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Volya
08-26-2012, 10:11 AM
Merl yawned. He’d been standing guard on the wall for a few hours now, crossbow aiming into the darkness. It was a cold night, and the flaming torch mounted on the wall beside him did little to warm him up. The next sentry should be along to relieve him any minute now, then he could finally return to the sweet embrace of his warm bed. As usual, he’d seen nothing suspicious. Nobody ever tried to break into the castle, any thief or assassin would have to cross through 4 perimeter lines, each of them manned by the Queens finest.

If he had known how boring life in the Royal Guard really was then he would never have joined. At the time he had been a young lad, just turned 17, and the prospect of becoming a soldier, dedicated to defending the realm had seemed exciting and bold. He laughed bitterly at how naive he’d been back then. But he’d taken the life-long oath, now the only thing that could relieve him of his duties would be death. There was always the option of trying to leave secretly, but traitors and deserters weren’t liked here in Barcia, and the distinctive tattoo on each guard’s forehead would make them easy to find. If you were caught, you would be executed. Or if you were unlucky, the other members of the guard would find you first, and their punishment would be far more severe.

He looked up at the sky, and saw the large moon glowing in the heavens. Judging by its position, it was probably a few hours past midnight. The other sentry should’ve gotten here by now. He could probably guess what had happened, the man who was supposed to be guarding the wall after him was probably out somewhere in the city; either whoring, or meeting a secret lover. There wasn’t much Merl could do about it, if he left his post, he could be punished. He would just have to wait until morning, before lodging a complaint with the captain. It wasn’t likely that the other man would even get punished. Nobody ever listened to him. Merl the Moron they called him, just because of the one time he had forgotten to tie up the laces on his boots, and had almost tripped and fell of the wall. It was a long drop down, he would’ve died if the captain hadn’t pulled him back up. But eventually he heard footsteps coming from along the wall, and saw the flickering glow of another man’s torch. ‘Took your time to get here you lazy bastard’ he told the other sentry as he approached.

‘Sorry’ the man replied. ‘I was – Azgroth’s teeth! Did you see that? Look, down at the bottom of the wall!’ the man cried out urgently. Merl leaned forwards to get a better look at what the sentry was pointing at. ‘I can’t see anything’ he said, as he turned back to face the man. That was the last thing Merl ever said before he felt something shove him in the back, and he tumbled over the edge.

The man left standing on the wall looked down to make sure Merl had died, then walked on.

=============================================

Down in the palace dungeons, a man was singing.

'Oh if I was a sailor I would sail to Kotu
And find a lovely wench to take back to my room
But if she wasn’t pretty and fair, you know what I would do?
I’d chuck her down in the cargo hold to share among my crew'

This particular man had been singing that song for the past five hours, although the lyrics did vary from time to time. He was an extraordinarily large man, he towered over even the tallest man in the Royal Guard, and he had more muscles than a great frost giant from the North. His face was framed with a shaggy red beard, and a long mane of hair ran down from his head past his shoulders. He was garbed in nothing but a pair of tattered brown breeches, so you could see that not only was he hairy on his head, but his chest too was covered in a matt of fiery red. It was easy to think of reasons why this man might be in the dungeon, and it is true that this wasn’t the first time he had been locked in the cells.

However on this occasion he had been falsely accused. The man – Jorgan was his name – had been caught in the bed of the Queens daughter Talia. Tales of the sexual prowess of the man were spread far throughout the land, and as much as the royal family tried to hide and deny it, it was no great secret that Talia frequented the beds of many men, so it probably came as no surprise to Jorgan when she invited him into her bed. It would’ve been treason to refuse a royal command, so he came willingly. However when Talias guards came in to find the two of them engaged in rather explicit acts, Talia, in an attempt to save herself (for the Queen had told her that if she was caught doing such things again, she would lose her inheritance), claimed that the man had raped her. No matter what Jorgan said, it was obvious this was not going to end well.

He tried to batter his way out, and he even managed to make it down to the bottom floor before he was eventually subdued, and thrown in chains. Which is how he came to find himself in the dungeon, awaiting what he guessed would be his execution. After what he thought had been two days, although it was hard to track the progress of time when he was in perpertual darkness, a pair of guards came for him. By this point he had resigned himself to his fate. Even if he managed to escape now, he would never make it out the country - the people of Barcia were renowned for their dedication to the justice system.

Jorgan followed the guards out of the cell, and up the winding spiral staircase. As he was marched through the subterranean passages in the castle, he caught sight of a man dressed all in black scurrying into another room. He would’ve said something, if it weren’t for the fact that the guards had tied his hands behind his back and gagged him. Eventually they reached a large stone archway, that lead into a small courtyard. He could see the executioners block in the centre, and the crowds lining seats around the edges. The crowd today didn’t seem particularly blood-thirsty, probably because they also knew that he had been wrongly imprisoned. But none of them were prepared to go against the Queens orders, so he had no hope of escape.

He could see her sitting on a balcony overlooking the courtyard, with her treacherous whore of a daughter seated beside her. No hope of a fair trial today.

Jorgan paid no attention as the Queens herald read out the charges. ‘You, Jorgan Redmane of the Southern Provinces, are accused of raping her Royal Highness Princess Talia, assualting sixteen members of the Royal Guard, and killing eight of them’, the herald paused to let everyone take in and acknowledge the charges. ‘Do you plead guilty to these offences?’ the herald asked.

‘I plead not guilty!’ Jorgan yelled out angrily. 'That whore took me into her bed, I attacked those men in self-defence'

The judge didn’t care. ‘You are found guilty, and sentenced to death’. The drums began to began to beat as Jorgan walked forward and knelt down by the blood-stained rock, placing his head on top of it. The executioner walked forwards, holding his axe by his side. Jorgan closed his eyes and began praying. ‘Our Father the Warrior, I pray that you take me to the Ark of Kings, where I may forever feast and live among the gods and my fallen comrades’. The executioner raised the axe. ‘Forgive me for dying the way of the coward, and for not avenging the misjustice done to me here today’.

He heard a loud thunk, then nothing.

Jorgan opened one eye. He wasn’t dead. The executioner was still standing there, but he had dropped the axe, and was looking at something behind Jorgan. He heard a piercing scream come from the balcony, and suddenly hundreds of voices yelling and screaming as the crowds looked up at the balcony and saw what had happened.

The Queen was standing there, a black-feathered shaft protruding from her chest. She looked down at the arrow sticking out of her chest, and weakly tried to pull it out, when suddenly, another arrow hit her again, this time in her throat. Blood gushed out of the wound, spraying Talia in the face and drenching her in the blood of her mothers.

Jorgan was paying no attention to this, when he had seen the first arrow in the her chest he had turned, looking for the man who had shot it. And he had seen him. It was the man in black again, standing on top of a roof high above the courtyard. The man turned, and vanished over the edge of the roof. Jorgan ran, pushing his way through the crowds to try and get to a ladder leading up to one of the roof-tops. He knew that although he still wouldn’t be able to escape, if he caught the Queens murderer, he would be redeemed in the eyes of the law. The ladder creaked under the weight of the huge man, as he scaled the ladder with an agile speed that you wouldn’t expect from a man of his stature. He reached the roof in seconds, but he still wasn’t on the same one as the assassin. He leapt from the building and grabbed onto a jutting out brick in the stonework, then hauled himself up onto the platform where the deadly arrows had been fired.

Looking around, he could see only one direction the killer would’ve gone. Across the palace rooftops, then down into the river, where he could either have a boat waiting, or a horse on the other side. Jorgan sprinted across the roof, then dived off the edge, taking a second to spot where the killer had gone before he plunged into the icy cold water. When he surfaced, he saw a small rowing boat heading downstream with two men in it. He swam to the shore, gasping for breath as he climbed out of the river. There were no other boats anywhere nearby, but there was a horse grazing in a field next to the river. It was fully saddled still, which meant that its owner was probably nearby. There was no time to stop and ask if he could borrow it, he vaulted on to the house, then send it galloping down alongside the river, following in the wake of the boat. Although there was no way he would be able to swim out and reach the boat, he knew where he was going, and how he would capture the man.

On the horizon he could see a bridge spanning the river. He spurred the horse to go faster, knowing that he had to reach it before the boat did. The horse collapsed before he got there, luckily Jorgan managed to leap of before his legs were crushed beneath it. He ran onwards, and reached the bridge just as the boat was drawing closer. He crouched down, hidden from the boat by the bridge walls. He waited til he was sure the boat was underneath, then he leapt out from his hiding place, and jumped off the bridge.

He had judged correctly, and he landed with in the boat with a thud. Before the two men had time to react, he grabbed the one rowing, dashed his head against the side of the boat then threw him out into the river. The man did not surface again. Now it was just Jorgan and the assassin. The assassin stepped back, balance precariously at the far end of the boat. ‘If you surrender now, I promise no harm will come to you until you are judged’ Jorgan told the man.

The man gave a short laugh.
‘What good is a promise, from a man who has killed hundreds of men, and raped many women? No,’ the assassin said, ‘I will die before I return to that accursed castle. If I am to be judged, let me be judged in the eyes of the gods, here in combat with you’.

Jorgan gave a grunt of acceptance. Although he had no weapon and the assassin was armed with a dagger, he knew that he would not lose. The assassin lunged forwards and slashed at Jorgan with his dagger. Jorgan made no move to block it, instead letting the dagger cut open the skin on his chest, before reaching out and pulling the man close to him. The man was stuck now, the dagger fell out of his hand as Jorgan began to squeeze tighter and tighter. He felt the man’s bones begin to crack and crunch beneath the iron strength of Jorgans grip. With one last flex of his arms, the assassin’s ribs caved in, and he was dead.

He felt the blood trickling down his chest from the dagger wound, but it didn’t concern him. It had caused no real damage, it wouldn’t even leave a scar. He sat down between the oars of the boat, and began rowing back towards the palace…

=====Part 1 Finished==============

Part 1 of The Whore of Barcia, the first in a series of short stories I'm going to hopefully be writing :)
My opinion of what I've written so far is that it started off alright, but towards the end I think I lost the flow of the story.
Can I have some critical analysis please? :)

Volya

MANICHAEAN
08-26-2012, 11:22 AM
Dear Volya
Let's start with the positives and then move on to what in modern parlance are termed "issues."

1. Well set out, easy to read, only one spelling mistake that I could discern in the sentence " raped mant women!"
2. You did not make the mistake that Hillwalker previously took one young gentleman to task for i.e trundling on with no action or plot. It flowed well, and especially the first paragraph got me off guard. Always a good sign.

Now let's move onto the critical bit. The story comes across as like so much of that animated, comfortable stuff currently prevalent in films and stories. Most probably not your fault as
that is what so many are exposed to these days. But let me offer some suggestions, which you are quite at liberty to accept or reject.

1. Do some historical research. Explore the conditions of a real place in time, whether it be medieval or otherwise. All those dreamy wonderlands of mythical castles and warriors and damsels are quite frankly boring.

2. I was going to suggest that you develop your characters more by getting away from the standard phraseology and developing your own unique wordmanship. Initially I was going to
recommend getting laid, or drunk or involved in a fight, but then saw that you were only 15 years old. So that is bad advice on my part. But what you can do is get out there and be a "watcher." Or as is written somewhere about " take it upon ones self as if you were God's spy." Never stop impartially observing people and mannerisms and situations and use them in your stories.

Excuse my ramblings, but I trust it may be of some help. You have the bones and inclination of good story telling. Now put some flesh on the carcass as you develop in age and experience.

Best wishes
M.

Volya
08-26-2012, 01:04 PM
Sweat was dripping from Jorgan by the time he had rowed back to the palace docks, even with his tremendous endurance he found it difficult to row upstream, in the full heat of the Barcian sun. Barcia was not a nice place to be travelling; at night you could freeze, during the day you will burn. And if you’re travelling off-road it’s even harder. Thanks to the dry, arid climate, the only easy places to get water are in towns, since they’d all been built near the Rushwater or the coast. It wasn’t as bad as the Nazath Desert, but it was still a very bleak place to live in.

When he told the guards what had happened, they made him wait inside the gatehouse, he assumed it was so they could check his story. The queen had only been murdered a few hours ago, he wouldn’t be surprised if not everyone knew yet. After a while, the captain of the Guard came to meet him. He was tall for a Barcian, and with his dark hair and bronzed skin it looked like he must be one of the upper-class, maybe even related to the royal family.

‘You’ve captured the assassin?’ he asked sharply.

‘Not quite,’ Jorgan replied. ‘I killed him’. The captains eyes narrowed. ‘Then how do we know he’s the killer?’ he asked suspiciously.

‘In the boat I found his bow, and a quiver of arrows’ Jorgan told him ‘If the arrows the queen were hit with are of the same make as the ones in the boat, chances are I got the right guy’.

The captain seemed satisfied with the answer, and he signalled to the guards to let them through the door leading into the palace. They walked briskly through the hallways, some people stopped to stare at the sight of Jorgan, still half-naked and covered in blood. After walking for a while, Jorgan began to recognize some of his surroundings. ‘This is near the dungeons isn’t it?’ he asked the captain. ‘Yes, the morgues located on the same floor. Her body’s already been moved’

They pushed through one last door, and they walked into a room that was empty apart from a doctor, one more guard, and Talia. The queens body was resting on a stone bed by the side of the room.

A look of disgust formed on Jorgans face when he saw Talia. ‘You lying slu-‘ he began saying before she cut him off abrubtly. ‘I did what I had to, you knew the risks of sleeping with me’ None of the others in the room looked surpised by the news that he hadn’t raped her. ‘Now, back to the matter at hand. Captain Erallius, you have the arrows?’. Wordlessly he handed her the arrows, the shafts still stained with the queen’s blood. It was easy to tell they were the same as the ones Jorgan had found on the boat. ‘Captain, go tell the rest of my family that we have found the killer and he has been dealt with accordingly. And also tell them I will be assuming my late mothers position as ruler of Barcia until my dear brother returns from Camos.’

‘Yes your royal highness’ the captain said, saluting before he left the room. ‘You two leave as well’ Talia said, indicating towards the doctor and the guard. ‘Your highness, are you sure it’s safe to be left alone with…’ the guard said, looking nervously towards Jorgan.

‘I said, leave’ Talia said more forcefully. They both left after that, and Talia closed the door behind them. ‘Oh Jorgan’ she said, taking a step towards him, ‘I do hope you’re not angry with me…’

‘You ****ed me then left me to die, of course I’m angry. But I’m willing to forget that and let you live, as long as you let me leave Barcia.’ Jorgan said brusquely. ‘First I need you to do one little thing with me, and if you do, you might get an even better reward’ she said, slowly pulling down her dress, to bare one of her breasts.

‘What do I need to do…’ Jorgan said cautiously. ‘Oh it’s simple really, you just have to kill my brother’ she said. Jorgan drew back sharply. ‘Kill your brother? Are you mad? Is it not bad enough that you’ve lost one family member, now you want to kill another? No’ he said ‘I’ll have no part in your twisted scheme you snake’.

Talia’s face instantly changed to one of venom and spite. ‘Fine’ she whispered ‘I guess I’ll have to do it myself’. Then she let out a scream, ‘Help! Guards!’ she shrieked. Six men armed with spears burst in. ‘H-He, he tried t-t-to’ was as far as she got before she burst into tears. The guards looked at Talias exposed breast, then to Jorgan. To them, it was clear what had happened, and they advanced towards Jorgan, spears pointing menacingly.

But Jorgan hadn’t lived this long because he was weak. He let out a barbaric northern war-cry, and charged straight through the men and out the door. He ran through the corridors, looking for a way out of the palace. Left, right, down the stairs, up the stairs, he weaved through rooms and corridors until eventually, he suddenly reached a dead-end. He looked around for another way out, still aware that he could hear the guards chasing after him. Then he realized where he was. He cursed loudly, before reached down, and yanked the wooden seat off from the hole. Looking down into the darkness below, he could smell the stench rising up from the sewer. He turned around and saw the guards were almost upon him – he had no choice. He jumped down, yelling a string of profanities and curses as he went.

Volya
08-26-2012, 01:14 PM
Dear Volya
Let's start with the positives and then move on to what in modern parlance are termed "issues."...................................Excuse my ramblings, but I trust it may be of some help. You have the bones and inclination of good story telling. Now put some flesh on the carcass as you develop in age and experience.

Best wishes
M.

For a start, thanks for the feedback, and I've now gone back and checked for any more spelling errors :)

In regards to the medieval research/fantasy setting, don't get too worried if you think the world is a bit too fantasy-y at the moment, later stories will be set in different areas of the land that might interest you more, since as it happens history is one of my favourite subjects, and I have researched the medieval era to a certain extent. This story isn't really meant to be set in a fantasy world, there's not going to be any magic or anything like that, and there are certainly no damsels in my world :p
I'm not sure if it got conveyed very well in the story, but at the moment it's set in a country that's got a sort've Eastern culture, so there'll be no medieval castles and knights in this one.

The character of Jorgan is hopefully gonna develop as I write more, since in each story you'll find out a little more about who he is, his backstory, etc.

Steven Hunley
08-26-2012, 01:53 PM
This was a good effort, especially when you consider the age of the author.

By all means steer clear of fantasy, even though it's so in vogue now.

For the details you may want to do some more research. Like the dungeon. In The Cask of Amontillado, Poe mentions the walls are covered with nitre, some kind of deposit left from water damage. Details can be important and telling. Whatever weapons you want to describe, a good picture would do, and there are sights that sell ancient weapons too, with fully detailed descriptions. (A poor man's rusty dagger vs. a rich man's gold-pommeled dagger) Same thing as to landscapes. Figure out exactly where you want the setting and google it too. It gives you ideas on flora and fauna.

Character development is important as was mentioned. You can do that as you go, by combinations of showing and telling in whatever percentages works best. You seem to be good with actions scenes too.

You've put quite alot of effort into this. People here will help and like to encourage young writers that show promise. Keep writing!

Volya
08-26-2012, 02:04 PM
This was a good effort, especially when you consider the age of the author.

By all means steer clear of fantasy, even though it's so in vogue now....You've put quite alot of effort into this. People here will help and like to encourage young writers that show promise. Keep writing!

Thank you for the feedback :)
In regards to doing more research (which I will start now xD), would it be better to continue writing this story, or to back and improve on the stuff I've written so far?

hillwalker
08-27-2012, 09:35 AM
Hi Volya

I'm allergic to history and having already read 'Lord of the Rings' many moons ago I don't see the point of fantasy so you could say I was expecting the worst when I started reading this...

But it held my interest, which is to your credit.

I like the matter-of-fact way you begin the story. No long-winded prologue telling us the entire life story of the planet just to set the scene. We're there on the battlements right next to Merl and we know sooner or later that his quiet night is going to be disturbed.

Personally I'd have delayed paragraph 2. It's mostly background and it looks like the author telling himself 'I'd better let the reader know all these little details about the tattoos etc. because they're going to be important later in the plot'. It just read a little clumsily and disrupted the flow of the story. You need to be a little more subtle. You fall into the same trap in paragraph 3 as well, telling us about how Merl got his nick-name when what we really want to know is what's going to happen next.

And when something eventually does happen you've hooked us. So don't risk having readers give up after the first 3 paragraphs because the story's slow to start. You don't have to disclose the entire plot on the first page but the reader has to feel their efforts will be rewarded sooner rather than later.

There were still times when I wished you'd trimmed this down. For example:

He tried to batter his way out, and he even managed to make it down to the bottom floor before he was eventually being subdued, and thrown in chains. Which is how he came to find himself in the dungeon, awaiting what he guessed would be his execution. After what he thought had been seemed like two days but might have been longer, although it was hard to track the progress of time when he was in perpertual darkness, a pair of guards came for him. By this point had resigned himself to now his fate was sealed. Even if he managed to escape now, he would never make it out the country - the people of Barcia were renowned for their dedication to the justice system.

Jorgan followed the guards out of the cell, and up the winding spiral staircase. As he was marched through the subterranean passages in the castle, he caught sight of a man dressed all in black scurrying into another room. He would’ve said something, if it weren’t for the fact that the guards had tied his hands behind his back and gagged him. Eventually they reached and through a large stone archway, that lead led into a small courtyard. He could see the executioner's block in the centre, and the crowds lining seats around the edges. The crowd today didn’t seem particularly blood-thirsty, probably because they also knew that he had been wrongly imprisoned. But none of them were prepared to go against the Queens orders, so he had no hope of escape.

The underlined bits aren't really necessary.
It's all about pacing. Keep the momentum of the story going and we'll stick with you. Start slowing down or repeating yourself and our minds will start to wander. I realise the man in black is significant to the plot but the way you introduce him here is clumsy and makes him appear trivial. You need to find a better way of signifying his presence.

Over-writing is generally a sign of enthusiasm, but there are lots of places where you can remove words or even entire sentences and the story won't suffer. Most of it is repetition - underlining something you've already told us once. You need to give the reader more credit for remembering what you have already told them - for example. We know Jorgan is big... no need to keep reminding us:

The ladder creaked under the weight of the huge man, as he scaled the ladder with an agile speed that you wouldn’t expect from a man of his stature.
is a little overdone don't you think?

And there were times when you made the story seem too far-fetched when there was no need:
On the horizon he could see a bridge spanning the river. He spurred the horse to go faster, knowing that he had to reach it before the boat did. The horse collapsed before he got there, luckily Jorgan managed to leap of before his legs were crushed beneath it. He ran onwards, and reached the bridge just as the boat was drawing closer.

You say you lost the flow towards the end of the story. I think you were in a rush to get it finished so suddenly everything is happening at fast-forward speed. You're sacrificing mood and character development for action. My advice, simplify the plot where possible and stay focussed on Jorgan. He's your main character so we need to relive everything through his eyes. By the end I felt he was a puppet and you were pulling his strings when it should really be the other way round. Listen to him and he'll tell you his story.

As for Part 2, you continue with the story but then drop into 'background mode' rather suddenly:

Barcia was not a nice place to be travelling; at night you could freeze, during the day you will burn. And if you’re travelling off-road it’s even harder. Thanks to the dry, arid climate, the only easy places to get water are in towns, since they’d all been built near the Rushwater or the coast. It wasn’t as bad as the Nazath Desert, but it was still a very bleak place to live in.

It was like the story had suddenly changed into a Wikipedia article. Again, you need to be more subtle in how you inform the reader of what you think they need to know.

One minor grammatical point - more than once you fail to use apostrophes to show possession : 'Queens' when you really mean 'Queen's' for instance, or 'Tallias' when you mean 'Tallia's'.

And whenever the speaker changes you need to begin a new paragraph:

‘You ****ed me then left me to die, of course I’m angry. But I’m willing to forget that and let you live, as long as you let me leave Barcia.’ Jorgan said brusquely.new paragraph here ‘First I need you to do one little thing with me, and if you do, you might get an even better reward’ she said, slowly pulling down her dress, to bare one of her breasts.

You say you're only 15 and ask us not to be mean. Well I've treated this as if it was written by an adult so that probably suggests how highly I regard your work. Great start.

H

PS - if the story's still whirling around in your head then keep writing. You can edit later (after leaving it in a drawer for a couple of months). It always works best when you come back to it after a break.