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Ecurb
09-02-2025, 02:38 PM
I was reading Tennyson today and came upon a poem with which I was unfamiliar. It’s “Marianne in the Moated Grange”, and describes the self-centered and almost erotic pleasure of grief. Marianne, it seems, is so happy in her unhappiness that she desires nothing more.

The poem explores what Shelley called, “The dark idolatry of self”. I consider it a masterpiece.

With blackest moss the flower-plots
Were thickly crusted, one and all:
The rusted nails fell from the knots
That held the pear to the gable-wall.
The broken sheds look'd sad and strange:
Unlifted was the clinking latch;
Weeded and worn the ancient thatch
Upon the lonely moated grange.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Her tears fell with the dews at even;
Her tears fell ere the dews were dried;
She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats.
She only said, "The night is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

Upon the middle of the night,
Waking she heard the night-fowl crow:
The **** sung out an hour ere light:
From the dark fen the oxen's low
Came to her: without hope of change,
In sleep she seem'd to walk forlorn,
Till cold winds woke the gray-eyed morn
About the lonely moated grange.
She only said, "The day is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

About a stone-cast from the wall
A sluice with blacken'd waters slept,
And o'er it many, round and small,
The cluster'd marish-mosses crept.
Hard by a poplar shook alway,
All silver-green with gnarled bark:
For leagues no other tree did mark
The level waste, the rounding gray.
She only said, "My life is dreary,
He cometh not," she said;
She said "I am aweary, aweary
I would that I were dead!"

And ever when the moon was low,
And the shrill winds were up and away,
In the white curtain, to and fro,
She saw the gusty shadow sway.
But when the moon was very low
And wild winds bound within their cell,
The shadow of the poplar fell
Upon her bed, across her brow.
She only said, "The night is dreary,
He cometh not," she said;
She said "I am aweary, aweary,
I would that I were dead!"

All day within the dreamy house,
The doors upon their hinges creak'd;
The blue fly sung in the pane; the mouse
Behind the mouldering wainscot shriek'd,
Or from the crevice peer'd about.
Old faces glimmer'd thro' the doors
Old footsteps trod the upper floors,
Old voices called her from without.
She only said, "My life is dreary,
He cometh not," she said;
She said, "I am aweary, aweary,
I would that I were dead!"

The sparrow's chirrup on the roof,
The slow clock ticking, and the sound
Which to the wooing wind aloof
The poplar made, did all confound
Her sense; but most she loathed the hour
When the thick-moted sunbeam lay
Athwart the chambers, and the day
Was sloping toward his western bower.
Then said she, "I am very dreary,
He will not come," she said;
She wept, "I am aweary, aweary,
Oh God, that I were dead!”

tailor STATELY
09-02-2025, 04:16 PM
The repetition in the poem seems to me a lament; I read it as loss and hopelessness. AllPoetry reinforces what I saw in the poem: https://allpoetry.com/Mariana-in-the-Moated-Grange.

Thank you for posting this, indeed, masterpiece :)

Ta ! (short for tarradiddle),
tailor

Ecurb
09-02-2025, 05:03 PM
The repetition in the poem seems to me a lament; I read it as loss and hopelessness. AllPoetry reinforces what I saw in the poem: https://allpoetry.com/Mariana-in-the-Moated-Grange.

Thank you for posting this, indeed, masterpiece :)

Ta ! (short for tarradiddle),
tailor

Your interpretation is clearly the standard one. I see (in addition to your interpretation, not as opposed to it) the repetition as a sort of mantra of self-intoxication, which is reenforced by Marianne's sensuous infatuation with the beauty of grief, as expressed in the verses.

"She could not look on the sweet heaven,
Either at morn or eventide.
After the flitting of the bats,
When thickest dark did trance the sky,
She drew her casement-curtain by,
And glanced athwart the glooming flats."

Maranne, after all, need not have "drawn" her casement curtain by" only at morn or eventide. She could have enjoyed the noon sunshine, and fought against the gloom. But she chose not to. I get the impression from the beauty of the lines that she relished (in a strange, almost erotic way) her grief. There are many poems about grief. I'd suggest that my interpretation is what moves this poem to another level (along, of course, with the skillfull manipulation of sound and image).

tailor STATELY
09-02-2025, 06:02 PM
Perhaps... I'm not the best in poetry interpretations... one can see that in the Alphabetical Poem First Lines game... https://www.online-literature.com/forums/showthread.php?28819-Alphabetical-Poem-First-Lines where I tend to be more literal in my interpretations and miss a layer or two sometimes. Your take makes me pause to reread at a more leisurely pace and ponder. Thank you for your thoughts :)

Ta ! (short for tarradiddle),
tailor