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Sampson
02-05-2010, 10:45 AM
“Well,” he scoffed, as I rustled a crumpled Rizla with my thumbs, “I have mine hand rolled in Amsterdam. Father ships then over. Of course, it’s not strictly legitimate, but Father and his friends all smoked it way back when so they really are quite understanding. But then, you, err, roll your own?” I simply glanced up at him quizzically as I licked the corner of the Rizla. The strip of gum had folded itself over in the pack (which I had probably sat on at some point). I flipped it over and smoothed it down. The thin young man I had found myself sitting with looked on, half awestruck, half wildly amused. “You know, I’ve never met anyone who smokes imported, hand rolled joints,” I said as I tapped my spliff on the polished wooden surface of an expensive coffee table, “everyone I have ever smoked grass with has either made their own spliff or smoked a pipe or bong.”
“You must ride in some really high circles,” he said with pure sarcasm. He laughed and pulled a black cigarette case from his pocket; he lay it on the table in a slow and deliberate fashion, as if to emphasise his distain for my rolling. “See, I’ve never seen somebody make a joint themselves. Of course, I had heard of it. And my God, have you seen, some people even roll their own cigarettes? How bad do times have to be?” He laughed heartily, opening the case on the coffee table. Inside were sixteen perfectly coned joints; each paper was perfectly smooth, without a crease in sight. They were all a uniform sized, with large roaches made of white card. There was even two initials emblazoned on the paper, printed, not written. I wondered what kind of world this young man lived in. He pulled a joint from his box as I quickly torched the twisted tip of mine with a Zippo. I relaxed into my heavy leather armchair as he spread himself over a similar sofa opposite me. Reclining, his smoke poised between his thin lips, he seemed not to be at ease, but more that he was trying to project the image of a man at ease. “I grew up around people who smoked roll ups. A lot of those people put rolling tobacco in their joints,” I said slowly, sensing that this could be a very long and tense conversation.
“Really? They do that? People put tobacco with grass? That’s bloody priceless!”
“Why is it priceless?” I asked him, my tone becoming suddenly serious.
“What? Oh, well they must so poor. I know that it’s bad and everything, but their ways are just funny to me. Why bother unless it’s the best I say!” He reached into the pocket of his Brioni suit and produced a lighter. Black and silver, with the wheel on the side. It looked very expensive; a Dunhill maybe. He noticed me looking at it through as I puffed. “It’s nice isn’t it? St. Dupont, must have been a few grand I reckon.”
“Really? You reckon? As it happens it is a very elegant device, but damn, my lighter only cost thirteen odd pounds,” I retorted, shocked at his forced, blasé manner.
“Thirteen pounds? That scratched up thing. It’s a Zippo, isn’t it?” He picked it up and closely examined the numerous marks of the chrome casing.
“Yeah, it’s a Zippo,” I replied wearily, before adding, “A real design icon; they never give up on you.”
“Yes, yes… But it’s very American, wouldn’t you agree? I mean, aesthetically speaking it has all the hallmarks of Hollywood heavy handedness.” The upper class idiot tittered; he looked exactly what you would expect a half grown up public school boy to look like. He flicked my lighter open and used it to light his spliff. The damn thing looked clinical. The spliff, like its smoker, lacked even a fleeting hint of character. I was, of course, a novelty to see. But this man child was putting me on edge Since the ‘Act for the Tolerance of Cannabis Usage’ had been passed I had meet a lot of interesting types with slightly jaded views in the numerous upmarket Smoking Rooms that had opened. As the years had passed I had observed more and more of the younger, moneyed smokers started buying packs of processed pre-rolled joints. The young man in front of me now was from another world, I thought. I crushed my roach into the crystal ashtray between us.

“So, I’m guessing you roll your own because you’ve fallen on hard times. By the look of your overcoat I’d say it’s a good few years old. Much like your scarred lighter,” he scoffed again. I didn’t understand how it was only the English upper classes that could make that noise, but his penchant for it was really pissing me off. It was late, maybe two in the morning. I had come into The Kingston Club to have a smoke and a drink after what had proved a long and totally pointless day. This jumped up designer clothes pony’s summation of me should have been my cue to get rid of him. But as it had been such a bad day I decided to entertain his conversation for a little longer to see the look on his face. “You know, my coat is old. I brought it a long time ago, but it still does its job perfectly. I have no desire for a new one even though there is a small hole in the right pocket. You’re right about the lighter too, it’s much the same story. When I purchased those two items, you couldn’t smoke green in the street and these wonderful clubs didn’t exist. We used to buy weed from shady dealers in ridiculously conspicuous cars; we’d buy a pack of king skins and ten Marlboro Lights
and skin up in student flats. I doubt you could even imagine that.” I paused, seeing he was getting a little pissed himself. I let him speak.
“When my father used to smoke, he did the same thing. I’ve heard all the stories. I can imagine these things, but I’m just lucky we I’ve grown up in a time when the human race has realised how uncivilized it really has been,” he shot he a contemptuous glare and strange, crooked sort of smile.
“That wasn’t quite what happened; at least not like you think mate. When the Tolerance act was passed it was because most people were smoking, and it seemed pointless to try and deny it and prosecute. Initially it was wonderful, we paraded around the streets of Camden with massive spliffs in our mouths. A load of independent hash cafes popped up, you got the odd herbal emporium, but everything was still fairly hippie. I guess in retrospect they were the golden years really. But then I realised that you could turn weed into a luxury item in the same way you could with tobacco. I pursued the idea ruthlessly and tapped into a market of middle class smokers. I started opening places like this one, though The Kingston Club has outlasted any of my Smoking Rooms,” I stopped as he looked on disbelievingly.
“You were the one who started opening Gentleman’s Smoking Rooms? I think you’re talking utter bollocks. For a start you look so shabby and wrong in here. I mean you’re wearing jeans for God’s sakes!” I ignored his ignorant insult and laughed before carrying on my tale. I was enjoying drawing it out.
“Man, the Rooms open now are nothing like they used to be. See, we sold weed that was totally natural, the highest of high grade home grown basically. We sold it as part of the high life. The Smoking Rooms were where we based our operations; but we made millions selling in Harrods, Selfridges, and most of London’s five star hotels. We made our own papers, and sold premium rolling equipment. When we branched into packs of pre rolled it was a novelty item really. But sure enough that became our biggest seller. The cheapest item in our catalogue; a pack of ten machine made ‘Dutch Pride Mellow Blend’. To be honest, at first I was delighted. It never occurred to me that people would stop rolling. None of the cigarette companies had started selling pre-rolled when the laws changed. I though that a hand rolled joint was so much a part of the culture that you could never change it. So, when I began seeing empty packets of Dutch Pride on tables outside bars or on the pavement I just saw it as a very profitable joke that everyone seemed to enjoy. Which, of course, everyone did. Rolling went out of fashion as more and more people started buying our joints as a status symbol. I know that was the point of our brand, but in my eyes that product line had some nasty cultural implications as it blew up. Other companies realised and jumped on the band wagon, selling cheaper, dirtier weed in boxes of pre-rolled at about half the price we were. Well, the way marijuana was consumed changed dramatically at that point. With about ten other manufacturers putting out so much advertising, the norm became pre-rolled. But what got to me is that people weren’t smoking to get high, expand their mind and giggle their tits off. Nah, it seemed more as if the market was buying for the sake of that packet. I hated it, and a whole lot of people hated me, blamed me for putting a premium on nature. But hey, until Dutch Pride the premium was no worse than any dodgy bastard selling it on the street. But like I say, you’d know nothing of those days.” I sat back, lighting the joint my fingers had busied themselves rolling while I spoke. (The physical act of skinning up was never meant to enforce my tale, but in retrospect it probably did). The young man was at an apparent loss for words. He didn’t really understand why I had told him what I had. The way the art of rolling had disappeared so quickly meant that his generation would never really see what the big deal was.

As I wandered away from the Kingston Club in the early hours of the morning, long after the idiotic young snob had retired, a thought flashed through my cloudy mind. ‘Hmm… I wonder, is it time yet to introduce loose grass as a novelty, premium product?’ Judging by the conversation earlier, I figured the market was probably ready to shell out cash for another ‘trend’. Maybe, just maybe, it was time that ‘Erb ‘An Culture reopened for business.

Nax
02-06-2010, 12:45 AM
Not going to critique it, but its the one short story I actually sat down and read start to front. Beautiful mate. Love the imagery, and the morals, and pretty much the lot.

neilgee
02-07-2010, 06:02 PM
The title caught my attention and I do like the way the story pans out but I think it could do with being a little less dense. That's not a criticism of the story I'm just talking about the appearance of it. The long, unbroken paragraphs will put some readers off. Good story though.

Sampson
02-08-2010, 12:51 PM
Thanks guys, glad you enjoyed it! I'll see if I can break the text down a little, see how it looks...

Steven Hunley
02-08-2010, 05:17 PM
This was an interesting piece. During the war with Vietnam a friend came home with a five-pak , sealed in plastic, all hand rolled, but looked machine rolled. When you roll for a living I guess you get good. I agree with neilgee, break up your long paragraphs if you can. As they are they're kind of imposing. Thanks for the read.

Michael T
02-08-2010, 09:46 PM
:sifone:I would argue that it's the narrator who's the 'spliff snob' in the story. The 'ready made' dude seems not to have given much real thought to the origin of his smoke, whilst the narrator is 'looking down' on the 'mass market - don't really give a **** where it came from or the history of smoking' - dude.

The irony of this psychoanalytic reading is that a true 'smoker' would never use a petrol lighter to light a spliff! and thus the narrator is exposed as a fraud! :sifone:


:biggrin5:

It’s an ok story, but to be honest you have to step outside the narrator and see him for what he is. Why does he make such a show of the fact that he’s using a Zippo lighter? This is an iconic symbol, and by putting it into the hands of your ‘hero’ you lower him to nothing more than a slave to iconography. In this way, it is he who becomes the snob in the story - you might as well put him in an Armani suit, or Levi 501’s and give him a Rolex diver's watch!. Cool if it was set in the 1950's, but not today.

Why not give him a crappy old disposable gas lighter that won’t taint the taste of the joint. Also, if you want him to be the anti-hero the story deserves, don’t associate him with any brands – not even the papers he’s using to roll his joint. You could let it be known that he’s using ultra-thin papers, mention that they are translucent, but don’t say, for instance that they are Rizzla blue or silver papers, instead, leave it to the readers to see for themselves that he knows what he’s doing. The way the story is written at the moment reveals your narrator to be more obsessed with image than the other character in the story.

JuniperWoolf
02-08-2010, 11:34 PM
Why not give him a crappy old disposable gas lighter that won’t taint the taste of the joint. Also, if you want him to be the anti-hero the story deserves, don’t associate him with any brands – not even the papers he’s using to roll his joint. You could let it be known that he’s using ultra-thin papers, mention that they are translucent, but don’t say, for instance that they are Rizzla blue or silver papers, instead, leave it to the readers to see for themselves that he knows what he’s doing. The way the story is written at the moment reveals your narrator to be more obsessed with image than the other character in the story.

These are good suggestions, especially the bit about the crappy old disposable gas lighter. I hate zippos. Make it have this like dirty, sticky stuff on the side that's left over from the sticker and being in his pocket. Oh, and make him have to pull his thumb off of it every once in a while so that he doesn't get burned.

Joe Leon
02-09-2010, 11:31 AM
I liked the story, because it doesn't bother with extraneous description, instead concentrating on either the dialogue or any relevant memories. Very Hemmingway.

A few criticisms from a writing noob:

- The rich kid acts and talks in an almost perfect manner of the character you're describing - ironically having the effect of making him seem more like a stage prop then the real thing. Some of his lines, like "What? Oh, well they must so poor. I know that it’s bad and everything, but their ways are just funny to me. Why bother unless it’s the best I say!" seem more like a description of this boy and less like what someone would actually say. He just has too many lines that are snobbery at its best. If you want to give him character, give him some contradicting traits; don't make it quite as obvious that he's a snob. This is something Stephen King is really good at: characters that aren't black and white, and make you wonder if they're really good or evil, snobbish or ignorant. If you want to show how ignorant he is, then have him talk about things he doesn't know about, but don't have him ostentatiously looking down on his smoking partner. Make it seem more like he's genuinely ignorant; disdain is just too stereotypical for a snob.

- This is just a minor thing, but the observations our main character has about himself are unnatural; no one notices things like "my tone becoming suddenly serious." unless they're really self-conscious or watching a video record. If you want to make these observations, I suggest switching to an omnipotent narrator.

Sampson
02-09-2010, 01:26 PM
Some fantastic feedback; thank you all! Michael, I'll start by saying that the 'I' in the story was in fact wearing an Armani jacket, 501s, a Rolex and even had a pair of Wayfarers in his pocket. Whilst I totally get what your saying, this character one I use to project iconographic imagery onto.

Recently I have been thinking about the way appearance effects the world of drugs, because I seriously believe it does. Weed is the least designer drug, so I figured it would be a laugh to write about the commercialisation of hippie stonerdom. The point is that the "I" is totally aware of image, his own and other people's, which is how he came to exploit, profit from, and ultimately change the landscape of the culture.

The snob character is underdeveloped, but he way just a plot device. I have been developing the story of the "I" character, and used this retrospective short to clarify my ideas. The clichéd imagery is a large part of his character; he is supposed to be faceless, defined the small details which he chooses to manipulate.

I love all of your suggestions and will experiment with them when I come to write more of this mysterious smoker man. Oh, and by the way... I light my spliffs with a Zippo and they taste f***ing awesome!

breathtest
03-20-2010, 03:25 PM
Some fantastic feedback; thank you all! Michael, I'll start by saying that the 'I' in the story was in fact wearing an Armani jacket, 501s, a Rolex and even had a pair of Wayfarers in his pocket. Whilst I totally get what your saying, this character one I use to project iconographic imagery onto.

Recently I have been thinking about the way appearance effects the world of drugs, because I seriously believe it does. Weed is the least designer drug, so I figured it would be a laugh to write about the commercialisation of hippie stonerdom. The point is that the "I" is totally aware of image, his own and other people's, which is how he came to exploit, profit from, and ultimately change the landscape of the culture.

The snob character is underdeveloped, but he way just a plot device. I have been developing the story of the "I" character, and used this retrospective short to clarify my ideas. The clichéd imagery is a large part of his character; he is supposed to be faceless, defined the small details which he chooses to manipulate.

I love all of your suggestions and will experiment with them when I come to write more of this mysterious smoker man. Oh, and by the way... I light my spliffs with a Zippo and they taste f***ing awesome!


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