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Hopfrog
07-26-2011, 04:03 PM
Howard Phillips Lovecraft (1890-1937) has long been considered a curiosity of the American pulp magazine era. In his lifetime he had but one steady professional market, the magazine Weird Tales. Lovecraft is now considered one of the three giants among the magazines writers, the other two being Robert E. Howard and Clark Ashton Smith. Lovecraft's influence grew when he was alive and he influenced many young writers who began to write stories under his influence, perhaps the most famous being Robert Bloch, who became a writer because Lovecraft suggested that Bloch try to write horror fiction for Weird Tales; and then Bloch went on to write novels, short stories, teleplays and screenplays, and his fame became secured when Alfred Hitchcock filmed Bloch's novel, Psycho.

After Lovecraft's death, two of his friends tried to sell an omnibus of his weird fiction to various publishers, but none were interested. And so Donald Wandrei and August Derleth created Arkham House, a publishing house that specialized in collections and anthologies of weird fiction and verse. Their first book, The Outsider and Others by H. P. Lovecraft, now sells for thousands of dollars per edition. However, the editions of Lovecraft's works from Arkham House contained many misprints and some very odd errors that resulted from people being unable to read Lovecraft's handwriting or perhaps intentional changes introduced into the Works by Derleth himself. Eventually, Arkham House hired the world's leading Lovecraft scholar, S. T. Joshi, to re-edited all of Lovecraft's fiction in four volumes of Corrected Text Editions. Joshi's texts also served for the three volumes of Lovecraft's fiction that have now been published by Penguin Classics (with all of the stories fully annotated by editor Joshi; and these Penguin editions are by far the finest editions of Lovecraft available). Then Lovecraftian history was made when Peter Straub edited a volume of Lovecraft's Tales for The Library of America.

Although Lovecraft wrote for the pulps, he was over-concerned with the Art of Fiction, and his was an attempt to write works of Literature, the finest stories he could compose. He sometimes comes very close to achieving this, yet his tales are often uneven and some rather poor. Yet even Lovecraft's weakest works have their staunch defenders. At the time that Lovecraft was writing, science-fiction was a new genre, and one aspect of Lovecraft's work is that he blended supernatural horror with cosmic horror, thus creating tales that are a blend of genres. But Lovecraft wrote all kinds of things. He wrote what are called his Dunsany tales, influenced by his love for the fantasies of Lord Dunsany. Lovecraft declaimed that Poe was his "god of fiction," and Poe's influence is evident throughout Lovecraft's work, especially in such tales as "The Outsider."

Lovecraft was a man of many contradictions. He was a confirmed racist, and yet he married a Jewish woman. Some of his best friends in the literary scene were homosexual, but all speculation that Lovecraft was queer is unfounded and probably mistaken. He lived in poverty, but his approach toward writing was such that he would not write for any market but only to satisfy his artistic need, which resulted in his writing less and less stories as he aged. He is one of the world's greatest letter writers and collections of his selected correspondence are numerous; it has been said that his published Letters may be his finest achievement as a writer. His Collected Essays have been published in five volumes.

S. T. Joshi's Lovecraft--A Life is the finest single volume biographical account. It has since been republished in two volumes, restoring some 150,000 words of excised text, as I Am Providence--The Life and Times of H. P. Lovecraft.

One aspect of Lovecraft's legacy is what has been termed the Cthulhu Mythos. The name is not Lovecraft's but August Derleth's. I am one of hundreds of Lovecraft admirers who are so obsessed with Lovecraft's ideas, his mythical towns and cities, his Great Old Ones, that there are now legions of writers who write tales of Lovecraftian horror. My full-time profession is now the writing of such books. This practice has been condemned by many as the poor writings of unimaginative and unoriginal fan-boys who merely ripoff Lovecraft's ideas, characters and settings. Yet the writing of such tales is not only alluring, it's addictive. Lovecraft is a potent Muse, and I feel that I will be able to write book after book under his influence for the rest of my little life.

YesNo
07-26-2011, 05:23 PM
I'm reading the stories in Dagon and Other Macabre Tales at the moment. I like the idea that poetry is included amid the text of some of the stories, in particular, the first one, The Tomb.

G L Wilson
07-26-2011, 05:35 PM
I found Lovecraft too overtly racist for my taste. He doesn't just allude to his bigotries, he sometimes states them quite honestly.

Hopfrog
07-26-2011, 05:54 PM
I'm reading the stories in Dagon and Other Macabre Tales at the moment. I like the idea that poetry is included amid the text of some of the stories, in particular, the first one, The Tomb.

Are you reading the Arkham House edition? There are two, the original edition that Derleth published in 1965 and which includes "The Thing in the Moonlight," and the Corrected text edition edited by S. T. Joshi, who removed "The Thing in the Moonlight" because the text is mostly a letter in which Lovecraft relates a dream, and then some chap added the beginning and ending chapters so as to "complete" the story. I disagree with S. T.'s removal of the wee tale, and it has certainly influenced a number of fictions. Brian Lumley "completed" (although poorly) "The Thing in the Moonlight," and the controversial and delightfully nasty novelist, Edward Lee, wrote an entire novel inspired by it, the supernatural porn novel, Trolley No. 1852 ( Bloodletting Press 2009); & although the idea of a porn novel based on Lovecraft may seem incredulous, Lee's novel is, in my estimate, one of the finest and most authentically cosmic (in the Lovecraftian sense) novels I have ever read. The plot concerns H. P. Lovecraft decided to agree to write a porn novel so as to make ends meet, and thus it is one of the many works in which Lovecraft himself appears as character--all inspired from a wee nugget that was originally a private epistle to Donald Wandrei.

marcolfo
07-27-2011, 11:10 AM
Ph'nglui Mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn

YesNo
07-27-2011, 11:39 AM
The one I'm reading is the Arkham House edition and it doesn't include "The Thing in the Moonlight". I see a note by S. T. Joshi in it, so I guess I've got the more recent edition. However it is the 3rd of three volumes of stories so maybe the story is in one of the other volumes.

Hopfrog
07-27-2011, 12:16 PM
The one I'm reading is the Arkham House edition and it doesn't include "The Thing in the Moonlight". I see a note by S. T. Joshi in it, so I guess I've got the more recent edition. However it is the 3rd of three volumes of stories so maybe the story is in one of the other volumes.

Joshi was hired to re-edited all three of Derleth's original editions, so you probably have the recent ones. Arkham House also has an edition of the revisions called The Horror in the Museum, and S. T. has now edited those stories for a two-volume annotated set to be published by Arcane Wisdom. It is a GREAT time to be a Lovecraft fan!
:party:

Hopfrog
07-27-2011, 12:20 PM
Ph'nglui Mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn

Nor is it to be thought that man is either the oldest or the last of earth's masters, or that the common bulk of life and substance walks alone. The Old Ones were, the Old Ones are, the Old Ones shall be. Not in the spaces we know, but between them. They walk serene and primal, undimensioned and to us unseen. Yog-Sothoth knows the gate. Yog-Sothoth is the gate.:crazy:

Hopfrog
07-27-2011, 03:46 PM
In his stories and letters Lovecraft often expresses outrage at what he called, I believe, the "galling limitations" of spacetime. This is something that we, his readers, take for granted about Lovecraft--that he aspired to attain or simulate an impossible omniscience, a long-distance view of all the real and unreal universes from their inception to their extinction and at every point in between. This is an astonishing attitude for a writer, especially an American writer of that time, to convey in his works and to experience with a peculiar intensity in his life. It is the sort of ambition that propels a new religion or at least occasions a revolutionary turn in the history of human consciousness. However hard I try I cannot overstate my amazement at this quality in Lovecraft--the desire to project oneself out of a particular time and place, to contemplate all the pyrotechnic mutations of phenomena from a point outside of everything. And this is only one of those incredible qualities which have come to be called Lovecraftian, and which we so infrequently credit with their true value of precious strangeness. It is really stupefying how even we, Lovecraft's devoted readers, can take so many things for granted in his universe, which ultimately seems superior to that other one.

--Thomas Ligotti
[as found on page 100 of The Annotated H. P. Lovecraft, Dell Trade Paperbacks1997, edited and annotated by S. T. Joshi]

Heteronym
07-27-2011, 04:51 PM
I love and admire his imagination. He brought horror into the 20th century, away from the traditional ghosts and haunted houses. His mind worked on a scale that no one has matched before or after him. Of all the mythology-builders of literature, he's my favourite, away ahead of Tolkien. Lovecraft stimulates and delights me in a way that Tolkien never did.

Lokasenna
07-27-2011, 05:12 PM
I love Lovecraft - he is absolutely one of my favourite authors, and he captures a sense of fear and terror of the unknown that is near-impossible to find in post-medieval literature. His evocations of insanity and chaos have always been attractive to me.

As for the race thing, to be honest I don't care. Yes, Lovecraft was unashamedly racist, even by the standards of his time and place, but I like to think I'm mature enough that it doesn't bother me. I can ignore it, and enjoy the man's gift for storytelling and language.

Hopfrog
07-27-2011, 05:43 PM
As for the race thing, to be honest I don't care. Yes, Lovecraft was unashamedly racist, even by the standards of his time and place, but I like to think I'm mature enough that it doesn't bother me. I can ignore it, and enjoy the man's gift for storytelling and language.

I agree with you absolutely. I was absolutely crushed when I learned of the ugly racism of my favourite American poet, Wallace Stevens; but the poet's art is so magnificent that I cherish that art for its own worth. I hate to have my own books dismissed because of my lifestyle as a queer punk transvestite, and yet there are those who seem unwilling to take me seriously as an artist because of my lipstick. Lovecraft's racism is ignoble and grotesque, and yet it adds a fascinating psychological layer to such tales as "The Shadow over Innsmouth" and "Facts Concerning the Late Arthur Jermyn and His Family."