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View Full Version : No, He Was Different Then



smerdyakov
03-15-2012, 02:10 AM
Greg got his good looks from his mother and his irresoluteness, broodiness from his Dad. He didn’t know where the rest of it came from. If truth be known, his Mother’s character was the polar opposite to his Dad’s character. She was quick, decisive, hard-working, practical, and also good at dealing with people. She had a somewhat narrow frame of seeing things, because mainly she was uneducated and left school when she was 12 – this wasn’t out of choice. Because her own mother ran away with someone else and she had to look after 6 younger brothers and sisters herself as her own Dad was out working all day and frequently spent most of the night in the pub - but the upside of this, as far as there is an upside to this, was that she didn’t dally or ponder too much, but rather dived straight in. She was resolute, and she wasn’t afraid of things. She took things in her stride and was continually optimistic and future oriented; she was a doer.

The Dad, Greg’s Dad, well, he was a dead weight on the whole family. And as the kids grew up, he became more and more of a disappointment and a failure. That’s what he was actually, he was a failure. Unlike the Mother, the Dad was lazy, self interested, cowardly, uncaring, cold - lacking in compassion for anyone really, quick-tempered, mean with money. He was sadistic even. Sometimes he would hurt his own children, pinch them or wrestle with them, and their yelps of pain would elicit laughter from him, then all of a sudden he would stop as if he had woken from a dream, or the mother would rush in (whichever came first) and scream to him “what are you doing for God’s sake?” taking the crying child in her arms. “I was only playing!” he would say. He took his wife’s effort and love for him and pissed all over it. He kicked it to the ground, took out his thingy and urinated on it. He himself came from some wealth and since a young age had a sneering air of self entitlement about him.

Later, when they were all grown up, Greg would sit there some mornings at the kitchen table after coming home from drinking all night or gallivanting, his mother sitting opposite, fixing herself in the mirror getting ready for work or if it was the weekends she would be busy making him a fry.“I told him,” she would say, “I told him when I had the first of ye –he was six months old. I said, I wasn’t puttin’ up with it…I didn’t want a life of that. Every-night of the first year of our marriage I was left there on my own. He would come in at 4 or 5 in the morning. Then he would stay in bed all day and get up again without a word. Drink was his wife and everything else under the sun to him, not me,” --she looked up from her mirror, hair tongs held in her right hand, dragging on a cigarette with the other hand, her eyes squinting momentarily as she took a long pull on the cigarette--”I told him we needed to talk. I went down to the pub to talk to him. I said to him I’m leaving and I’m taking my son with me. I’m not living like this, I said, you wiping your feet all over me. He told me to lower my voice. I said to him I couldn’t give a **** who’s listening. He said he would take me to court over him. I said, you go to your Daddy and Mammy and your money and you take me to court but you won’t take this child from me. And he started to cry. He was crying. He said he’d change, and that he was sorry. But after a few months, things went back to the way they were.”

Greg wondered how she had ever married him, “Did you not see signs back then?” he would ask her.
“No, he was different then.”

AuntShecky
03-15-2012, 01:18 PM
Haven't seen your screen name in quite a while, so it's good to see ya back.

Re--this offering:
The idea is promising, as you've found that there is much to be scooped out of the "angry young man" well.

As I see it the problem is--you should excuse the expression--execution. The structure is too slight and bare-boned to present the emotional impact which I assume you're going for.

Once again your auntie squeaks: "Start in medias res. Hit the ground running."

Your first paragraph, for instance, tells us way, way too much. Too much background which would be more effectively woven in throughout the narrative, little by little offering subtle insights into Greg's character. You don't have to give such a detailed decription of his family history, right down to the DNA, in the first paragraph. Also, let the reader make his/her own judgement re: Greg's personality. To wit: those two clunky words "broodiness, irresoluteness."

Dramatise or write a little scene which Greg has the confrontational episode with his father, rather than recounting it in such a prosaic way.

The third paragraph is by far the best one in the story. It reminds me of me own sainted Ma, who was still on God's good earth when I was just a wee lass. Every time she and my father had words she'd bring up something that allegedly happened 20 years or so previously. But she what she didn't do was declaim a detailed curriculum vitae or his entire life story. Get what I mean?

Hope this helps. Give this thing another run through.

Best,
Yer Auntie

PS Re: Day after tomorrow-- have yourself a lovely one. Erin go bragh!

Delta40
03-15-2012, 05:13 PM
I agree with Auntie. You have a potentially great story here. IMO I thought the piece would begin much better at the second paragraph (Greg’s Dad was a dead weight on the whole family...) you could introduce some powerful dialogue scenes between Greg and his father while weaving the family history into the story instead of condensing it into whole paragraphs. It will also give you the opportunity to give the reader much more insight into the characters you have created.

Good luck.

smerdyakov
03-15-2012, 05:23 PM
Hey there Auntie. Thanks for givin this one a look over. As always, I'm much obliged for your crits.
By instinct I'm a teller, but I'm trying hard to be a show-er :).
Good suggestion on dramatising a confrontation rather than listing off the Da's defects. I will give it another run through, thanks for the encouragement. And cheers for the good wishes ar La Le Padraig.

Go raibh mile maith agat agus go n-éirí an bóthar leat.
Have a good one yourself :cheers2:

Hi Delta. Thank you for the feedback. I agree with you that a scene there would be much better. All the best. :)

Buh4Bee
03-23-2012, 09:44 PM
The strongest part of the piece is the scene in the bar between the mother and the drunken husband. Here, the flow is very smooth, if only the rest could be as good. I understand the need for the background descriptions of the mother and father, but it is too much information for such a short piece. Well, I'm not saying anything that hasn't already been said- the flaw is in the structure. I did enjoy the ending.

smerdyakov
03-26-2012, 07:10 PM
^ Nice one B. Thanks for commenting, always glad to hear your impressions.

MANICHAEAN
03-26-2012, 08:42 PM
Smerdyakov

You are not a teller by instinct. You are a teller because you are of Irish stock. It is inherent in the blood; the free-wheeling imagination, suitably sustained by a few pints & the love of a good story.

Take Aunty's good advice in transforming it into the written word & I hope to read more of your work.

Gor a ma ha gut.

M.

(Excuse my Gaelic, but I'm only 50% Irish!)