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jilty
08-01-2011, 12:42 PM
[Okay so I wanted to write a scene from a wacky, OTT action book, so I tried with this. I know it's stupid but I tried to make it entertaining; something for teenage boys].

Mickey McCallum in Berlin

In Mickey McCallum’s experience, the German people were a very punctual race. Almost every German he had ever seen went about their work with the precision of a modern machine. He had seen it across the whole country: from the industry workers of Munich to the businessmen of Frankfurt, stretching all the way to the staff at the Berlin Express Youth Hostel. Even the women ****ed like machines. Oh yes. He had a lot of experience of that.

This made it odd, therefore, when his train came speeding into Berlin Hauptbahnhof station approximately nine-and-a-half minutes late. Mickey did not mind much, however, considering the fact that he was standing next to a tall blonde whose rating he judged lay somewhere between nine-and-a-half to ten. With her eyes concentrated on the brand new IPhone balanced in her smooth hands, Mickey took the opportunity to examine her, and reflect on his final score. So thanks to the rare unpunctuality of the German rail network, he was able to evaluate that a nine-point-five was more suitable. It was a close one, though.

As the train slowed to a stop, he savoured the last of his currywurst, binned the napkin he had been using as a plate, and moved towards one of the automatic doors. He kept his right eye squarely on the blonde, just to see whether she would also make a move. Perhaps he could sit next to her and they could get talking? Left disappointed by her lack of motion, Mickey dismissed whatever silly ideas he had forming in his mind, and boarded.

It was a typical European train, with a mixture of four-seat and two-seat sets on either side of an aisle. Mickey found an empty four-chair area and took a seat, throwing his over-the-shoulder leather bag onto the bag-rack above. He rummaged around in his jean pocket and removed his iPod touch and headphones. He switched it on, picked Bruce Springsteen, and after some deliberation, opted for ‘Atlantic City’. Mickey smiled. Closed his eyes. Drifted into a deep and happy sleep; dreaming dreams about that blonde strutting her stuff to some good old classic Bruce.

When he awoke, the train had gained a steady pace. They had left the modern, metallic Hauptbahnhof and were somewhere now amongst greenery and fields. A man sat opposite him: a short, bald man with glasses that screamed to Mickey – teacher…or paedophile…or possibly both.

“Where are we?” Mickey asked, in English.

“Not far out of Berlin,” the man replied in a German accent.

“Thanks.”

They sat in silence for a bit.

“Your first time in Germany, is it?” the man enquired.

“Yeah,” Mickey replied, rubbing his eyes.

“I hope you are enjoying it here. We love tourists in this country?”

The Scotsman grinned. He decided this man was probably a teacher. Best to give people the benefit of the doubt.

“Are you from England?”

Mickey stopped smiling.

“Scotland. I’m from Scotland.”

And immediately Mickey felt like branding him a paedophile again.

“Oh, I see. Scotland. A beautiful, beautiful country. Edinburgh, are you from?”

“Glasgow.”

“Ah, Glasgow, yes. Good, good.”

Silence again, before the German continued.

“I couldn’t help but notice your tattoo. It is very beautiful.”

Mickey nodded, lifting his right wrist closer to his face, examining it himself. The black paint of the snake slithered around his whole wrist, culminating in a fearsome face, baring its fangs in defense.

“It’s a King Cobra,” he explained, “my whole unit had them.”

“I understand, yes. What does it mean?”

Mickey stared at him for a second.

“Well I’ll tell you,” he said, grinning, “but I’ll have to whisper.”

So both men leant forward, and Mickey held a hand in front of his mouth as he spoke, like children do in classrooms when they think the teacher might hear.

“It’s my special license,” Mickey whispered, “my license to kick ***.”

He sat back in his chair with a big smile on his face. The other man stayed where he was, in the leaning position, his two wide eyes staring at Mickey through the glasses, his bottom lip quivering slightly.

“Not you…” Mickey added to appease the man’s fear, at which point the German sat back and sighed with relief.

“Only *******s,” the Scotsman went on, “it’s a license to kick the *** of *******s.”

“That is a mouthful,” the German smirked.

Both men laughed.

Eventually the German spoke again, but quieter now.

“*******s like them?” and he motioned over to an area behind Mickey.

The Scotsman turned and immediately saw what the German was motioning to: three teenage boys, laughing and shouting at a younger woman. They were three sets of seats away from he and the German man, but were clearly audible due to their booming voices. The obvious leader, a tall kid with a thick goatee, was goading the woman in a loud German voice as the other two giggled in the background. One of the background boys had a scar down his left cheek while the other – who had made a circle with his right thumb and index finger, and was pushing his left index finger through that circle – was wearing a set of aviator glasses, even though it was a distinctly overcast day.

Mickey turned back.

“My God, they look like extras from Mad Max.”

The German nodded.

“What are they saying to her?”

“I’m not sure of the translation, but it has something to do with her breasts, her pussy, what they would push inside…”

“Okay, that’s enough.”

Mickey stood up.

“Wait! What are you going to do?” the other man asked.

He turned to his German companion and grinned.

“I’m going to teach them some ****ing manners.”

Michael ‘Mickey’ McCallum strode down the aisle of the train, past various onlookers, some of which turned their heads to watch, and stopped at the three teenage boys and the pretty blonde woman they were shouting at.

At first they took no notice of him, as they were turned in the opposite direction, boxing in the seated girl.

“Excuse me guys,” Mickey announced with a clearing of his throat.

Goatee – the name Michael had decided to give the leader – turned first, a smug grin across his face. He moved closely to the Scotsman, squaring up to him, trying to intimidate his competitor. Michael had seen a million Glaswegians in his face like this, but admittably, this was the first German that had been stupid enough to challenge him to a fight.

Goatee muttered something in German. The goons – Scar and Glasses – laughed.

“I’m sure that was a funny joke,” Mickey said, “but I don’t speak German, so, I’ll have to ask my translator.”

He turned up the carriage to his German friend and shouted, “What’d he say?”

The man looked sheepishly up at Mickey and the teenagers, deliberating for a second, as if he was not sure whether he should say anything. Eventually, he did.

“I think he said, ‘What do you want, you ****ing *******?”

“Oh,” Mickey said, turning back to the youths, “well that wasn’t very funny. It’s no wonder this woman has had enough of you. Woman like humour in a man, you see. They also like manners, and from some of the words I’ve heard you using, it doesn’t seem that that’s a talent of yours either, now is it?”

“Wie wäre es stanzen wir dein Gesicht in dir alte ficken?”

Mickey shrugged and looked to his friend up the carriage.

“How about we punch your face in you old ****…” he translated from afar.

Mickey shook his head.

“Now that…” he said, “and I’m referring to the ‘punch’ part there…is one of my best talents. So honestly, I’d advise against that.”

And then it was like a duel from the Wild West - two men, facing one another, staring straight into the impassive glare of the opponent, daring one other to draw, to kick-off, to begin the war and fight till the bloody, brutal end.

Goatee threw his right fist at Mickey’s face. It was a good swing. The response was immediate. The Scotsman shifted his weight to his right foot. Dropped his upper body just low enough to dodge the strike. Goatee’s balled fist missed him entirely. An air-shot. Mickey responded. Used the whole right side of his body to get power behind his punch; lifted his right fist as fast as he could and connected with Goatee’s face, his knuckles smashing against his cheek. The loud crack indicated a broken cheek bone. At least. Goatee went down so fast he did not even have time to clutch his wounded face.

Glasses and Scar were next. They attacked together – a bizarre kind of dual rugby-tackle, as both men tried to take Mickey down simultaneously. The Scotsman sidestepped Glasses, kicking him backwards as he went past, taking advantage of the other man's momentum to thrash him into the side of the carriage. Moments later he was caught as Scar crashed into him, his gangly German arms wrapped around Mickey’s waist. It reminded him of his rugby days - opponents ramming him backwards, desperate for the ball. This wasn’t rugby, though. This was a train just outside of Berlin, with three *******s and no ball. There was no rulebook here. That allowed him to be creative. As he was pushed backwards, Mickey crashed his elbow down onto the tackler’s head. It caused what he needed. A sufficient loose in grip that he was able to heave the attacker off him, and throw him into the now up-again Glasses, and the two men fell over together in the corner.

They stayed down.

Mickey dusted himself off, and went back to the fallen, groaning Goatee.

“Alright mate,” he said, hauling him off the floor, “can you saw sorry to this nice lady?”

“Sorry,” he whimpered.

Mickey let him fall back to the floor and looked to the woman, who, in reality, was more shocked than happy.

“Well wasn’t that nice? He apologised," the Scotsman grinned.

The woman got up and smiled warily.

“Thanks, I think," she said, and scuttled out of the carriage.

Mickey smiled.

“I saw that going a different way,” he muttered to himself solemnly.

He rejoined his German friend, whose jaw may well have been on the floor.

Mickey cracked his knuckles, slightly surprised with himself. In truth, he had expected Goatee to stand down initially. It was not as if he went round beating people up in public places all the time.

“That’s impressive,” the German said finally.

Mickey nodded in response.

“Where did…”

Before the sentence was complete, the ticket man had entered the carriage, the woman at his side. She pointed to the teenagers and then to Mickey. The ticket man stormed forwards.

“Wer ist verantwortlich für diese?” he shouted up to Mickey.

The Scotsman did not need a translation to know that the ticket man was angry, and since he did not want to spend a night in a jail cell, he decided to make his exit. He stood up and prepared to rush off in the opposite direction. The German looked to him, a slightly apologetic look on his face.

The Scotsman shrugged.

“I should go. Don’t want to get my license revoked. But it was nice meeting you...”

And he dashed off up the aisle, not looking back.

Jack of Hearts
08-04-2011, 05:00 AM
Well it's not Hemingway.

... Kidding. You're skillful, it's obvious, but you're having good fun here.

So let's see what you've got.






J

jilty
08-04-2011, 07:23 AM
do u want something more serious ?

Buh4Bee
08-07-2011, 08:23 PM
The writings fine, but I hate the story. But you expressed your intended audience, so it seems to work. You may lack an understanding of women. You may be interested in reading some Hunley- he posts and he understands women. He can write from a women's perspective. Hemingway was OK at this, but only when the women were somewhat masculine. Some claim him to be misogynistic. But the writing is good.

Steven Hunley
08-08-2011, 01:11 AM
This leads with a disclaimer. That's always a warning that should not be ignored.

[Okay so I wanted to write a scene from a wacky, OTT action book, so I tried with this. I know it's stupid but I tried to make it entertaining; something for teenage boys].

The thing is, an author should always keep his audience in mind. There are plenty of women on his site, and I'm not surprised that they are offended.

If this site were exclusively for teen age boys, you might have something. What I found disturbing is the words in German. The only thing I know in German is a few swear words and how to count to ten.

You can put the translations in parentheses, that's one way to handle it. There are others. Like Jersey mentioned, it's not the writing so much as the subject matter and how it's handled.

So let's see. A man talks to another on a train. He overhears some German punks verbally assaulting a woman and beats them up. Not much of a plot is it?

I suspect you can write, but what next? Give us something good, I think, like Jack of Hearts, you have it in you.

TeranikaSloane
08-08-2011, 06:11 AM
I actually enjoyed that, I'm not sure why. Perhaps because I read a lot of stories I am more open to this. Too me the way the woman acted was nothing more then part of the story, I believe people who are upset over this are taking it too realistically. It is a story after all. The german language was an interesting twist, although i do admit i had to skip past it haha, what annoyed me though was not being able to read the blanked out words, I wasn't able to neatly fit a swear word in some of those places.

Buh4Bee
08-08-2011, 07:57 AM
With respect to everyone, a quote from Rescue Me, "Yah, yah, yah..." with an accent!

No doubt, that this is just a story, but I don't think there is is enough substance to push it into satirical material. ;) I suppose the woman was just the background as much as the three goons where, but the plot just perpetuates the stereotype that women are meat. The Scot didn't give a hoot about the woman, he was just a jerk entertaining himself. I had no problem with him fantasizing about her, but the plot twist bothered me when he used her as an excuse to beat up the guys. They even deserved it, but there was nothing noble about this antihero.

The insert of German was fine- you can use your imagination to fill in the blank.

But hey you know, well done! I get it, I know it is your intent to write about a loathsome character, who I want to love- but can't.

jilty
08-08-2011, 12:15 PM
okay guys. thanks for the feedback, and i have to admit i am a bit embarrassed that steven hunley has read this, cause I've read your stuff and it truly is magnificent. the fact that you read my little fantasy action piece is therefore somewhat embarrassing. i mean that's like shakespeare reading the alex rider series !

next, i want to sincerely apologise to any women offended. i meant no offence. and do i understand women? absolutely not. however, i would stress that i absolutely do not see them as 'meat'.

the advice i appreciate the most actually is jerseas, to realise that this is a loathsome man rather than an anti-heroic one, that worries me, as that means i've miss-hit this short piece completely.

and steven, i accept your challenge : to write something decent. I do doubt myself though, most of my stuff is teenage-boy fodder.

BUT thanks for all feedback, didn't expect so much for a silly extract like this.

virgo27
08-08-2011, 12:35 PM
Don't listen to Jersea, she doesn't know anything. What has she written? I mean really.

Buh4Bee
08-08-2011, 12:40 PM
Shut up Virgo. Stop messing around- the lad is trying to get a clue, unlike you. I'll have to look you up in the convent if you have another outburst!

Don't get me wrong, the character was very seductive and appealing, but loathsome and that worked well.

hillwalker
08-08-2011, 01:04 PM
Don't listen to Jersea, she doesn't know anything. What has she written? I mean really.

That's hardly relevant is it... unless you mean readers have nothing constructive to say?

The piece wasn't particularly badly written - but I hesitate to call it whacky or off the wall - more like some of the trashy American movies aimed at fraternity students who go for gross-out humour and gratuitious violence.

The plot was wafer-thin and the writer obviously enjoyed writing it, but the main problem is the characters who are unrealistic stereo-types - their behaviour although pure fantasy does no justice to either gender or to the younger generation.

An experiment that back-fired I'm afraid. But don't give up writing - just curb your enthusiasm and try to read other stuff on here to give you some pointers where you need to improve.

good luck

H

DocHeart
08-08-2011, 01:51 PM
I like to study pieces that narrate a fight, as I've always found it a challenge to do well. There is a clear lack of any plot worth mentioning here, but that is because the piece seems unfinished -- are you going to develop it further? Will he see the blonde again?

Thanks for sharing, and good health.

DH

Steven Hunley
08-08-2011, 02:27 PM
In all actuality the piece, if not your writing in general shows potential! SERIOUS!

You've created quite a stir. You've experimented and experimentation is important in writing. Some pieces fly and some don't and you never find out until you launch them, right?

By the way, even the "bad" words should be made specific. That makes them more powerful. Try spelling them out and leaving out one letter. The program doesn't catch them.

Go ahead, re-do it, or expand it or re-write it. Have fun with it! When you do, give me a heads up. If I thought the piece really stunk I wouldn't have commented at all.

Now you've done it. Now like for Tupac, it's "All eyes on you."

Let's see how you write under pressure. I'm sure at this point you're of the opinion this whole thing has got totally out of hand! LOL.

jilty
08-08-2011, 03:04 PM
out of hand ? definitely !

i've come some work commitments at the moment but i'll try to do some writing. i have a piece in the pipeline which is shaping up decent but i don't want to rush it (now i feel slightly obligated to do so!). umm i don't think i'll expand this piece - it's a bit cheesy and plot-less, as we have all agreed (after much deliberation!).

i mean some stuff in a similar vein to this sells (see Lee Child - writing is hardly world class - not to say i presume i'm anywhere near his quality)...anyway i'll post something else on that hopefully has more quality soon !

EDIT: I actually have an opening to that piece I was referring to. Should I post on the beginning or wait till it is more complete ?

DocHeart
08-08-2011, 03:42 PM
EDIT: I actually have an opening to that piece I was referring to. Should I post on the beginning or wait till it is more complete ?

My two-pence worth? Be patient and write it out first. Resist instant gratification. :)

Regards,
DH