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benja
10-29-2010, 07:18 PM
I'd appreciate some feedback on this one. Incomplete, and this is a first draft. The long sentences/paragraphs are deliberate, but it may still be too much. Not so worried about characterization yet (i'll get to that), so just general thoughts. Please, you can be cruel!

The key isn't doing its job. Again. Keep it turned to the right and pull the door to you, the janitor had said. Pull hard, but not too hard, he'd tell her, each time she called him on the intercom, nerves beginning to fray and blood pumping through her heart a little faster; kicking itself out of rhythm for a moment when it occurs to her that she may be late. She is not somebody who likes to be late, so she should really just leave the ****ing door, it looks as if its closed anyway, all the apartments are locked, the janitor will be ambling around somewhere within like New York's most amiable guard dog, so why not leave and get on with getting to where she needs to be, in time and presentable, not running red-faced and dry mouthed into the office looking like she is in the first stages of a conniption.
She could leave the door, but the other tenants - there are five of them, on three floors- one will come and find the door like this. News of the outrage will spread fast through the brownstone. No question of where to place the blame; every other occupant has, at some point in time, stood with her on the step, talking her through the Door-Closing-Procedure as it had been told - verbatim - to them. Not one of them had encountered the problem themselves, they'd said, leading her to conclude that they'd been taught the Procedure for her benefit, even the cocksure fortysomething on the second floor who had waded in like a balding John Wayne with a 'well hello little lady' smirk even though they were about the same age and told her to forget the key and just pull the ****er, hard, the latch'll have no choice, and who was probably the one responsible for breaking the lock anyway. Perhaps he'd had trouble pulling it closed, too; decided to solve the problem by summoning the alpha-male within.
Anything you can do... - she turns the key back to the left and pulls it out, grips the brass handle and prepares to pull the hell out of it. She doesn't like to be late, can't remember when she has been anything less than a half hour early for anything.
The handle is thin and held in by only two screws. Most pull the door shut with the key in the lock and don't touch the handle. It isn't built for this. The twist-and-tug, yeah, but not the pull-and-slam. She imagines these as sporting events; one could be judged on the speed at which the handle peels itself away from the hardwood, or the noise levels in decibels at which it does so. Or how many graceless little somersaults one could perform as one tumbles down the ten or so steps. Points for poise and landing rear first on the wet flagstones of the street below, where muddy evidence of the attempt could be concealed by a subsequent trip back up the steps to the apartment (the kicking down of a door factored in) and the acquisition of a slightly longer coat. Points deducted for the cracking of a rib or collarbone, or a traumatic brain injury -
...I can do better, she thinks, and leans in, building momentum.

benja
10-29-2010, 07:19 PM
OK, it isn't remotely like that in the normal lay-out, but oh well!

zoolane
10-29-2010, 07:20 PM
Please change text in to little.

benja
10-29-2010, 08:03 PM
Sorry about that, is it better now?

loki456
10-30-2010, 03:53 AM
It isn't bad, some of the sentences are way too long. especially the sentence starting with 'not one of them....' my lips went blue. cyanosis is unbecoming haha.

the problem I had with it was it didn't go anywhere - it was just a description on some lady running late, because she had to close a door.

secondly, if you publish something, you should make it count. Don't give us your un-edited piece, I don't mind if it isn't finished, i've done that in the past, just to get a feel of how it was going. But, I made sure that they piece I submitted was edited and a at least as grammatically correct as I could make it. And if it isn't edited - don't tell us. I read that and was iffy on actually reading it. It's a sign of respect to those who you want to read the piece.

In saying all that. I actually found the piece warranting some more reflection. It kept me reading for the simple fact I wanted more. There is definitely a flare there that keeps one enticed. So nice job.

Hope to see more on this piece in the future. You could make it fit into a lot of scenarios.

Thanks for sharing

Loks

zoolane
10-30-2010, 03:54 AM
That much better and we have had door or locked like before.

benja
10-30-2010, 04:07 AM
Thanks, could you give me some tips re: the grammar?

hillwalker
10-30-2010, 07:29 AM
As an introduction to a longer piece this is fine. The balance of long sentences and some more fragmented phrasing works quite well, but I agree that some of the longer sentences would read much better if broken up. It can add to the build-up of tension for one thing.

As far as grammar is concerned the opening paragraph needs a little editing. Especially where the verb tense changes from past to present - also dialogue is best put inside speech marks to make it clear that someone spoke the words. Something along the lines of :

The key isn't doing its job. Again.
"Keep it turned to the right and pull the door to you", the janitor had said. "Pull hard, but not too hard", he'd tell her each time she called him on the intercom.
She can feel her nerves beginning to fray; blood pumping through her heart a little faster; kicking itself out of rhythm for a moment when it occurs to her that she may be late

I just hope she does manage to shut it so we can follow her to that important engagement and see how she progresses.
A promising start with a nice touch of humour. Let's have some more please.

H