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mono
03-03-2005, 10:20 PM
Few people seem to know of Kinsley Amis' (1922-1995) poetry, additionally with his novels, which include Lucky Jim, New Maps of Hell, The Old Devils, Spectrum, and The Alteration. Considered a more 'rebellious' writer of his time in England, like William Golding, many readers considered his work controversial and offensive. Reading some of his poetry, I hope you enjoy my two favorites I could find:

Departure

For one month afterwards the eye stays true,
And sees the other's face held still and free
Of ornament; then tires of peering down
A narrow vista, and the month runs out.

Too young, this eyes will claim the merit of
A faithful sentry frozen at his post
And not a movement seen; yet ranges over
Far other tracts, its object lost, corrupt.

Nor should I now swell to halloo the names
Of feelings that no one needs to remember,
Nor caper with my posy of wilted avowals
To clutter up your path I should wish clear.

Perhaps it is not too late to crane the eye
And find you, distant and small, but as you are;
Otherwise I will keep you honestly blurred,
Not a bland refraction of sweet mirrors.

---

Wasted

That cold winter evening
The fire would not draw,
And the whole family hung
Over the dismal grate
Where rain-soaked logs
Bubbled, hissed and steamed.
Then, when the others had gone
Up to their chilly beds,
And I was ready to go,
The wood began to flame
In clear rose and violet,
Heating the small hearth.

Why should that memory cling
Now the children are all grown up,
And the house - a different house -
Is warm at any season?

Helga
03-04-2005, 12:52 PM
the second one is amazing. I have never heard about this author before but I plan to now! thanks mono

mono
03-17-2005, 07:42 PM
I found a little more of Kingsley Amis' work, after a bit of research. To me, nothing dominates the first poem I posted, Departure, but I thought to share some of his other poetry. With much of Amis' poetry, a reader will notice why many people of his time felt offended and shocked from his raw, conversational, British slang, and odd titles. Enjoy.

A Note on Wyatt

See her come bearing down, a tidy craft!
Gaily her topsails bulge, her sidelights burn!
There's jigging in her rigging fore and aft,
And beauty's self, not name, limned on her stern.

See at her head the Jolly Roger flutters!
"God, is she fully manned? If she's one short..."
Cadet, bargee, longshoreman, shellback mutters;
Drowned is reason that should me comfort.

But habit, like a cork, rides the dark flood,
And, like a cork, keeps her in walls of glass;
Faint legacies of brine tingle my blood,
The tide-wind's fading echoes, as I pass.

Now, jolly ship, sign on a jolly crew:
God bless you, dear, and all who sail in you.

---

Something Nasty in the Bookshop

Between the Gardening and the Cookery
Comes the brief Poetry shelf;
By the Nonesuch Donne, a thin anthology
Offers itself.

Critical, and with nothing else to do,
I scan the Contents page,
Relieved to find the names are mostly new;
No one my age.

Like all strangers, they divide by sex:
Landscape Near Parma
Interests a man, so does The Double Vortex,
So does Rilke and Buddha.

“I travel, you see”, “I think” and “I can read"
These titles seem to say;
But I Remember You, Love is my Creed,
Poem for J.,

The ladies’ choice, discountenance my patter
For several seconds;
From somewhere in this (as in any) matter
A moral beckons.

Should poets bicycle-pump the human heart
Or squash it flat?
Man’s love is of man’s life a thing apart;
Girls aren’t like that.

We men have got love well weighed up; our stuff
Can get by without it.
Women don’t seem to think that’s good enough;
They write about it.

And the awful way their poems lay them open
Just doesn’t strike them.
Women are really much nicer than men:
No wonder we like them.

Deciding this, we can forget those times
We stayed up half the night
Chock-full of love, crammed with bright thoughts, names, rhymes,
And couldn’t write.

---

To A Baby Born Without Limbs

This is just to show you whose boss around here.
It’ll keep you on your toes, so to speak,
Make you put your best foot forward, so to speak,
And give you something to turn your hand to, so to speak.
You can face up to it like a man,
Or snivvle and blubber like a baby.
That’s up to you. Nothing to do with Me.
If you take it in the right spirit,
You can have a bloody marvelous life,
With the great rewards courage brings,
And the beauty of accepting your LOT.
And think how much good it’ll do your Mum and Dad,
And your Grans and Gramps and the rest of the shower,
To be stopped being complacent.
Make sure they baptise you, though,
In case some murdering bastard
Decides to put you away quick,
Which would send you straight to LIMB-O, ha ha ha.
But just a word in your ear, if you’ve got one.
Mind you DO take this in the right spirit,
And keep a civil tongue in your head about Me.
Because if you DON’T,
I’ve got plenty of other stuff up My sleeve,
Such as Leukemia and polio,
(Which incidentally your welcome to any time,
Whatever spirit you take this in.)
I’ve given you one love-pat, right?
You don’t want another.
So watch it, Jack.