PDA

View Full Version : It Belongs to Me



everyadventure
02-17-2011, 01:38 PM
Daddy's forefinger rests in a jar on the mantle, the nail glowing whitely through the pale yellow liquid. He considers it an appropriate conversation piece, and the ragged flaps of skin near the joint undulate when he shakes the jar at an unfortunate visitor. "The doctor wanted to throw it out!" Daddy would exclaim. "But I told him it belonged to me, had it all my life, and I'd be damned if I was going to leave a piece of myself behind!" Mama, horrified, always attempts to appease the guests with cookies and tea, but no one ever accepts.

He lost the finger in his woodshop, when he fed a piece of knotty pine through the circular saw. He'd used the saw a thousand times before, and would use it a thousand times since. But just this once, he was careless, and BZZZZ, there was Daddy, in two separate pieces. We couldn't hear his screams over the sound of the saw, and he didn't think to turn it off. Instead he was stumbling across the backyard, blood streaming down his forearm, when Mama saw him through the kitchen window. She dropped the coffee creamer, and my brother and I watched from the breakfast table as she ran across the yard, then wrapped her apron around my father's hand. Caleb and I exchanged wide-eyed glances: what happened? What do we do?

They burst through the door, and Daddy slumped in his chair. I dropped my fork. The metallic smell of his blood mingled with the sickly sweet scent of maple syrup. Mama handed me a tin mixing bowl from the sideboard. "Go to the woodshop and find your father's finger!" I hesitated, and she flung the bowl at me. "Go!" she shouted, then turned to dial the phone.

I picked up the bowl and ran outside, gulping the cool spring air. The door to the woodshop was open, the saw still buzzing angrily. I was afraid to go in. Why did I have to do this? Why didn't she ask Caleb? But I stepped inside the shadowy shed and unplugged the saw from the socket, and the blade whirred slowly to a stop. I took a deep breath and looked at the table. It was sprayed with blood, and there was Daddy's finger, coated in a thin film of sawdust. I didn't want to touch it. I grabbed a grease covered rag from the tool cupboard, and turned my head away as I picked up the finger. It felt like a thick sausage, and made a dull thunk when I plopped it in the bowl.

The doctor wasn't able to reattach the finger; it was dirty and the risk of infection was too great. So my father came home, with his hand wrapped in gauze, and his finger in a jar beneath his arm. My brother was thrilled, his popularity soared when the other neighborhood boys learned of the gruesome prize. Mama was mortified, she begged Daddy to keep it somewhere other than the living room (perhaps the woodshop?) but Daddy was delighted by the attention it brought, and so it stayed in its place of honor, flanked by photos of Caleb and me baring naked baby bottoms on shag rugs.

Daddy's stitches caused him some pain, his hand was tender and Mama had to change the bandage several times a day. It made Daddy irritable, but I was glad anyhow because it meant he left me alone at night. But that only lasted for a few weeks, soon he could leave it unwrapped, and now the neighborhood boys had two things to stare at: the jar and Daddy's stump. He'd be sitting in his Lazy Boy, hands resting on his knees. The kids would creep closer, closer, trying to get a good peek at his stump, then suddenly Daddy would let out a big old roar and thrust his hand in their direction. The boys would scream like little girls and scatter, and Daddy would laugh and laugh.

I, for one, hate that stump. I hate the way grazes my thigh. It's disgusting, thick and short, with a tuft of coarse hair sprouting on the surface. The way it creeps, waggles, wriggles! I hate that stump, I hate that damn floating finger, I hate him.

One morning I sip my orange juice (I can't eat the pancakes, no, never again) and eye that jar from my kitchen chair. I could swear that finger bends, crooks, "Come here." Am I imagining that? I stare intently at the finger, and there! Again! It beckons.

I push back my chair and cross to the living room, confronting that jar. All right, then. All right. I pick up the jar with two hands and carry it outside. I can hear Daddy's voice in my head, "It belongs to me," but it doesn't, not anymore. I go past the woodshop, way out back to the pig pen. I try to open the jar, but the lid won't budge (is it specially sealed?), so I crack it against the metal trough. I pour out the liquid, then shake the finger out onto the pile of pig slop. Glory comes over and sniffs at it. Pigs will eat just about anything, but she is having none of this. Looks like Daddy's too nasty even for a pig. So instead I scoop up the finger in the jar, and take it over to the moldering manure pile. I dig out a little hole with a stick, and slide Daddy's finger in. I cover it back up, pat pat, and it's gone.

I guess that makes us about even.

PrinceMyshkin
02-17-2011, 04:07 PM
Oh my God! Hardly "even"! Isn't one meant to infer that Daddy has been sexually molesting her? In which case I don't know what to make of that level, dispassionate voice in which she narrates this. Unless this latter is meant to signify that her father's treatment of her has numbed (forever?) her capacity for moral response?

I didn't understand why you switched to present tense close to the end, and "would use it a thousand times since" is in the wrong tense, as before it we were at the moment when he has been using the buzz-saw, but the phrase I quoted is looking back at that moment from some time later.

everyadventure
02-17-2011, 04:19 PM
Hm, I thought the tenses made senses! At first it's present tense, the jar is resting on the mantle, then she goes back to tell about the day it happened. She's thinking back, so it makes sense that he would "use it a thousand times since."

But on second reading, I suppose then that the ending paragraphs should be in present tense as well... "One morning I sip my orange juice..."

Would that make more sense?

bortleman
02-17-2011, 04:19 PM
The imagery was nice, but I think there is much more depth that this story could contain. The point came across fine but I think the build up of the finale was more like cresting a hill than a mountain.

PrinceMyshkin
02-17-2011, 04:29 PM
Hm, I thought the tenses made senses! At first it's present tense, the jar is resting on the mantle, then she goes back to tell about the day it happened. She's thinking back, so it makes sense that he would "use it a thousand times since."

But on second reading, I suppose then that the ending paragraphs should be in present tense as well... "One morning I sip my orange juice..."

Would that make more sense?

I do agree with that, but the story (if I'm reading the subtext correctly ) strongly requires that you slow down the last moment, the moment of or just before "I guess that makes us about even" so that we get enough time to feel the deep, unexpressed loathing that is in her. That loathing or rather the repression of it is, for me, the essence of the story. Without that it's not much more than a vignette.

Delta40
02-17-2011, 05:29 PM
I think this is a great story. I don't know how you travelled from a seeming normal family life to an accident, incest to disposing of the symbolic offending appendage, but you did a great job EA.

paperastronaut
02-17-2011, 07:18 PM
wow, that was gnarly.

in a good way.

everyadventure
02-17-2011, 10:30 PM
I've never written something "gnarly" before! I must be getting better ;)

JonnyAsmar
02-17-2011, 11:26 PM
Very good imagery. I agree with Delta, the progression (or degression?) to the darker, incestuous side of the story is done very well. The way you slowly introduce it and then soon break into her burying the finger. I'm not sure if it was intentional, but I felt like the end's lackluster emotion was more of a coping mechanism. Appropriate, after what seemed like a secretly rewarding description of her father losing his finger.

hillwalker
02-18-2011, 08:06 AM
I also felt the way you introduced the abuse was subtly done - exactly the way a child in her situation would consider it; just one part of her humdrum existence that she presumably kept to herself. In which case her revenge was sweet because it was secret.

H

everyadventure
02-18-2011, 12:39 PM
In which case I don't know what to make of that level, dispassionate voice in which she narrates this.


I'm not sure if it was intentional, but I felt like the end's lackluster emotion was more of a coping mechanism.


I also felt the way you introduced the abuse was subtly done - exactly the way a child in her situation would consider it; just one part of her humdrum existence that she presumably kept to herself.

Thanks all, for your comments. Of course the reader is appalled by the situation and EXPECTS that such a thing would be addressed with more intensity. But this is how she grew up, and although she's resentful of her father, she won't realize the full impact of the abuse until after it's stopped, and she can face it without fear of being damaged further.

And no, Prince, she certainly isn't "even." But her father has taken something from her, and she has taken something from him. As a powerless child, it's all she can do, and it makes her feel better and gives her a small bit of control, which she desperately needs.

PrinceMyshkin
02-18-2011, 12:46 PM
And no, Prince, she certainly isn't "even." But her father has taken something from her, and she has taken something from him. As a powerless child, it's all she can do, and it makes her feel better and gives her a small bit of control, which she desperately needs.

Agreed, and the tragedy is that she might think this small deed evens things out - but I'm asking for you to create the space (the silent space) in which grieving or empathetic witnesses might hold their breaths and hope for the something more outraged that will not or cannot come.

MANICHAEAN
02-18-2011, 01:05 PM
ea
I admired especially the subtle way you slipped from the presumed security of life as a child, to a subject I would bauk at ever trying to write about. It was interesting and well written but the subject matter was too disturbing for me.
M.

Steven Hunley
02-18-2011, 03:26 PM
What I like about this is the readability. And the use of sensory descriptions. Many different senses appealed to to engage us. It's a short but rich piece and appeals on many different levels. I think this can interpreted different ways, and that's the sign of good writing. It doesn't have to mean the same thing to everyone who reads it, but it has to MEAN something to EVERYONE who reads it. I think you've mangaged that here.

zoolane
02-18-2011, 03:51 PM
I liked the story because it subtle but deal with very importance issue. It quietly done so you know it there. Yet it focus on different way that she do not get even but yet it child it would even that the time. It not like some stories, that I wrote or readed that only emotion charge with situation.