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schadenfreude
02-05-2008, 05:09 AM
Only looking towards the next meal,
back aching from laying supine
for hours at a time
I spend my holidays reading old diaries- frail tea pages sprawled
with a childish scrawl.

It is now the future and
I am still in the past. I didn’t even catch a glimpse of time
zooming past on a red Audi, leaving nothing but dust and
sepia tones. My friends have all ‘moved on’, as they say,
to the greater dream- a job, house, a family, a car. But I,
I could never have followed, so I sit here recounting and
recollecting old passages.

There was a time when I made my fiery demands.
Standing in the warm lounge of the university café, I
cried out simple slogans for world peace, social justice, an end to poverty,
and berated Bush for the war. Too busy to write for myself,
I wrote for Amnesty International, calling for emancipation and equity.
I scorned the traditional conservatives, scoffed at religious fundamentalists
and cursed the feeble-minded for their apathy.
I was younger, you see. I knew the secrets of immortality.

But that has all gone now, and I trawl through coffee-stained pages:
palimpsests of darkened rings washing aside nothing in particular,
wishing that I had been selfish enough to write for myself.

And now,
I watch the young women pushing prams
down the street,
across from where my house stands,
and the crackling of rubber wheels on the hot gravel
leaves a trail through my head.

dramasnot6
02-05-2008, 06:18 AM
I LOVE it.
Just love it.
(go Amnesty International, by the way! :thumbs_up )
Anyway,
I am still in the past. I didn’t even catch a glimpse of time
zooming past on a red Audi, leaving nothing but dust and
sepia tones is so creative and beautiful.


The last stanza,
[QUOTE][and the crackling of rubber wheels on the hot gravel
leaves a trail through my head./QUOTE]
Your imagery is amazing.

Great work.

symphony
02-05-2008, 11:40 AM
U know what, i've been looking forward to seeing something from u. :) And here it is, with all its elegance and eloquence! :thumbs_up

I loved the opening stanza, the suddenness of it, and then the quiet flow, bursting out at certain places, yet not giving too much of histories.
I frowned a little at "there was a time when" and "but that has all gone now", since it sounded a bit commonplace at first, but reading it again i think it doesnt matter much, helps the overall flow, and gives it this effortless tone that i loved.

jon1jt
02-05-2008, 03:24 PM
The lines 'that has all gone now,' 'It is now the future...past,' state the obvious.

The poem presents an overly simplified version of a real experience. It's like trying to summarize The Illiad in a page. That's not to say I don't like its sentiment.

AuntShecky
02-06-2008, 11:24 AM
Is there a way, a mnemonic trick perhaps, to keep the terms "supine," "prone" and "prostrate" straight? I can never get them right. Usually I just write "he lies down."
But then you've got to remember all those irregular tenses! It must drive speakers of English as a second language flat-out nuts.

PrinceMyshkin
02-06-2008, 08:21 PM
I very much agree with the praise you received for your imagery and the wealth of concrete detail, but I think this would read much better, more fluidly, if it were set out as a prose poem.

Tuninks
02-06-2008, 09:09 PM
I second Prince, good job though. :)