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edenjane
01-09-2009, 02:53 PM
First off, this is the first thing I've written in some time. I was trying to focus mainly on imagery, of both the physical and emotional. Please let me know what you think.




I sat in the light brown dust of the dessert in my dark jeans, black jacket and salmon colored flip flops. I was already filthy, having laid down for a moment before considering the insect population with which I was sharing the side of the small mountain. I rested my elbows on my knees and stared out at the city lights. They had never seemed beautiful to me before, nothing involving the place where I lived had, but then I had never seen them from this angle.
Natasha slid her lower body through the dirt to move closer to me. She handed me a pipe with a little pot in it, although most of it was cashed. I hadn’t ever really been interested in marijuana after the fascination with it five years before during my freshman year, but seeing the few hot embers surrounded by piles of black ash brought out an unexpected sadness. I shook my head and handed it back to her as I pressed my lips together.
“You doing alright?” she asked; a hint of potential laughter in her throat. She always had the promise of happiness on her tongue when she asked how someone was, as though she were already working out a strategy to bring that person out of any bad state of mind.
“I’m just a little tired from the climb.” I said chuckling softly. The mountain we were on was attached to the parking lot of a high end hotel and while the climb to where we sat was less than twenty feet, it had been fairly steep and lined with various thorns and needles, not to mention quite a challenge in flip flops. “I can’t believe how pretty everything is from up here,” I said, “I hardly believe its Phoenix.” I rested my forehead in one of my hands and sighed softly.
“You’re thinking about him.”
It was a statement, not a question. She knew me too well to have to ask. My head began to fill with heavy fluid-soaked thoughts at the mere allusion to Troy. My brain couldn’t seem to decide whether it was my flaws that ruined the relationship or the fact that Troy was a worthless son of a *****, but something in me knew it had to be one of the two. I let my mind briefly seduce old memories of sugar soaked kisses into showing themselves for a moment or two. This, of course, only made me feel infinitely more heart broken. I held in and then let out a breath deep enough to reach the center of me and closed my eyes.
“His name rhymed with toy and boy,” Natasha said matter-of-factly, “so there wasn’t ever a way it was going to work anyway. Just think of him as someone who was fun for a while, but turned out not to be good enough for you. Besides, now you know the kind of person you’re too good for so you can avoid that type from now on.”
She smiled as if to say “There, problem solved.” I grinned back and laughed, trying to hide how artificial it felt. These situations seemed less complicated for Natasha. In her mind people were either worth her time or they weren’t, and the moment anyone crossed from one of those categories to the other, they were either invited into her world or cast out of it. I never saw her react adversely to the latter, and I allowed myself to believe that she really had the strength to remove people from her life without caring. I did this to attempt to convince myself that I too could one day form such protective emotional calluses.
We sat amongst the large rocks and small cacti for a while longer and spoke of everything we could think of that didn’t involve relationships or men. Many words were used although nothing new was said, and after an hour, in an implied and silent agreement, we both stood and began down the hill, which proved to be an easier feat without flip flops than with them.

Delta40
01-09-2009, 06:40 PM
“You doing alright?” she asked; a hint of potential laughter in her throat. She always had the promise of happiness on her tongue when she asked how someone was, as though she were already working out a strategy to bring that person out of any bad state of mind.
.

if you're looking for imagery and emotional i think you would be better to use the show method rather than tell. i'm not very good at critque but i know as the reader there is no need for me to engage myself emotionally when you have already told me about it in black and white. you save me the trouble of using my own imagination and this detracts from my enjoyment.

i am guilty of the same habit. i like your dialogue in the short piece but like me, its effect is lessened through lengthy telling narrative like the excerpt above. don't bother with the add on stuff. less is best and get the reader to do the groundwork with their imagination when it comes to the imagery. you set the stage and imply enough, like a tasty morsel to draw them in and they will honestly do the rest for you. visual will have more effect when shown than if told.

i like the strong bond between the character and natasha and would like to see this contrasted with the shrinking relationship of Troy.

The story has great potential and your writing skills have a wonderful easy flow.

duskmuse
01-09-2009, 06:41 PM
Hello
I think your work as a lot of potential, and can be real strong soon. But I don't know, I didn't really feel any of the emotion. I thought the imagry was nice though. The part about pot was a little distracting though. Other than that everything was good. I like how you introduced this Troy person into the situation with a lot of mystrey.
Thanks for sharing and good luck with writing.
-Dusk Muse

AuntShecky
01-15-2009, 02:59 PM
Learn how to proofread. At least look over your work after you've written it. That way you would have caught lines such as:
"I sat in the light brown dust of the dessert in my dark jeans,"

(Maybe it was a cake dusted with light brown sugar.)

kasusan
01-31-2009, 01:01 AM
I think I know what you were going for - emotionally speaking. But you need to work on structuring better sentences to convey a mood. I agree, let the reader feel the emotion instead of interpreting it for them. This is good but needs a re-write, and a re-write again. I will say that for this old lady, you were able to conjure up the feeling of being young again....sitting in the dust on that hill. Yeah!

Kasusan:)

prendrelemick
02-03-2009, 07:10 PM
It flows nicely, your ideas and intentions are clearly realised. I liked the story as well, two friends talking relationships, and being comfortable with each other and finding comfort.

Delta40
02-04-2009, 12:32 AM
A re-read of the excerpt I previously commented on reads great now. This is a point to comment on: The reader is relative and levels of appreciation fluctuate from one extreme to another depending on a multitude of factors.

prendrelemick
02-04-2009, 07:13 AM
I also found it improved on second and third reading. I dont know if this is a problem most stories get only one chance.
The imagery of climing a mountain and coming down renewed having discarded encumberences (flip flops and boyfriend hangups) I didn't find essential to the story at all.

edenjane
02-05-2009, 06:43 PM
thank you all very much for your ideas and comments. they're very helpful, and I can see what you mean about allowing the reader to develop the emotions themselves. I suppose in short story writing I try to get more to the point about the emotions of characters, only because there aren't really enough lines to fully develop them. But I guess if I get better then maybe I can develop them more quickly. thanks again.