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Halifaxius
01-02-2014, 06:29 PM
Just the first bit of a novella I may write--would like some feedback before embarking on the whole thing though.

Criticism is welcomed; thanks for simply reading it.

It's written in a diary format with a (probably) insane narrator. I could really go a couple different ways with it, but I need some critiques of the opening. No title as of yet:

December 8th, 2010:

After sixty-five years of this earthbound life, I—Katarodon Jacobus Vynderlyn, Speaker for Mankind, Ambassador of Humanity, the Great Communicator Across the Stars, ordained by myself and assuming the weight of ages upon my back—lifted above the common lot of our material existence, exulted as a seer and a priest of higher beings than us—I, in an ordinary suburb of America in the early twenty-first century—I, as I want to say, built my first spaceship.
My Agnos—that was her name: So be a gentleman and introduce yourself—was a roughshod, old paint type of ship, made and kept up by a mix of nails, planks, and clever improvisation. In the clear light of the sun, I would sit in the street outside my home and marvel at her. On top is the beacon. A modified radio from which I send out messages to the void in every major language of our planet and several of others near in our solar system. The whole contraption rises like man himself vindicated, like a Tower of Babel given engines, a Titanic for the inky ocean of the sky. Passersby would amuse me with the looks they gave her; the flat-out, unconcealed stare of those new to her majesty, the concealed little glances of those jaded to the glory of my achievement.
Let me slow down, and describe it plainly. She was a tall, rocket-shaped ship, with none of that claptrap about saucers affecting her. Her cracked blue paint (Note: repaint ship) with white and silver markings runs across the surface like flowing streams, and, down the side, the name—Agnos—is emblazoned in flowing script. A joy to look at, a sight for the ages. Suffice it to say that I swell with greater pride at her than I ever did at my children’s success. My own children, those ungrateful hypocrites, those spite-filled spiritual parricides. They thought me mad—mad and dangerous. Well, I thought them mad too, and you probably think me mad as well. So let’s just keep going on and not get mad about our madness.
As I was saying, I would sit out there, and watch my legacy loom like infinite destiny. Every night I’d keep my vigil over her as the moon climbed in the sky, and every night I’d eventually fall asleep in my old lawn chair, waking cramped and joyful the next morning, wet with dew and electric with happiness.
This morning started out just like this, no different at first. I saw my neighbors—they thought me mad too, and I them—as they shuffled like the toads they were to get their newspapers. Philistines. Idiots. Mrs. Henderson, that shrew skeptic of a woman, gave me that pitying look of hers, like I was some toddler making castles in the mud. I returned it, and threw in a little bit of the spice of contempt for her digestion to chew over.
This is where things got different. She got her newspaper, as always. But then she walked over across the street to me. I traced her with one eye, but was otherwise indifferent. I was interested though. My neighbors—God knows why—hardly ever talk with me, hardly ever look at me if they can help it. Her mouth, eternally slack jawed like a cow’s, didn’t need to open for what she wanted to say:
“James,”— these people still use my given name—“James,” she said, “did you notice those noises and lights last night?”
I paused a moment and considered. “The only noises I heard, woman, and the only lights I saw were those I dreamed of, those of the infinite, celestial messengers that even now speed down to me from star to space to sky—down, down to me.”
“Well,” she sighed like a frustrated parent; how I hate their condescension, “I was woken up by something. And John thinks you may’ve been behind it.”
“Me?” I gave her an innocent look. “The only thing I’ll wake you from is the slumber of your cosmic ignorance.” Confusion confuses in its turn; she gave me a frustrated look.
“Whatever it was, I’m hoping it won’t happen again.”
I smiled as she walked off. “Soon I’ll ascend, and be out of your way.”
What an ironic smile. A painted thing, that smile. An ironic painted thing. Inside, hers words made my glow with hope. I’ll be frank with you dear reader: Could stupid little Mrs. Henderson be the prophetess that first sees my aliens coming over the ridge? Could those creatures from up there had heard my message? If they arrived soon—although I know they will arrive in time—my life will be not changed, but fulfilled. I’ve been fooled before: faithful readers of local newspapers, those cesspools of lies and idiocy, will no doubt remember the debacle of ’04 that too clever critics and blind skeptics always hammer on about.
The conversation gave me the idea to write this, however, so I suppose it has already helped me. I’m going to take keep this journal from today in any case—immanent celestial contact or not. It’ll help for practice when the real thing comes. Perhaps it will help some with my constant fear: Loneliness.

December 9th, 2010:

I think that I’ve rush ahead of my story a bit. Perhaps you want some history, some biography, a bit of science. The details, that is, of my life’s work. I’m happy to provide, dear reader; I hope this short summary will manage.
My quest—no, my rebirth—began some 10 years ago. Before then, I lived the complacent existence of the everyday man, the half-awake shambling that passes for life these days. The University caged me, the prison of academia had me as its slave: I was a professor, a teacher of physics and engineering at a nearby college. If anything, this served me in the end, when I turned my knowledge to building my craft.
I hear you asking: “What happened to you, you poor, poor man? What,” you shudder and drop your voice to a whisper, “made you snap?” Time makes vague the precise moment I took up my goal, but I remember that I’ve always held the belief that there were beings other than us, other civilizations among the lighted stars. 10 years ago, though, my wife—I will not write her name—was taken, stolen from me by cancer. The disease carried her off within the year, and I was left alone. I still keep her ashes, you know. Maybe the aliens have some scientific necromancy hidden on their planet. I’ve never confessed to that hope before. I’m not sure I ever knew I hoped it. If you’re looking for a reason for all this, hyena-toothed psychoanalysts, then take it there. But know that I’ve always thought human beings too complex to be reduced to complexes.
But it started after she died, I know that. I found myself lost, despondent, with no purpose in my life and no reason to keep living. I quit my job, retreated into my hole. And then, like a flash of light, the idea.
And why not? You call me crazy, you shake your head and pity me. But why? My spacecraft is perfectly suited for travel; my radio can cast my plea across space with ease. There remains only one thing: For them to arrive, and give lift to my craft.
That’s the thing, you see. Making something that could survive space was easy; making something that could get there—beyond my reach, unfortunately. So I wait. I wait for them to come, for them to shuttle down and find me, an able first diplomat for mankind. I’ve got the ship, I’ve got the know-how: They’ll be positively glad to let me join them. And stop smirking at me like that. You’ll be left behind no matter what you do. In any case, let’s get along with the story. I’m working, as you’ll see, on a limited time frame.
I’m not sure I can describe how pathetic I was in those early days. My wife dead, my job quit, my children pushing me away as I responded to what I knew was the truth—and now I am soon to be confirmed. I hope those fickle ‘sons’ read this. But I was, as I was saying, in something of an existential crisis. The spaceship, the elegant engineering, the bold feats of physics and thought that held it together, was the one thing that kept me sane. I was fevered in those days, fevered with my truth, fevered with my quest, always working to build up my vessel, always crafting my ship. You don’t understand; you can’t understand. The only people, I think, who know anywhere near of what I felt are religious fanatics or mad artists. I had the same ecstasy as a saint, the same ionic glow as an artist inspired.

Delta40
01-02-2014, 06:45 PM
You've tweaked my interest. Some sentence structures are a little bumpy and I don't think you need to use a hyphen as it affects the flow. I like his contempt and hope you plan to slip in more dialogue.

Halifaxius
01-02-2014, 06:56 PM
You've tweaked my interest. Some sentence structures are a little bumpy and I don't think you need to use a hyphen as it affects the flow. I like his contempt and hope you plan to slip in more dialogue.

What do you mean by 'bumpy'? And, yes, the hyphen is a bad writing habit that I have. I'll try to avoid it. I'm going to try more dialogue later on for sure, although having a reclusive, semi-mad character does somewhat hinder social situations. I'll have to try to work around that somehow.

Thanks for responding, by the way.

Delta40
01-02-2014, 07:58 PM
An example would be:

This morning started out just like this, no different at first.

Far easier to write: This morning, I saw my neighbours.... and then follow to the next pararaph.

She got her newspaper as usual but then she did something different...

I guess my point is about your story is that you could cut down on some of the word usage. While I certainly appreciate your style as it relevant to the character, you have to be careful you do not get bogged down in words.

Halifaxius
01-02-2014, 08:08 PM
An example would be:

This morning started out just like this, no different at first.

Far easier to write: This morning, I saw my neighbours.... and then follow to the next pararaph.

She got her newspaper as usual but then she did something different...

I guess my point is about your story is that you could cut down on some of the word usage. While I certainly appreciate your style as it relevant to the character, you have to be careful you do not get bogged down in words.

Perhaps reign in a bit of the verbosity? True, I'll try to cut back a bit of the wordiness.

sandy14
01-02-2014, 10:23 PM
The diary idea is a good one. Is he writing to the dairy, or is he writing to the reader? I'm not thinking "What made you snap?" and to be told that's what I (the reader) am thinking doesn't work. Also, from the conversation he is having with his neighbour earlier it is clear that he doesn't think he has snapped, but that they are somehow deficient. So rather than tell us he has snapped, show us, or show us why he thinks he's sane and the rest of the world is mad. The thing with madness, is that the person who is mad is usually unaware of it - everything appears normal to them, and it's the rest of the world that is wrong or abnormal.


December 9th is a huge dump of data - you could probably spread this information through-out the novella and let the reader discover it as they go. His attitude towards his sons could be shown as the story progresses, and do you need to tell us his wife is dead on page one, or how he feels about it. In addition he will be recording meetings with his sons in the dairy later on, so do you need to tell us all this info now?

You could have two dairies - one of his former life leading up to his wife's death, and one of his new life and blend them in some way - this mean the reader has to do some of the work, and your narrative might flow - the new diary could contain reflections on the past events - perhaps he is looking for signs of how he became an ambassador, or of the aliens, and the reader could do the same too.

I like the protagonist and his irascibility and belief in his mission is good. After reading the first two dairy entries, I really don't know where the story is going. Is it a story about a man trying to contact aliens, or the ruminations of an older William Holden type character? I think you need to write some more to develop the story so that you can see what is important and what is not. You will have an overview, and then will be able to redraft the dairy entries. It's your story, I can't tell it for you, but I think whatever it is it needs to be a bit clearer in the beginning and that'll come if you develop it a bit more. You're definitely on to something, but I don't know what exactly.

Calidore
01-02-2014, 10:43 PM
If you put a line of whitespace between your paragraphs, you'll make your work much easier to read, and thus attract more readers.

It's kind of hard to offer much about a novella based on two pages of mostly exposition. I'd suggest including a plot summary as well--not necessarily with major spoilers or reveals, just something to give people an idea of what you're doing and hopefully sell them on reading it, like the inside flap or back cover of a book.

I'll also join Delta in suggesting you trim the wordiness some. I understand this is your first-person narrator's own voice, which is fine, but you still want to make it inviting to the reader first and foremost.

Since you're doing this as a diary, you should keep in mind when he's doing the writing, under what conditions, and for whom. That will affect the voice he's writing with, the amount and type of exposition and how it's delivered, and whether any foreshadowing would even be possible.

Halifaxius
01-03-2014, 12:09 PM
The diary idea was actually a later add-on under the influence of reading two books that had diary sections in them. I think that I have to adapt the overall story, voice, character etc, in a more natural way. Does anyone have any tips for writing in the diary/journal form? Examples of it being done well?

I'll also definitely spread out the information given about the character here into scenes that convey that info--i.e:him meeting his sons.

Thanks for the feedback.

sandy14
01-03-2014, 02:43 PM
Bridget Jones Dairy is probably the most recent one. It's probably not the tone you want, but will show you how a story can be told in a diary format. Another classic is Bram Stoker's Dracula. Iain Banks is pretty good at reconciling past with the present - although not in a diary format - The Crow Road is a more conventional narrative, The Wasp Factory is more insane and uses a first person narrative. It might be worthwhile taking a look at them to see how the technique is used.

Halifaxius
01-03-2014, 05:26 PM
Bridget Jones Dairy is probably the most recent one. It's probably not the tone you want, but will show you how a story can be told in a diary format. Another classic is Bram Stoker's Dracula. Iain Banks is pretty good at reconciling past with the present - although not in a diary format - The Crow Road is a more conventional narrative, The Wasp Factory is more insane and uses a first person narrative. It might be worthwhile taking a look at them to see how the technique is used.


Thanks. I'm more looking for the particular structural rules and conventions that most writers use when employing a diary form.

The two books I read, by the way, were Hyperion by Dan Simmons and Cloud Atlas by David Mitchell.

prendrelemick
01-04-2014, 05:13 AM
It reminded me very strongly of those early pioneering sci fi stories like The Time Machine by HG Wells. Conan Doyle's The Lost World Rice-Bourroughs' John Carter series. They were often written in the first person and as a journal. I think it would be worthwhile you looking at such like, to see if that is where you want to go.

Halifaxius
01-04-2014, 11:29 PM
It reminded me very strongly of those early pioneering sci fi stories like The Time Machine by HG Wells. Conan Doyle's The Lost World Rice-Bourroughs' John Carter series. They were often written in the first person and as a journal. I think it would be worthwhile you looking at such like, to see if that is where you want to go.


I've read--and loved--the Time Machine, so I'm sure it influenced this a bit. I've heard of, but never read, the other two; I'll probably check them out though.