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Dougy
02-02-2011, 05:30 PM
The hacking of wood clacks through the cul-de-sac and I sense the charms of old childs’ play, the ball in the yard by the garages and the uprooting of cabbages. They hang on the air like a scent waiting for me to inhale, I take one in and I see my brother jumping over the fence into the fields running from what, I cannot imagine. The ginger bricked back of the house is bare to the sun like it was twelve years ago. The garden has become an overgrown menagerie of experiments with cabbages and carrots sharing the same plots. There’s ash from the fire sprinkled like icing sugar on the soil in one corner.

There is turmoil in my gut.

Mother will be in the kitchen, poised over dinner. I hear the yapping of a dog as I approach the back door. The knock is effortless and the noise spurs the dog into a tirade. I hate these long moments that flutter my stomach. I bring my hand to knock again, but the door opens a fraction.

Have I the wrong house?

I hear her sigh, and she backs away into the kitchen. I follow, but I feel like an intruder.

The interior is dark like I remembered it; behind curtains that would stay closed. Slivers of light cut through the kitchen and slash the room in slats of light. She’s at the sink cleaning potatoes. There’s a purposeful, rhythmic motion to the way she puts them in the bowl, cleans them and places them on the plate. She would keep the skins on them: ‘good for yer skin and keeps the bones healthy’ she’d say. The wallpaper is fading and curling by the mantelpiece over the fire. The pots on the fire are bubbling away in anticipation of the dinner table.

She walks to the pots and stops midway. She puts a hand onto her waist and gasps. ‘So you’re back? How long for this time?’

‘I finished. I’m back for good.’

She acknowledges this with a ‘hm’ and rubs her nose.

‘How’s things?’ I ask.

‘How do you think? We manage. Tommy still thinks it’s 1984 and I get this every day now.’ She indicates to the clacking noise of a hammer. ‘Well, close the door then, there’s a draught,’ she continues to her pots of vegetables, giving them a stir and sniffs at them.

‘I see you’ve got another dog,’ I try to spark conversation, yet somewhere I know it’s a waste of time and we’ll get to the subject.
I can hear her sigh as she turns and swipes the dog off her chair. It’s a sideward swipe
that hasn’t lost any of its potency. I’d been the victim of it many a time.

‘I suppose you’ll be wanting your dinner?’ She gives her snuff box a tap with her ringed finger and sniffs a pinch in each nostril.

‘Is Tommy around?’ I ask. My brother hadn’t left the roost. Wouldn’t leave, couldn’t leave. He was incapable of it.

‘Hear that? That’ll be him. He’ll be in the yard. Keeps him out of mischief. Then he’s off to where the pit used to be,’ she quickly glances at me, then back to the fire. Her face is taut and there’s an indifference in her eyes, but I wonder in time, if I’d see the warmth of her laughter as I did that Christmas years ago. ‘You know he asks for you. Every morning. You didn’t know that, did you? I never told him you’d gone. The doctors said not to.’ She snorts and jabs at the fire with a poker.

‘Where is he?’

‘In the yard, waiting for you. Every day.’

Had it been that long? Twelve years since the accident.



I notice the woodchip and nails before I reach Tommy. A mosaic of pieces matt the floor. It takes years to create this type of pattern. He’s whistling as he works, it’s a tune I barely remember from school. He doesn’t notice me. He continues to work until sweat was beads on his brow. A fervour I know only in my brother, it’s always near manic momentum when he starts.

He is constructing a banner of sorts, yet to be daubed with a slogan. Around him lie all manner of projects unfinished in various guises and no doubt ready for the final touch or approach of a muse to guide him.

He straightens like Mum and stops. He gazes intently at something in the cherry tree and smiles – there’s a dreamy look in his eyes. A bird in the tree has captured his attention like it nearly always did as a child.

He wears a pair of what looks like school trousers, a piece of string tied around his waist in a makeshift belt. Above the belt a bristling belly hangs over it. It’s not the belt that makes me pity him, it’s his sockless brogues below the trousers too short for him.The donkey jacket he wears is splattered in paint – the letters NCB are on the back printed on a once bright orange band. He wears glasses now, though he still had that look of grim determination when a task was at hand. The lines by his eyes were evident through the years of projects and protest. Maybe he was the show of the village, this man stuck in 1984, a revolutionary Marxist against the, then government.

‘Here pass me that will you?’ He points to the paint and I pass him the brush. It’s slick with paint and he starts to daub a slogan on the board. He hasn’t even looked at me.

‘What are you up to, Tommy?’

‘We got a big day today, bro,’ he passes me the brush, ‘dip it,’ he commands with a lisp.

I dip the brush. ‘Big day?’

‘Er... hello. What planet you on?’ He says like I’m a dimwit.

‘The same one I landed on with you.’

He turns to me and raises his glasses from the bridge of his nose, ‘Where’d you get to?’

Does he know?

‘I had to go.’

‘Not good enough, bro. You were meant to be here this morning. You’ve got some catching up to do.’

You’re not wrong there brother. Try about twelve years.

He points to the other banner. ‘I’ve done that one for you. Crack on.’

I pick up another brush, but I don’t know what to write. There’s an echo inside of me, it’s been trapped in there all this time. I need to say something.

I feel like a time traveller. I have just jumped back and forward in time and fixed in a twilight zone.

I finally get it. I finally get it. He’s living the day over and over again. It’s the day he was struck with the brick.

Jesus.

1984 , April 12th, how could I forget?

‘There’s gonna be a crowd. The boys’ll be there. Scargill will be there.’

‘No, he won’t,’ I say and I know I shouldn’t have.

There is an uncomfortable silence and I decide to break it, but he beats me to it. ‘Aren’t you going to try it out?’ He points to the banner lying on the ground.

I pick it up and test it. I’ll play this one out and see where it takes us. He grins at me – it’s the same grin he wore the day we left for the march: the day of the accident. There’s a weariness in his eyes which I don’t think he’s aware of, but I know his mother is. Perhaps he’s tired, just tired of replaying the same old events every day.

Mother’s standing by the corner of the wall watching us, arms folded. ‘Don’t be late for dinner, you two.’ There’s a tissue in her hand and she has that helpless look in her eyes. I want to hug her, tell I won’t leave again. But I know now isn’t the right time.

‘Yorkshire pudding and mashed tatties,’ Tommy says with a grin and pushes the glasses back up with a forefinger. ‘Scargill’s gonna be there and the lads. They’ll be at the picket line now, so hawaay then.’ He turns and I see the scar on his back of his head where the brick opened him up. I want to tell him it was me and that I’m sorry, but I know it just won’t do any good.

He puts his banner on his shoulders and opens the black, metal gate, holds it open for me. We used to vault that gate, well, climb up onto it and eventually vault it to escape Mum’s wrath. I see an emaciated Tommy wearily hold open the gate with that wry grin on his face. I sidle up to my brother and together we take the lonely road to the old pit site.

Steven Hunley
02-02-2011, 06:49 PM
Well I like D. H. Lawrence and Alan Sillitoe and they're both dead. So now we got this fella outa nowhere. Like Bogart says to Mary Astor in the Maltese Falcon, " You're good. You're very good."

hillwalker
02-02-2011, 07:46 PM
Steven has beaten me to the comparison - definitely Sillitoe (Lawrence focussed a little too self-indulgently on the Nottinghamshire dialect to make it engaging).

Social history and commentary at its very best - written with a delicate touch of humanity. Great piece of writing.

H

Dougy
02-03-2011, 03:46 AM
Thank you very much for your kind comments. The character Tommy suffers from anterograde amnesia which is similar to the condition of the girl in 50 First Dates. The film Memento and the miners' strikes of 1984 struck a chord and brought this together.

YesNo
02-03-2011, 10:28 AM
The character Tommy suffers from anterograde amnesia which is similar to the condition of the girl in 50 First Dates.

Your story did remind me of that movie while I was reading it.

Very nice story.