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09-04-2013, 11:06 AM
Another conundrum. For anyone that has read Goethe's Faust can someone explain this to me: Mephistopheles is clearly the enemy of reason, often encouraging Faust to concede to his passions and this fits with Goethe's active role in the counter-Enlightenment 'Sturm und Dranger' movement, which was opposed to the French neoclassical rationalism that had occupied German theatre for a long time. So far it makes sense.
However, at the end of Faust: Part II, Faust is saved rather than torn apart (like in Marlowe) for his striving, which would suggest to me a mentality that is very much pro-Enlightenment.
Any suggestions? I feel I'm continuously moving in circles.
However, at the end of Faust: Part II, Faust is saved rather than torn apart (like in Marlowe) for his striving, which would suggest to me a mentality that is very much pro-Enlightenment.
Any suggestions? I feel I'm continuously moving in circles.