kencht
01-29-2006, 07:53 PM
I have read many of the posted threads on Voltair's Candide,
It is peculiar to notice that none of them closes the lens on the main issue regarding voltair's work,
it even so happened that names like " Shakespeare" and "Dostoevsky " were mentioned in the way,
Of course names like these " do not apply" at all,
it would be more suitable if we put the comparison to the Russian "Gogol" or the Dutch "Spinoza" or the British " Wilde" (as I remember he wrote one good story and named it " The house of judgment").
What Voltair wrote were meant to be a global, "he even tried to be universal at times", and not intended to be a story or a tale or even a doctrine, it is only a metaphor of an idea, by that it belongs to the absolute treasures of the weak and humiliated humanity, the one which really exists and which Voltair saw it as so.
The human being is a local creature who thinks that he is the center of this existence and that he is created according to the divine, and that God watches him from heaven and that every thing is created to serve his glory......etc.
All of these small Haman's thoughts which a few men were able to discern them as mere fallacies and to see that humanity is the reverse to that, that is human is small and is controlled by small funny effects like hatred and the urge to be acknowledged and the desire to be unique...etc.
For Voltair in particular, he thought of it as a man sitting naked over the toilet bowl while peaking up with his head thinking he will reach to the heavens!!
Funny enough idea, but this is simply what controlled Voltair's view,
I would also refer to his novel named "MicroMegas",
As for this last one, some other devoted brains worked on the infinity and the relativity of objects and effects, I mean the idea, among them were "Leibniz" and "Spinoza",
about the triviality of Time, also wrote " Nikos Kazantzakis" on a better literary level,
you may also find some flickers of that in some of Mopassin's short stories,
The stratum to which Voltair belongs cannot include people like Dostoevsky or Shakespeare, it is a stratum of writers who paint not who mumble!
like wise you cannot compare the "Moody Blues" to "Procol Harum", may be to " Tull" or " Jon&Vangelis" or even "Floyd" with reservations,
and since painting uses a higher level medium which is light( as a form of variation in time-space) which is made of the same substance as human thinking,
hence we must realize only writers with the same stature of writing to include them when we mention Voltair's "MicroMegas" or "Candide", these were very few,
Spinoza, Hesse, Leibniz, Gogol, Kazantzakis, Wilde,
Some of the writings of these were even deeper or higher than Voltair's, though very few .
It is peculiar to notice that none of them closes the lens on the main issue regarding voltair's work,
it even so happened that names like " Shakespeare" and "Dostoevsky " were mentioned in the way,
Of course names like these " do not apply" at all,
it would be more suitable if we put the comparison to the Russian "Gogol" or the Dutch "Spinoza" or the British " Wilde" (as I remember he wrote one good story and named it " The house of judgment").
What Voltair wrote were meant to be a global, "he even tried to be universal at times", and not intended to be a story or a tale or even a doctrine, it is only a metaphor of an idea, by that it belongs to the absolute treasures of the weak and humiliated humanity, the one which really exists and which Voltair saw it as so.
The human being is a local creature who thinks that he is the center of this existence and that he is created according to the divine, and that God watches him from heaven and that every thing is created to serve his glory......etc.
All of these small Haman's thoughts which a few men were able to discern them as mere fallacies and to see that humanity is the reverse to that, that is human is small and is controlled by small funny effects like hatred and the urge to be acknowledged and the desire to be unique...etc.
For Voltair in particular, he thought of it as a man sitting naked over the toilet bowl while peaking up with his head thinking he will reach to the heavens!!
Funny enough idea, but this is simply what controlled Voltair's view,
I would also refer to his novel named "MicroMegas",
As for this last one, some other devoted brains worked on the infinity and the relativity of objects and effects, I mean the idea, among them were "Leibniz" and "Spinoza",
about the triviality of Time, also wrote " Nikos Kazantzakis" on a better literary level,
you may also find some flickers of that in some of Mopassin's short stories,
The stratum to which Voltair belongs cannot include people like Dostoevsky or Shakespeare, it is a stratum of writers who paint not who mumble!
like wise you cannot compare the "Moody Blues" to "Procol Harum", may be to " Tull" or " Jon&Vangelis" or even "Floyd" with reservations,
and since painting uses a higher level medium which is light( as a form of variation in time-space) which is made of the same substance as human thinking,
hence we must realize only writers with the same stature of writing to include them when we mention Voltair's "MicroMegas" or "Candide", these were very few,
Spinoza, Hesse, Leibniz, Gogol, Kazantzakis, Wilde,
Some of the writings of these were even deeper or higher than Voltair's, though very few .