Log in

View Full Version : No title yet (Short Story)



albay
09-05-2012, 07:27 PM
From her corner of the bed she twitched her body violently, stretching her legs and feigning the confused inhale that always mourns a lost dream. She didn’t turn to face him but felt him notice her for the first time since he had stumbled in.

“What time is it?” she asked, forgetting whatever it was that she had planned to say. The digital clock that she had been staring at for hours shone clearly through the opaque night air of the room and through the shadow that he cast from the doorway, but her gaunt, wide eyes could do nothing but listen.

He sat down hard on his side of the bed, no longer bothering with quiet courtesies. She heard him grabbing at the heels of his loafers.

“I don’t know, baby. It’s, uh…” he placed one of his hands near her shoulder as he leaned over to his nightstand. “It’s a little before 2.”

“Where were you?” Her tone was not harsh or accusing but controlled and sad.

He sighed, audibly annoyed. He dropped his shoes to the floor and stood up, taking a few uneasy steps to balance himself. His bare feet were much softer on the bedroom carpet but still she felt the vibrations of his stomps in the bed springs. She saw in his shadow on the wall and in her memory his hand clap on top of his head as he stretched his back and let out a few unattractive grunts; she wondered vaguely in the part of her mind that could leave the room how long it would be until that same hand would find her stomach and he would fall heavily and happily to sleep.

“A few of us went out after the meeting to celebrate. I made a big step today, you know.”

Much more gently he placed the hand near her shoulder again, and she felt him drop something lightly on her cheek. It fell onto the bed, and she picked it up, trying to read it in the dark.

“It’s my 1 month chip. Jeff said that most of the people he’s seen can’t even stay in the program for more than a few days. He says he sees something in me, a truth in my eyes or something like that.”

“Great,” she said dully.

He was quiet for a moment; it was clear that the conversation was not going as he had planned.

“So…,” he said slowly, unrehearsed, lowering himself slowly until he was sitting on the bed again, “so, yeah, a couple of us got big chips today, so Mike- you remember me talking about Mike, right? The dental assistant who used to shoot up?- anyway, Mike said we should all go get dinner and celebrate, so after-”

“So you were eating?”

He stopped short, unable to stifle another frustrated sigh. She heard the angry jingling of his belt as he ripped his jeans off and tossed them across the room, bouncing the mattress as he did so. A few moments later, when he was still and the bedsprings stopped creaking and were silent, he forced a small laugh that was meant to dismiss the assumptions that his silence had already confirmed.

“I told you we were celebrating, babe. And I know what you’re going to say, that we’re all in the program and that we shouldn’t be doing that, but that’s not why I’m there anyway. And it’s not like any of the other guys that came with us are there for drinking either, so it’s fine. But,” he said, his tone changing slightly; it appeared to her that he was proud of the story he was inventing. “But,” he repeated, she imagined, through a grin, “we are men in recovery. I knew that. So if we were celebrating, I told them, we didn’t want to go crazy or anything. I mean, who knows where that could have led? So we all paced ourselves, keeping an eye out for one another, and we made sure that we were sober enough to leave when we left. I’m sorry I’m so late, but Mike probably had a few too many, and this other guy Rick who you don’t know didn’t have money for a cab, so I had to take him home. I should have called, but I left my cell at home today.”

She was sinking into the bed. She felt the room racing upward, saw the walls and the shadows darting past and felt the blankets and springs ooze and melt and grab until she was lost in them, trapped in her stiff body and drowning in his words and in the truth they failed to mask.

Satisfied, he patted her leg before standing again and striding over to the dresser. He started to hum a low tune as he rummaged around in his drawers. He found whatever ratty old pair of sweatpants he had wanted, and she heard him hopping up and down slightly in the corner of the room as he struggled to put them on.

“Oh!” he exclaimed suddenly, still fighting with the pant legs. “Did I tell you about the new guy yet?”

“No,” she said quietly, her voice cracking slightly. She thought for sure that he would notice, and she was terrified and hopeful that he would turn her over and look at her face. But he only laughed.

“I can’t believe I didn’t tell you about this guy,” he said, laughing again. “**** is he annoying. You wouldn’t even believe how annoying this guy is. He talks so damn much. I mean don’t get me wrong, baby, I talk plenty. I’ve got a lot to be sorry for. But this guy is always losing his ****ing mind! Talking about this and that, and he always mentions his goddamn family and he always, he always ****ing cries! Me and Mike have this game now that we play with this guy. We pretend like we’re taking notes, which Jeff allows, but really,” he laughed again, “really we’re just seeing how long it takes him to start crying after he mentions anything about his family. I swear to God he has never gone more than a minute. One minute! And it’s not even like he’s always talking about doing them wrong! I mean most of the time, yeah, it’s all about spending his daughter’s college tuition on cocaine and **** like that. And those parts I get baby, don’t you worry. I’m never going back there again; that stuff breaks my heart. But sometimes he’ll just say something about her birthday or something, and off he ****ing goes. I know it sounds mean, but you’d laugh too if you were there. It’s just so ridiculous. I mean, what’s so damn sad about his daughter?”

He scoffed again before walking back to the bed, yawning mutedly as he did so. She felt a burst of cold on her back as he lifted the covers and slid beneath them, exhaling contently. He rolled towards her and leaned over her, kissing her on her bare shoulder before stopping.

“Baby, are you crying?” he asked, surprised, apparently seeing the tissue in her hand and hearing her muffled sniffs.

“Oh, no…” she said slowly, pretending to shiver and hurriedly wiping a few tears away with the comforter. “It’s just allergies-”

He took her shoulder and pulled her onto her back. His face was hovering over hers, confused and worried.

“What’s wrong?”

She bit her lip and closed her eyes, but a few more tears squeezed out.

“Sarah?”

“I…I just…I’m so scared…I-”

“Oh, baby,” he said, visibly relieved. He leaned in and planted a kiss on her that she did not return before running his thumb down her cheek and smiling. “You don’t have to worry about me. I’ll be fine. I told you, I kicked the stuff. We’ll be just fine, ok? I swear to God we’ll be fine.”

She nodded weakly but he wasn’t watching her anymore. He kissed her again on the shoulder with a sense of finality as she rolled over. Turning around, he punched his pillows a few times and rearranged them before slumping loudly back onto the bed. Smiling, he rolled to his side, closing his eyes and sliding his hand onto her belly, completely unaware of the look on her face.

Steven Hunley
09-05-2012, 11:57 PM
Overall I like this story, but I have some reservations about these parts like:

The digital clock that (slice that "that" is an empty word and usually not needed) she had been staring at for hours shone clearly through the opaque (opaque means no light can get through.so it's a contradiction/) night air of the room and through the shadow that he cast from the doorway, but her gaunt, wide eyes could do nothing but listen. (wide eyes that could do nothing but listen is poetic and contradictory and all, but in the process draws too much attention, it isn't a puzzle wrapped up in a conundrum packaged in a contradiction, it's just a story)

The second one that threw me was:

... that we’re all in the program and that we shouldn’t be doing that, but that’s not why I’m there anyway...

He doesn't explain what he means by "that's not why I'm there anyway".

Of course he's obviously drunk and confused, but the reader is too by this comment. It's a challenge to write about a character doing something confused and not confusing the reader at the same time.

I really liked the line:..."he forced a small laugh that was meant to dismiss the assumptions that his silence had already confirmed."

You know there's always people that argue that stories should be more "show" than "tell" But hey, this is a short story, we gotta balance things out, and have less words to show things with, a little bit of telling, especially as effective as this-goes a long way.

I enjoyed it, the characterizations, the setting (not too much, not too little) and the realism, including the paragraph where he blabbers his head off. Great job!

Sorry I didn't put your quotes in little boxes like everyone else. I don't know how to do that!

Oh, just noticed you don't have a title yet. How about Twelve Steps to Bed or Twelve Steps or any title at all but The Thirty-nine Steps. Hitchcock would get upset, and it would have nothing to do with your story!

albay
09-06-2012, 12:46 AM
"You know there's always people that argue that stories should be more "show" than "tell" But hey, this is a short story, we gotta balance things out, and have less words to show things with, a little bit of telling, especially as effective as this-goes a long way"

could you clarify this point?

hillwalker
09-07-2012, 05:58 AM
"You know there's always people that argue that stories should be more "show" than "tell" But hey, this is a short story, we gotta balance things out, and have less words to show things with, a little bit of telling, especially as effective as this-goes a long way"
could you clarify this point?

If a story is all show - nothing but descriptions - then it's going to be rather uninteresting. If it's all tell - this happened then that happened then something else happened - again, it will be a monotonous read. You have to balance the two - especially in a short story where you don't have much time to reveal the plot or set the scene.

In the case of your piece the first two paragraphs are overwritten in my opinion :

From her corner of the bed she twitched her body violently, stretching her legs and feigning the confused inhale that always mourns a lost dream. She didn’t turn to face him but felt him notice her for the first time since he had stumbled in.
“What time is it?” she asked, forgetting whatever it was that she had planned to say. The digital clock that she had been staring at for hours shone clearly through the opaque night air of the room and through the shadow that he cast from the doorway, but her gaunt, wide eyes could do nothing but listen.

I'm not a fan of adverbs, and here's why.
- 'violently' adds nothing to the way she twitched - can one twitch 'peacefully'?
- 'clearly' doesn't improve our picture of the way the clock shone. You're trying to 'show' us these details but you're actually wasting words - which isn't wise in a short story.

Similarly,
...she wondered vaguely in the part of her mind that could leave the room how long it would be until that same hand would find her stomach and he would fall heavily and happily to sleep.
Much more gently... placed the hand near her shoulder again, and she felt him drop...lightly on her cheek.

Many writers believe is you choose the correct verb it will convey what it is you're trying to tell us without the need of an adverb to back it up.
How can you explore her wondering more effectively?
Do we need to be told how he might fall asleep (twice?)?
And 'place' and 'drop' are rather vague words at best.

How about:
“Great,” she said dully.?
It's a rather uninspiring way to convey her mood, don't you think? What's needed is something along the lines of -
"Great," her voice on automatic-reply when any enthusiasm she felt was already lost...
This way there's more scope to examine how she feels towards her partner's behaviour.

“So…,” he said slowly, unrehearsed, lowering himself slowly...
and
He scoffed again before walking back to the bed, yawning mutedly...
None of these modifiers add anything. And to compound the problem you give us two 'slowly's in one sentence.

This is much better:
She was sinking into the bed. She felt the room racing upward, saw the walls and the shadows darting past and felt the blankets and springs ooze and melt and grab until she was lost in them, trapped in her stiff body and drowning in his words and in the truth they failed to mask.
though admittedly, I wouldn't want everything she does or experiences to be written in the same style. But it's an improvement.

And if the bedroom's in darkness, how does this work?:
“Oh, baby,” he said, visibly relieved.

Overall, a well-written piece - the dialogue works well. But I think if this can be tightened up it will read much more fluidly.

H