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tomekdzido
10-29-2014, 06:57 AM
‘It’s dangerous out there,’ he warns, shoveling a Mars Bar into her mouth. ‘Trust me.’

Unable to respond, she chews and swallows as fast as she can, teeth grinding, beads of sweat leaking from her skin and trickling down her sullen face. Her hair is damp and stuck to her forehead, stagnant in the breeze emitted from the fan beside her bed. She looks at him, eyes dry and swollen, tears no longer possible.

‘You’re better off here.’ He un-wraps another mars bar and winks. ‘I’ll look after you.’

This isn’t the way it always was. When they met she was fit and healthy. She was a different person, in more ways than weight alone. They would walk together, hand in hand and happy. They would visit and vacation and travel to places near and far away. They would tease and joke and laugh until their muscles throbbed, their aches soon soothed by love’s warm and soft embrace. It was a time of friendship and boundless affection, until the boundaries broke and crooked walls closed in, crumbling brick by errant brick. Now, as she lies motionless atop the special mattress and strengthened frame beneath, cushions plumped and propped beneath her head, she is more uncomfortable than ever before.

‘Come on. Eat up.’ He pushes the chocolate into her mouth. ‘That’s it. Good girl.’

It wasn’t long after they married that things began to change. The dates beyond their gates vanished; replaced by evenings sealed behind the curtains, fast food and fizzy drinks flowing in their veins. Excursions out gave way to couches and cushions and conversations controlled within a box, widescreen inches imitating life, the living still and lifeless. When clothes no longer fit and elastic ceased to stretch, she finally weighed herself, and fainted. It was too much. She was too much. Too big. Too disgusting. All flappy and fat and foul. She woke up on the freezing bathroom floor, saliva pooled beside her mouth, her head sore, horrified.

‘Swallow it all.’ He mimics her chomping mouth. ‘Every last bit.’

She told him she wanted to lose weight. It was time to change. She tried to reason and explain, but he said nothing, the television flickering in the distance, an empty popcorn packet silent on his lap, fingers twisted into twitching fists. The room remained silent until he got up and stood before her, his face inches away from hers, eyes wide and angry, the word; ****. Her will to lose the weight was countered by expletives and accusations. Shouting and screaming. Jealousy and suspicion. Phone smashing. Broadband disconnecting. Covert spying and curfews. Anger and abuse. He was her new life, he said, be happy, and eat.

‘I got you something.’ He removes a Bacon burger from a bag. ‘Just the way you like it.’

Ignoring the change in his personality was impossible, his eyes forever fixed, suspicion and mistrust conspiring in his head. She sat beside him on the sofa, clutching her expanding rolls of fat, trying to understand how and when it happened, trapped and scared and silent. A week later she was called in to her managers’ office, informed about her poor performance, and fired. It didn’t matter, her husband said. Work was not important, not now that she had him. It wasn’t long before family visits and friendly phone calls ceased, dial tones dead and doors forever locked. She wanted to tell them. She wanted to tell someone, anyone, but she didn’t know where to begin. She didn’t know what to say, or how. It was her fault, all of it. Soon enough the need to leave the house was gone, together with all she knew of love. There was no one left. No one but the figures on the screen, the comfort of the food, the world outside, spinning.

‘How about some drink?’ The glass of Coke balanced before her mouth. ‘Drink it up. Good girl.’

The vigour she once possessed was assimilated and extinguished, leaving nothing but exhaustion. And now, staring at the ceiling, she has no idea how much time has passed, no knowledge of the world beyond. Fact and fiction merge and everything blends into nothing. The dreams. The nightmares. The faces on television repeating the same atrocities over and over again. The war. The riots. The recession. The never-ending crisis. The fear and hate and hurt. Day after day. Year after year. Present, past and future, fickle and capricious. Germans. Russians. Christians. Muslims. Atheists and non-believers. All of them blown to bits by shards of shattered dreams, hope wilting in the ashen soil on which they tread, leaving her behind.

‘There’s a funny smell in here.’ He presses down on the nozzle of the air freshener. ‘That’s better.’

She watches the perfumed particles burst into the air above, tiny scented shapes falling down down down until they land on her bare perspiring arms, chemicals masking uncleanliness and decay. Trying to work out how long she’s been stuck in the room, she thinks about forgotten facts, anything and everything which might help, though none of it does. She can’t remember the last time she left the bed, the dignity of independence suffocated beneath her rippling folds of fat. The day she let her dreams dissolve, her grip on life was lost. She ate, and ate, and ate. Chew and swallow. Chew and swallow. Cry. Everything she once resembled was now reduced to bedpans and soapy flannels and shame and isolation. Only this remained, all 58 stone of her, lying in a bed, lonely and lost, entombed.
But not for long. Not anymore.
‘Hhhmmmrrmmmm.’ She whispers.
‘What did you say?’
‘Hhhmmmrrrmmmmpppphhh.’
‘I can’t understand.’
‘Hhhmmmppphhh.’
‘What?’
He leans over and aims his ear towards her trembling lips. She pauses and examines his unshaven skin, inches away from where she lay, the vein on his neck inviting. She musters what energy remains and bites down as hard she can, muscles clenching, jaws locking, blood seeping from his punctured flesh onto her fattened face, the pain, for once, his. He fights to break free, flailing limbs unable to focus on his freedom, empty wrappers crunching beneath his feet, Coke spilling and staining crumpled sheets, blood pressure dropping, heart rate increasing, shock and dread deepening. She tightens her grip and holds on, her hunger, almost, quenched.

Calidore
10-29-2014, 10:56 PM
Nice Stephen King-ish story. Seems like you've eased up some on the writing excesses I mentioned in "Confession" (if you saw it before the original thread was deleted), though I think the modifiers and especially the alliteration are still way overdone. I do feel this could use more detail on the her husband's change, how he keeps their life going, how she ends up with nobody at all in her life. You've laid out the present well, but the journey from past to present and the foundations of the present could use some filling in IMO.

As before, no complaints about your English usage in general, and you have the spirit of a writer. I'll certainly keep reading your stuff.

MorningForger
10-30-2014, 12:14 AM
This was interesting. I definitely appreciate the macabre and your thoughts came through well. One suggestion I might add, and take this as simply my opinion, in the end, rather than taking us through the act of her biting into his external jugular vein (the carotid arteries would be a better target and lead to the quick drop in BP you mentioned...), perhaps give us some of her thoughts as she prepares to do so and then leave it to our imagination to fill in the act. I've always been a fan of allowing the audience some freedom to play out a scene as they might think it would go. This is true in movies, books, TV shows. The suspense is often better than the thing itself. But again, that's just my opinion. I did enjoy this as written though. Nicely done.

DATo
10-30-2014, 06:31 AM
tomekdzido - I agree with Calidore - I would certainly be interested in reading more of your material. I still maintain that Confession was one of the finest pieces of writing I have ever read here on The Lit Net.

Calidore - This is just my opinion but I don't think any additional "fill" would be necessary in this particular case. The author gives us all the necessary facts, though succinctly stated, to draw accurate conclusions. Personally, I like the compactness of this particular story.

MorningForger - I share your appreciation of allowing the reader to come to his/her own conclusions. That can be an extremely interesting writing device. It is sort of like a puzzle with a few pieces missing. You can see the general picture of the puzzle but the few missing pieces add an air of mystery and force the reader to actually enter the story in an attempt to construct the ending. When this works it can work very well, but it is tricky and requires great skill to craft effectively. As was the case in your own excellent story, The White Deer and as was reflected in some of the comments to that story, the supporting information you provided made it difficult for the reader to come to the conclusion you intended.

The real talent in doing this well can be analogized, perhaps, by the following example. Have you ever looked at a picture but didn't understand the content, I mean, like something that just looked like a garble of shadows, and then, almost miraculously, the image suddenly becomes clear and meaningful? This is precisely how an ending such as the one you suggest must be crafted. In the example I have given above all of the material the viewer requires to make sense of the image is clearly there, but perhaps by the angle, or perspective, or distance relative to the camera which took the picture the viewer is momentarily confused.

In writing an ending such as the one you suggest all of the data the reader requires must be logically sound and must point to one, and only one, inescapable conclusion. On the other hand, if it is the writer's intent, perhaps more than one conclusion can be intimated, but once again, this must be the intention of the writer and must be so crafted into the story. If more than one conclusion can be drawn which leads the reader away from the ending intended by the writer then the intended ending has clearly not succeeded.

I DO think that the suggestion you made with regard to the ending of this story is a fascinating challenge for a writer to attempt. But I think the reader could possibly come to the conclusion that the woman was too infirm to actually do what is suggested, thus possibly leading the reader to conclude that it only takes place in her mind rather than in actuality.

***

If anyone is interested there is a movie (my personal favorite) called The Red Violin - http://www.imdb.com/title/tt0120802/ - which speaks directly to the issue above. The movie follows the history of a violin made in the 16th century to the present and all of the people who had possession of it during its history. At the ending of each of the vignettes, detailing the various period's of history, the movie only followed the violin's future because the violin was the main character. All of the stories, as they related to the PEOPLE in each vignette, were left unfinished ... BUT .... there was enough material available to the viewer to draw probable, logical conclusions about what happened to them. That having been said, the ending of each vignette still left the viewer with a sort of melancholy curiosity about what happened to the characters and this was an EXTREMELY effective device which added tremendously to the already mysterious, and eerily presented story.

AuntShecky
10-30-2014, 03:26 PM
Having read some of your previous posts,including "Confession," I tend to agree w. DATo above concerning an impression that any perceivable action in this story has been overshadowed by the conceit of a mind communicating with itself.

Despite the macabre subject matter, this is essentially a crime story in which a perpetrator tortures his victim, who in turn apparently exacts revenge. Among the elements of a crime, motive is a large one, yet inexplicably absent from the initial evil. Just why would a formerly loving husband do such a thing? Even though the best writing is subtle and avoids spelling things out, this particular story would have been more compelling if the reader had some idea of why the villain is subjecting his significant other to such grotesque treatment.

Strive for accuracy. I'm not a doctor and I don't play one on TV, but I do believe that perspiration comes from sweat glands, not skin and that fizzy drinks do not "course through the veins" but go through the digestive system before blasting one's blood sugar sky-high.

Your writing is competent, but a bit overblown. Paragraph 12 is particularly overwritten,though I don't want to say "pretentious." Lighten up a bit . Let the story tell (show) itself.

Use of the present tense, though popular in past decades, is a bit out-of-date. In the concluding section containing dialogue, remember to start a new paragraph with each change of speaker.

By cutting out the extraneous material and adding an inkling of a motivation, this piece could be revised into a much better story. Even so, I am glad I read it.

Keep writing.

Auntie

Jack of Hearts
10-31-2014, 12:00 AM
Pfft. Critique notwithstanding, yours truly votes that we all just still ourselves for a moment and marvel, marvel at the small miracle which is the fact that somebody actually wrote something interesting.

'Could be better' will kill all love inside you, if you let it.



J