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Virgil
09-09-2008, 08:18 PM
Ok. Here's my story from the August 08 competition. I would love to hear your comments. Just one note. I think the ending may have confused people. It was to be a series of flashback vignettes but I was up against the two thousand word limit and so had to cut them. I think the ending would have been clearer had I been able to expand the ending. But I don't think I was completely disatisfied with it either. So please, I would like to know what you thought, good and bad. Where could I have improved?


The Sun at the End of Life

When she was wheeled out into the garden the bright sun exploded on her face. She lifted her head up and fixed on the bright disk. She was slow to move, her eyelids fluttered from the sun’s intensity, and finally she closed them and momentarily shut the world off. But the bright glow remained in her inner eye, a glow that seemed to come through a long tunnel.

The courtyard was behind the nine story brick building, and at the far end was an area set aside as a garden for the patients. She was wheeled to the vegetable bed, her favorite spot. Staked tomato plants several feet tall, the level of her head in a sitting position, were in front of her, and round green balls of fruit hung about. One ripened red globe hung low to her left. My how they have grown, she thought. Weren’t they just planted? Just yesterday? Wasn’t it May or June? She was confused. If tomatoes were near picking, it must be August or July at the earliest. These must be an early bloom variety she thought. The woman who wheeled her, a nurse attendant, a black woman, stepped from behind and locked the brakes of the wheelchair.

“Here mama,” she said in an accent. “You be happy here.”

The woman in the wheelchair looked at her and thought for a moment that she recognized the black woman. She had not mentioned her name back at her room, or had she? She had a face vaguely familiar, but the staff here changes so frequently, she thought. The black woman adjusted the collar of the older woman’s dress, a pretty summer print of blue and pink flowers.

“My how pretty you dressed today,” she said.

“Oh thank you,” the old woman mouthed slowly. The black hands seemed tender and benevolent fiddling across her collar bone and shoulders. The black woman had a broad smile and red lipstick and a wide face. “Do I know you?” the sitting woman added.

“Ja. Of course you know me, mama. I’m Tamara.” It sounded so familiar to the older woman. “I’ve been with you many times, Sylvia.”

“Oh.” She knew her name, she thought, but then all the attendants know her name. The older woman lifted her hand and touched the attendant’s face and hair. She had never seen braided hair like that before. Perhaps she had never touched a black woman’s hair before. At least she could not remember doing so.

“You like?” Tamara asked. The old woman, focused on the head of hair, nodded in approval. “Perhaps some day I fix your hair up like dat.”

For the first time that day a smile came to Sylvia’s lips, and then even a giggle as she thought of the absurdity of trying that on her stringy short white woman’s hair. “Oh, poo,” Sylvia replied, pulling her hand back and waving Tamara away.

“Ok, now mama, you sit here and if it gets too hot for ya you call out for Miss Tamara. Or would you prefer the shade?”

“No, no. I want the sun. I want to be right here.”

* * * *

“Mom, what are you doing out here?” She had fallen asleep and this stern voice woke her. This time it was a man, also vaguely familiar. He had a baseball cap on his head and a graying beard closely cropped. She looked up at him, the sun just over his shoulders blurring his features. It was cold and she shivered.

“Brrr. I’m cold,” she mouthed.

“My God,” the man said, feeling the wind come across the enclave of the garden. “Who left you here?” He took off his jacket and put it over her grey sweatshirt. “Who left you here?” he repeated.

“I don’t know.” She said trying to remember. “Who are you?”

The man just stopped in his tracks, looked at his mother’s face, look into her eyes that were so dreamy and puzzled, and then carried on snuggling his jacket around her shoulders. She was getting worse, he thought. That puzzled face questioning struck a blow to his gut. “What do you mean, ‘who am I’? It’s Robert.”

“Robert? Oh Robert. I didn’t recognize you with that beard.” She stretched her hand and touched his face.

“Not recognized me? I’ve only had it for twenty years.” He laughed.

“Your father would never approve.”

“Father, father. I’ll have to ask his permission.”

“Your father passed away,” she said angrily. “Don’t you play with his name.”

Robert was actually surprised at this moment of lucidity. She couldn’t remember her son’s face but she could remember her husband who had died ten years before. And her face pulled tight and blushed.

“It’s ok mom. Let’s get you in.” He got behind the wheelchair and started to turn her around.

“Wait,” she said suddenly, and he stopped the turn in mid spin. “Where are the tomatoes?” The garden bed was bare ground, slightly turned over earth.

“What tomatoes? There are no tomatoes in October.”

“There were tomatoes there just before, I know it Robert.”

“The garden has long been bare, mother.” He spun the wheelchair around while her open hand seemed to lunge and grasp at figments of tomato plant stems. “How long have you been out here?” he asked.

“I don’t know.” They moved rapidly toward the courtyard entrance way back into the building. The automatic door opened and seemed to swallow them in.

“Charles,” Robert yelled. “Charles.” In the hallway there were other patients, all geriatric, in wheelchairs, and a scatter of aids standing between them trying to maneuver the chairs to gather some semblance of order. There were wheelchairs banging into each other and voices overlaying into a cacophonous clamor. “Charles,” Robert yelled a third time above the noise, and a light skinned black man, a sort of head aid, looked up.

“Yes, Mr. Collotto,” Charles replied.

“Who left my mother in the cold?”

Charles looked down at Sylvia and her eyes met his. He had such round, dark eyes, very expressive. She thought she recognized the annular portals, dusky rings that seemed to telescope inside his skull, but she couldn’t register where she had seen him.

“Were you left outside, Sylvia?

“Charles, did you leave her in the cold?”

“Oh Robert, leave the man alone. It was some woman.” She turned around looking for the aid she thought had wheeled her out. But she didn’t see anyone she recognized.

“Yes, I left her,” Charles conceded. “I was distracted.” He made an exasperated motion with his hands, as if to show what an impossible job he had in managing the wheeled droves. “She wanted to sit in the sun. It was warm earlier.”

Robert acknowledged with a haughty look, but he didn’t push the issue further. “Is she ready for her room? He asked.

“Yes, of course, but she’ll have to wait if you want me to bring her.”

“I can take her.” And he wheeled her around and pushed his way into the elevator, the door just having opened as he faced it, and backed the wheel chair in.

When the elevator door opened at the eighth floor Robert pushed her out and turned left and wheeled her into room 824. The room was with two beds and Sylvia had the bed by the window. Her roommate was a woman who had fallen into a coma, her eyes sealed against the world’s stimuli, and she was permanently silent, a body non-expressive. Robert thought his mother was lucky to have such a roomy. She would never be bothered and the woman never had guests either. What was her name? Oh yes, “Giselle,” there on the wall.

He wheeled his mother to the space at the foot of the bed and he then pulled up a chair beside her, a chair that had been left by Giselle’s bed.

“Has Giselle had any visitors?” he asked.

“Who?”

“Your roommate, Giselle.” He nodded his head toward the woman’s bed and Sylvia turned to look.

“Oh. I don’t know. I don’t even realize she’s there. Sometimes I think she’s dead.”

Robert rubbed his eye. He felt a pinch as if something had gotten in. “Well, don’t complain. The dead don’t disturb the living.”

“Take off that hat. What do you think, you’re in a zoo?”

Robert made a face and took off the baseball cap.

“And that beard. How awful it looks. When did you grow that thing? You know your father would be appalled.”

“Mom, dad saw me with this beard well before he died.”

“Oh poo. You used to have such a sweet face Robert. I remember when I gave birth and you finally came out, oh such pain you were, and they handed me you in a blanket, you had such a smooth baby’s face. Not wrinkled at all like most other babies.”

“And Sara?” This was a moment of lucidity for her and Robert thought to push it further and ask about his sister.

“Oh Sara. She was no pain at all. And she had such black hair.”

An hour later Robert got up to leave and asked if she would like to get into bed. She didn’t. “Just put on the TV for me and turn my chair to it” she said.

Robert repositioned her chair and turned on the television and a news cast was on and he kissed his mother on the cheek and said goodbye and she didn’t even respond. She was already absorbed into the TV hypnotized by the moving pixels and Robert walked out, looking over his shoulder one last time and then looking into Giselle’s frozen face.

* * * *

The television flashed bright and less bright. The male news caster joked with his blonde female counter part.

“Well, there is certainly a cool breeze in the studio tonight.” His perfect teeth glistened inside his opened lips. The woman counterpart rounded her eyes.

“Now I believe it’s time for the weather.” Her head turned to a man on her left. “Well, Blitz, are we in for a white Christmas?”

“Jeanie, get ready for the white stuff. I think baby Jesus will need a cover in the crèche tonight.”

“Sounds exciting.”

The weatherman was up in front of a map. “It’s certainly cold enough tonight, as you can see the temperatures will be down around thirty, and the low front will be coming in around ten and release moisture before midnight.” His hands were moving from northwest to east across the map.

Sylvia adjusted the white sweater that was over her shoulders and over her her white nightgown. She felt the cool air that somehow squeezed its way through the shut window. Tamara stopped at the doorway and poked her head in.

“Ja, mama, it’s time for bed, you know.”

Sylvia either ignored it or it didn’t register, continuing to stare at the screen. Tamara disappeared and Sylvia remained alone in the room, Giselle’s bed empty.

“Two inches,” the weatherman continued. “Maybe three.”


By the afternoon it had snowed over a foot. The pains had lasted an hour. She felt the pressure on the cervix, and then the abdomen, and then in her spine. Tom walked through the door, snow across his shoulders and hat. “I can’t get the car out. And even if I could the streets are a mess.” Sylvia looked at him and put her hand over her belly.


She was on the bed, slow going but in painful cramps. She was breathing and sweating. “It’s okay baby. The ambulance is coming.” His face drooped with worried.


There was darkness and a cold sense that walls were around but they were impalpable and then a speck of light appeared and it grew into a disk, light of light, and as the disk grew and came into focus, curves and cut out were apparent, shaped into a bright, singular snow flake. And Sylvia said, “Oh.”

mtpspur
09-10-2008, 10:16 PM
Well I read it but could not stop flshbacking to my own mother. I freely admit I wasn't sure if the ending was her leaving tbis vale of tears or not but the paragraph ahead to me was obviously her giving birth to one of the two children. Too true about Giselle and I found myself wondering about her. I have a slight but very real fear of ending in a nursing home and losing my sense of who I am in the blandness of the existance there. You set a mood I'll give you that. But to be truthful was not sure what I was to take from Sylvia's life other then a sense of contentment despte Robert's beard. Lol

Petrarch's Love
09-11-2008, 01:46 PM
Hi Virg.--Didn't have a chance to read the competition entries this month, so this was my first read. Your writing keeps getting better and better. You've maintained the things that are your writing strengths in this story: a direct and honest look at the world and a subject that comes from what you know (the latter being more important than many amateur writers seem to appreciate). I found much of the story very moving. A bit more depressing than I was quite up for this morning, but your style more than made up for that. The transition between the seasons was done with admirable smoothness, and to excellent effect. The biggest thing I'm uncertain about is the ending. I say uncertain, because I'm really not sure exactly how I feel about it. I don't think it's quite successful as is, but I think that may be more a problem of how you're expressing it than what you are trying to express. The idea that she is flashing back to the pain of childbirth, and that there is this profound connection between pain, birth, death, and light is a good one, but I think the expression of that is a bit clumsy somehow, and the result is that the ending feels partly confusing and partly a bit cliche, since we're all expecting death at the end of this. Expressed differently, however, I think the same basic idea for the ending could really work. I do like the way, for example, that the disc of light on light harks back to the sun's impression on her closed eye (a great opening description). Perhaps some language mirroring that of the opening in the ending would help make that connection more palpable to the reader and also give a better sense of things being tied together. Keep scribbling!

Virgil
09-11-2008, 08:11 PM
Thank you Rich and Petrarch. Yes, Petrarch i do think the ending was clumsy. I was pressured with the 2000 word limit and had to end it a little curt than I would have liked.

kasie
09-12-2008, 03:32 AM
I like the ending, Virgil - I have a feeling the end will be like that, sudden, when we think we are in the middle of something else.

Virgil
09-12-2008, 06:48 PM
I like the ending, Virgil - I have a feeling the end will be like that, sudden, when we think we are in the middle of something else.

Thank you Kasie. I appreciate your thought. :)

Nossa
09-14-2008, 03:47 PM
I have a feeling that the draft to this story is brilliant. I think the 2000-word limit did affect the ending a bit, I kinda felt confused. But let me just say this, you have a fascinating skill in writing, Virgil. I know I already told you that, but you really have an ability of capturing the feelings of certain moments, that many people might experience yet don't have the sensitivity of describing it as thoroughly and as accurately as you did. I felt sad for Sylvia after the story ended, I kinda remembered my grandmother, she didn't die or anything, but she has memory problems, she can't walk on her own any more, and she can't really know who's talking to her sometimes, even if it was one of her sons or daughters. So that was really amazingly described.

I have one question though. The black nurse in the story, I wonder what exactly she stands for? I had the feeling that maybe she stands for Sylvia's past, or the good memories she had. I know old people tend to remember distant memories and old happenings more than recent ones. Am I right here?

It's a great story, Virgil :D

Virgil
09-14-2008, 04:47 PM
I have a feeling that the draft to this story is brilliant. I think the 2000-word limit did affect the ending a bit, I kinda felt confused. But let me just say this, you have a fascinating skill in writing, Virgil. I know I already told you that, but you really have an ability of capturing the feelings of certain moments, that many people might experience yet don't have the sensitivity of describing it as thoroughly and as accurately as you did. I felt sad for Sylvia after the story ended, I kinda remembered my grandmother, she didn't die or anything, but she has memory problems, she can't walk on her own any more, and she can't really know who's talking to her sometimes, even if it was one of her sons or daughters. So that was really amazingly described.

I have one question though. The black nurse in the story, I wonder what exactly she stands for? I had the feeling that maybe she stands for Sylvia's past, or the good memories she had. I know old people tend to remember distant memories and old happenings more than recent ones. Am I right here?

It's a great story, Virgil :D

Thank you for your nice words Nossa. :) The black nurse doesn't represent anything. It so happens that in my area of the US an extrordinary amount of nurse aids are black women from the carribean islands. It just provides realism. I hope I captured her accent. ;)

Sweets America
09-15-2008, 07:16 PM
I loved your story, Virgil. The atmosphere is well depicted, you expressed Sylvia's confusion well. I loved the memories of when she gave birth and how they were related to the present thanks to the weather. I really liked how everythig kind of melted together, like it did in Sylvia's mind. The strange events (Gisele's empty bed, Tamara disappearing and reappearing, the tomatoes) add to the atmosphere.

Captain Pike
09-16-2008, 02:02 PM
Isn't it great when a piece of work says things or does things -- magical things, that you didn't really plan for? It is as if we are only an instrument being used to transmit a message from the deep blue, for us humans to interpret and appreciate.
Kurt Cobain spoke often in a way similar to what you said in response to the question about the Caribbean nurse. To be sure, the successful ink junkie will do well if he can cleverly spin his yarn -- packing a lot of alliteration and onomatopoeia in, like grout between the tiles of his tail.
I don't know about the ending, but I thought the story was very good.

Granny5
10-20-2008, 10:30 PM
Virgil, I love your story. Just love it. It's a good story. I like the way you make the reader understand Sylvia's deterioration by using the seasons and the way she loses track of time. The ending is a little awkward but only on the first read. On the second read, it seemed fine. I totally understand and appreciate it. I hope that when my time comes, I am thinking about the best of my life, and that is giving birth to my children.

Virgil
10-20-2008, 10:37 PM
Thank you Granny. And thank you Sweets and Capt Pike. I'm just noticing your comments now. I appreciate all your comments.

Granny5
10-21-2008, 11:09 PM
I want to say that I wish the story had been longer. I'd like to know more about Sylvia.
I like to read stories that make me want to keep reading about the people in them.
Maybe you could expand it and post it???

Virgil
10-21-2008, 11:24 PM
I want to say that I wish the story had been longer. I'd like to know more about Sylvia.
I like to read stories that make me want to keep reading about the people in them.
Maybe you could expand it and post it???

I've thought about it. Perhaps. ;)

Granny5
10-21-2008, 11:32 PM
I've thought about it. Perhaps. ;)

I'll be watching for it.

shortstoryfan
12-19-2008, 11:00 PM
Sorry, I just got here so I'm just now reading this story. I really enjoyed it. I think there are a lot of good things, and I think other posters have done a good job of listing the general strengths and weakness. I had a couple of specific sentences and places that I felt could have been handled better, rather than a generalization about how a certain aspect wasn't good.

Virgil
12-19-2008, 11:28 PM
Sorry, I just got here so I'm just now reading this story. I really enjoyed it. I think there are a lot of good things, and I think other posters have done a good job of listing the general strengths and weakness. I had a couple of specific sentences and places that I felt could have been handled better, rather than a generalization about how a certain aspect wasn't good.

Why thank you shortstory. I really appreciate you reading and commenting. Please copy and paste the sentences you think I coud have done better. i'm not just after praise. I want constructive criticism. :)

shortstoryfan
12-20-2008, 10:26 PM
I will try to express my thoughts on intellectual things, which can only be experienced internally and personally the best way I can.

First, let me say that this story has a very good strong point, which I have found among many short stories I have read recently. It is a kind of phenomena in which certain sentences seem to take on, for me, at least, some kind of special significance. I don't know if this is foreshadowing, but I have heard sentences at the end of pieces take on this magical quality, so I think it is perhaps not. All I know is that when I personally read these sentences I can hear the character placing some significance on that particular sentence, or I can hear how that sentence has a long back story which creates a lot of depth. Maybe they are just beautiful sentences that strike me, I'm not sure, but here are a few examples.

1)“Here mama,” she said in an accent. “You be happy here.”
2)“No, no. I want the sun. I want to be right here.”
3)“Well, don’t complain. The dead don’t disturb the living.”

There are a few others that have this quality slightly, but these are the ones that are most obvious. If this doesn't make sense to you, I'm sorry, I could try to explain it more extensively through private messaging.

A few of the sentences are not bad really, but I would have edited them to make them look more...edited? Hahaha. That's the best way I can put it.
You use the spelling "ok" in this story, and while I'm not sure there is a determined spelling of this, I feel that I more commonly see, "okay" and maybe if an editor did get a hold of this piece, they would make that change. Sometimes things aren't right or wrong, but you know, just conventions within the industry at a certain time.
I also think when you use "Brrr," in the story, it kind of seem unrealistic. I think in a more comic story it could work fine, but for this story, it seems to me, a bit out of place. I'm not sure how real this sound is in the first place, but here particularly, because of the excellent writing of the rest, it seems odd in place. I also think by leaving it out, "I'm cold" takes on some sort of new power, a stronger sense of character and feeling.
Another issue I have is when you say someone "mouthed" a certain phrase. For me, this implies the image of someone speaking, without any actual sounds coming. I think Sylvia mouthing, "I'm cold" is kind of a cool image, but I don't think that's what you intended, and I don't think you intended it when you used it the second time either. This isn't wrong, but I wonder if other readers get this image as well when they read, "mouthed".


I also think that changing some of this sentences' punctuation, you could make it clearer that Sylvia sees her roommates name on the wall, and maybe make a new, stronger feeling that Sylvia is thinking this phrase.
"What was her name? Oh yes, “Giselle,” there on the wall."
This is obviously Sylvia thinking to herself in her mind, but perhaps changing some of the punctuation it can become stronger, and maybe changing the sentence around a bit will make it more clear. I understood it, but I think more directness will create a different sense...more exciting sense.

"Perhaps she had never touched a black woman’s hair before. At least she could not remember doing so." I think the use of "perhaps" in this sentence doesn't read like it should come from Sylvia's thoughts, but the narrator. I think expressing this section in a different way will make it either a narration, or a stronger thought of Sylvia's. I know she is confused, but the words you use to show her musing kind of make it confusing as to whether the narrator is speaking or Sylvia is thinking...you may like this effect, but personally, I think it could read more simply and clearly.

You do a great job creating Sylvia's inner dialogue: I really believe she is an old woman, who has lived a lifetime, and is living now as a person confused about things and living in remembrances of this life. I got a great sense of the mother-son relationship, and the concerns the son has about the mother being in the nursing home. I even got a sense of the nursing aids and their lives and backstories. I think the way these characters interact and show their motivations is very strong.

I feel like a lot of the sentences have a lot of back story and depth, so I commend you for that--I can see this story going in several different ways, or you creating other stories with these characters. I even want you to, so that is really good.

I think I can see also how some of the things characters say seem to convey that Sylvia is in heaven already...I doubt you were intending this, but if I was in a literature class, or a critic, I might try to make this argument, and your piece would take on even more depth. The nurse's aid tells Sylvia, “You be happy here," which seems significant, as does Sylvia's final dialogue in this first section. I'm not saying this is what you intended, but it is nice that you have this way the story could be interpreted.

I can see that you have the skill to successfully work the ending, it's unfortunate about word count limits. I can see specific sentences that make me certain that the ending, with more words, could have been produced beautifully. I see the segue between the end of the "news" section, to the beginning of the next section.

I think you have a great natural talent for conveying people's thoughts and feelings, and have brought to life characters people can relate to without them becoming cliche archetypes. I know people who have been protective of their relatives in nursing homes and the character in this story, the son, represents their fears perfectly. I also have known older people, confused and in declining health, the sadness and reflection that comes with that, and Sylvia carries all that in her character as well. With a little editing by an outside source I think this story would have been more effective. The smallest things can make a good story and great one, and a lot of what I talked about was appearance--but even that is important.

Virgil
12-21-2008, 01:37 AM
Thank you so much for your comments shortstory. When I will get to rewriting it for a final edit, I will take everything you said into consideration. Just to let you know, since you may not realize it being you're new here, this was submitted for the lit net short story contest and I had to hold the word count to 3000 words. So I was forced to be really curt in a couple of places. Thanks again. I think I agree with all your improvements. I'll have to see how I work them in. :)

NickAdams
12-21-2008, 06:56 PM
I agree with shortstory for the most part. I was also confused by the narrative POV. Some of the details of the first section seem to be too precise for Sylvia's perspective, like the the courtyard and building and also the medical jargon used in the final section.

Like you story before this, Shop Talk, I find your characters very interesting. You are able to reveal exposition while keeping with the momentum of your story. I don't know if you have read a book titled The Art of Dramatic Writing, but the author made a point that I agree with: exposition shouldn't be crammed into the first act, but gradually revealed throughout the entire story. I found Robert's internal response, mentioning his father has been dead ten year, when Sylvia first commented on his beard forced and unnecessary because it is later revealed in dialogue that his father saw it well before he died.

There are a list of idioms that could be replaced with fresh language:



bright sun
eyelids fluttered
hung about
vaguely familiar
nodded in approval (nodded would be fine)
puzzled face



My how they have grown, she thought. Weren’t they just planted? Just yesterday? Wasn’t it May or June? She was confused. If tomatoes were near picking, it must be August or July at the earliest. These must be an early bloom variety she thought.

I think the proceeding sentences establish confusion so it doesn't need to be stated.



“Here mama,” she said in an accent. “You be happy here.”

This seems unnecessary because you convey an accent later on with the use of "Ja". There are two things I would like to inform you of, incase you don't know: first, Ja is the written form of Ha in South America. Since the Spanish J is pronounced like the English H (Ha, ha, ha = Ja, ja, ja); second, Ja can be the accented yes of someone from the West Indies or it could be Jah, which is what Rastafarians use to refer to YHWH. You said in a previous post that the nurse doesn't represent anything, but she could be misinterpreted as an angel, which strengthens your argument against criticism since it is obviously not what you meant; very interesting.

I know you're familiar with the show don't tell dichtom, but it would have been impossible for you to dramatize certain passage under the 2000 word condition so I don't think it would be necessary for me to point out instances.

I don't know if it was intentional, I know the flaky chipperness of anchors is funny, but I thought the news portion was hilarious and man did I luagh out loud when he said, "get ready for the white stuff". :lol:

I think the transition from the weather broadcast was finely done. I was laughing, as you know, but the shift in mood was apparent. The following sentence, "the pains had lasted an hour," created some nice tension. Even though it relies on context, I think this is the strongest and best crafted of of all:



Giselle’s bed empty.

“Two inches,” the weatherman continued. “Maybe three.”


By the afternoon it had snowed over a foot. The pains had lasted an hour.

Lastly:


The woman who wheeled her, a nurse attendant, a black woman, stepped from behind and locked the brakes of the wheelchair.


This is a wonderful sentence stylistically, because it mimics the state of mind of the central character by moving from the general to the specific with the effective pause of a comma: woman --> nurse attendant --> black woman. It gives the impression of a mind that realizes, or remembers, a more vital piece of information then the one previously stated, like a person trying to give directions to a place they've been once (two blocks, on 5th, next to the so-and-so.

aBIGsheep
12-21-2008, 07:59 PM
Ugh. I don't want to be so irrelevant and shallow that all I can say is: 'I liked your story' but that's how it's probably going to be. Everyone else has your edits covered.

Mgraddrrr . . .
But the one thing that kinda killed it for me the ending. It slowly eased into a great conclusion, only to hack it off with an 'oh'.
Say that to yourself.

'oh'

THE WOMAN IS HAVING A BABY! That's like saying, 'oh, good golly gosh I left my keys in the hamper' or 'oh, do you have the time.' It's not like, 'oh, good GOD I'M ABOUT TO HAVE A BABY!'
I know that it was probably intended to be something serene and quiet, because that was the tone through out most of the story, but the 'oh' just took away from such a good yarn. I'm hoping that it's being addressed?

shortstoryfan
12-21-2008, 08:09 PM
Sheep, that was definitely the funniest post I've read since I've joined this forum. You're funny.

I actually like the ending though. Sure, it's just an "Oh", but it just seems so significant and poignant in its simplicity. It's unexpected. I don't know, just my opinion.

shortstoryfan
12-21-2008, 08:11 PM
Oh, and Virgil, it's clear to me that the beginning is the narrator speaking, and not a description through Sylvia's eyes...I understand that only certain sentences are told from Sylvia's perspective, but the rest is narrative.

aBIGsheep
12-21-2008, 08:14 PM
I just read some of the posts and I see that there was a word limit. But nonetheless, it ends with:


"And she said 'oh.'"

Isolating it by itself makes for a sorry ending. I know I'm being a bit harsh when I say it, but the rest of the story utilized so much smaller, kindly crafted sentences that just "she said." It could've been done mucchhh better. Just from reading the rest of the story is example enough. The ending could've been done much better.

shortstoryfan
12-21-2008, 08:32 PM
Well, I guess I just like weird stuff...haha.

Virgil
12-21-2008, 11:34 PM
I just read some of the posts and I see that there was a word limit. But nonetheless, it ends with:

Isolating it by itself makes for a sorry ending. I know I'm being a bit harsh when I say it, but the rest of the story utilized so much smaller, kindly crafted sentences that just "she said." It could've been done mucchhh better. Just from reading the rest of the story is example enough. The ending could've been done much better.

I think I may have said somewhere in the thread that I was unhappy with the ending in general. Thank you for your comments Sheep.

Captain Pike
12-28-2008, 09:24 AM
You can see why they put an arse in "ANALysis" !

bopvp
06-06-2010, 05:31 PM
Very interested to read your full draft before you did the word cutting. Do you happen to have your original full copy? I would love to read it!

Thanks

hillwalker
06-06-2010, 06:35 PM
I have also only just stumbled upon this today, but felt obliged to add to the words of praise this story has attracted.
You possibly do have plans to tighten up the narrative as per some of the suggestions and advice listed above so I shall just concentrate on the story's strengths.

You do a marvelous job of capturing the thought processes of someone suffering Alzheimers or senile dementia (?) - pears of intense, instant thought strung along a fragmenting chain of memory that slowly unravels before ones eyes. And the reader is often left to decide how many of her perceptions are in real-time and how many result from a mish-mash of confused images from her past - which is exactly how the condition exists in real life for sufferers and their families.

You mention how constraining you found the 2000 word count, but personally I found the ending a perfect point of closure.
It can be interpreted as at least two distinct events. Either her mind is receding to that single, most intense memory that she ever had (triggered by the tv broadcast) - before disengaging altogether. Or it signifies her release from this life with the imprint of her proudest moment left on her soul.

Personally I see little need to tamper that much with a great piece of story-telling.

H

Virgil
06-06-2010, 11:03 PM
Thank you Bop and Hillwalker. I've never come back to this story. Perhaps one day. I'm glad you enjoyed it. :)

I think I was aiming at both those meanings in the ending Hill.