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edenjane
06-05-2012, 08:43 PM
This is something I wrote a long time ago and have recently re-edited. If anyone could give me some feedback on basically the voice of the writing.. I don't really have anyone to show it to and can't determine for myself whether or not it feels genuine. Thank you.




I looked at the pale body and could not choose a reaction. Staring at this empty canvas without a desire to be painted, the best I could do was try hard to feel nothing. After all, she wasn’t my mother. I allowed the tender flesh of my fingertips to trace the line of her forehead, the steady wrinkle set there by one too many hard decisions; one too many children outcast for the good of the family, as I was. I leaned my head to the side, buried my opened eyes into hers.

She had a look of calm about her, although her limbs were twisted
wretchedly. She had struggled against it, but was still resigned, still appeared confident that in the end she had won.

There were police. They were the ones who had called me in the night in hopes that I could identify a dead body. I had convinced myself at the word “dead” that it was one of the girls I knew growing up.

It could have been Lana, with her six month old child on her seventeen year old hip, who I walked with to day care so she could drop off her daughter and be free to turn tricks near a construction site, or Anne, the reason for a case marked fragile, who couldn't help but to forget to look both ways before crossing the street. Or even Cassandra, although she was the one of us I thought most likely to survive, since she was named for a prophet and could have seen it coming. I expected one of them, or someone else, a name with a two sentence story attached to it that grew weary in my mouth when repeated too many times. Just someone I had come into contact with once, someone who paid a little too well, who touched a little bit differently.

But I hadn't expected this woman. Not the woman who softly explained to me at the age of thirteen that there were too many children in the house, that the younger ones needed her more than I did. That everything would be alright.

I nodded for verification purposes when a man in a uniform asked me again. “Alice Randall.” It was a statement, not a question. He already knew who she was, she carried ID, but I guess I was the last step in a process to make sure a corpse was really a person and that a person was really a corpse. There were more statements dressed up like questions, but I didn't hear any of them. I could almost feel the dead woman's voice warm in my ear, her sweet and silencing lullabies that could once rid me of any problems, that would make me forget that I had to think about the bad to appreciate the good. I shivered at the idea that she would always be a dead woman to me now.

“That's all we need, thanks for coming out.” the man said. It seemed that his flat eyes spoke louder than his thin lips. I nodded again, grinning slightly.

I went home, back to the apartment where the sunflowers outgrew the dirt and died in the window sills. Back to the lover who only asked where I had been for the last few hours after I told him I had been gone at all. I shrugged, crawled into bed, and closed my eyes on the entire existence of Alice Randall, my first foster mother.

Jack of Hearts
06-06-2012, 02:37 PM
If anyone could give me some feedback on basically the voice of the writing..

This reader would say the voice seems very 'aware' of itself. It seems awfully determined to sell the readers an image, and that image isn't necessarily congruent to events being described. Maybe that's hard to understand, so here's some figurative language- it's like a 400 pound fat guy telling us how much he loves going for a jog. In the case of your story, we get this highly verbal/analytic response to an event that seems like it should be , to some degree, emotionally punishing. But the narrator/narratrice seems 'too cool for school' and relates it like Dragnet ("Just the facts, ma'am.") .

The effect you may have been going for is that the emotion is implicit, 'between the lines,' whatever. That's hardly fair, though- that's saying we, the readers, ought to feel some way about it and maybe the character does. Nope, not buying it. We have to feel it through the character or not at all. It seems like you've made the speaker 'too cool' or invulnerable to us, the reader, (via her voice/word choice) rather than using her posture toward the world around her to suggest this.






J

michaelsbearre
06-06-2012, 05:57 PM
Jack is kind of abrupt in his feedback yet vague. So lets start in the beginning, you start off good but lose me at:

"She had a look of calm about her, although her limbs were twisted
wretchedly. She had struggled against it, but was still resigned, still appeared confident that in the end she had won." This line in itself is a twisted mess. How can she be confident and calm when her body is a mangled mess? I fail to see the motivating factors of this story, as in meaning. WHO are these people you bring up and what is there to motivate me to care about this woman lying on the street. By the end, I feel the character doesn't care about the woman.

The tension between the character and police is not believable. I feel that to be true for the following reasons.

1. We have no idea who this woman is to this character until the end.
2. Your ideas are jumbled between characters: Lanna, Cassandra, and the others.
3. No physical features, just a blank woman lying on pavement.
4. Lack of suspense. We knew she is going to die, there is no motivator to make me think otherwise.
5. Most police I know that have to identify a corpse, or soon to be corpse are more concerned.

I think you have a very good method of telling a story, but just need a little bit of organization when it comes to your thoughts. The reader needs a reason to care, you have to motivate the reader to read on.

Darcy88
06-07-2012, 08:43 AM
This is something I wrote a long time ago and have recently re-edited. If anyone could give me some feedback on basically the voice of the writing.. I don't really have anyone to show it to and can't determine for myself whether or not it feels genuine. Thank you.




I looked at the pale body and could not choose a reaction. Staring at this empty canvas without a desire to be painted, the best I could do was try hard to feel nothing. After all, she wasn’t my mother. I allowed the tender flesh of my fingertips to trace the line of her forehead, the steady wrinkle set there by one too many hard decisions; one too many children outcast for the good of the family, as I was. I leaned my head to the side, buried my opened eyes into hers.

She had a look of calm about her, although her limbs were twisted
wretchedly. She had struggled against it, but was still resigned, still appeared confident that in the end she had won.

There were police. They were the ones who had called me in the night in hopes that I could identify a dead body. I had convinced myself at the word “dead” that it was one of the girls I knew growing up.

It could have been Lana, with her six month old child on her seventeen year old hip, who I walked with to day care so she could drop off her daughter and be free to turn tricks near a construction site, or Anne, the reason for a case marked fragile, who couldn't help but to forget to look both ways before crossing the street. Or even Cassandra, although she was the one of us I thought most likely to survive, since she was named for a prophet and could have seen it coming. I expected one of them, or someone else, a name with a two sentence story attached to it that grew weary in my mouth when repeated too many times. Just someone I had come into contact with once, someone who paid a little too well, who touched a little bit differently.

But I hadn't expected this woman. Not the woman who softly explained to me at the age of thirteen that there were too many children in the house, that the younger ones needed her more than I did. That everything would be alright.

I nodded for verification purposes when a man in a uniform asked me again. “Alice Randall.” It was a statement, not a question. He already knew who she was, she carried ID, but I guess I was the last step in a process to make sure a corpse was really a person and that a person was really a corpse. There were more statements dressed up like questions, but I didn't hear any of them. I could almost feel the dead woman's voice warm in my ear, her sweet and silencing lullabies that could once rid me of any problems, that would make me forget that I had to think about the bad to appreciate the good. I shivered at the idea that she would always be a dead woman to me now.

“That's all we need, thanks for coming out.” the man said. It seemed that his flat eyes spoke louder than his thin lips. I nodded again, grinning slightly.

I went home, back to the apartment where the sunflowers outgrew the dirt and died in the window sills. Back to the lover who only asked where I had been for the last few hours after I told him I had been gone at all. I shrugged, crawled into bed, and closed my eyes on the entire existence of Alice Randall, my first foster mother.

Whoa. This is good quality writing. It broke my heart, utterly smashed it to bits. Thank you for sharing. I won't criticize it now. I am yet reeling.

edenjane
06-07-2012, 05:33 PM
Thank you for the feedback. I can see what you mean about the narrator seeming indifferent to the whole thing, ultimately I wanted it to be that she put all of this energy into first loving the woman as a child, then being resentful as an adult for being cast out, and now that for all intents and purposes it's over, she's just too exhausted to feel anything. I think I need to work on being able to make someone seem detached without seeming arrogant about it. And thank you darcy, I'm a fan of your writing as well.

Jack of Hearts
06-08-2012, 05:47 PM
Hopefully you post any revisions you feel you need to make. This reader would be interested to see what you're up to.






J