part of its grand empire of "universal peace".
Of Shakespeare's five great tragedies (Hamlet, Othello, King Lear, Macbeth, Antony and Cleopatra), almost four of them involve invasion subplots
In Othello the invasion threat by the Ottomans is taken out by the sea, though the subtler invasion into a happy marriage is there.
In Hamlet the invasion subplot comes in the form of Fortinbras' invasion of Denmark, and ends with his successful invasion - with, oddly and interestingly enough, the blessing of Hamlet himself.
In King Lear, the King of France and Cordelia launch an invasion on Britain to reclaim the kingdom for Lear. And the Duke of Albany, forced to fight to defend Britain, actually supports the invasion as righteous.
In Macbeth, General Macbeth puts down a usurpation before himself usurping. And at the end, Malcolm and Macduff lead an army from England to invade Scotland and boot out the usurper in order to restore the true lineal king.
In Antony and Cleopatra, a play set at the beginning of the Roman Empire, there is the subplot of Rome's conquering Alexandria and making it a part of its grand empire of "universal peace".